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listette's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Most of the action was at the final pages and I must say that hell was a bit of a letdown.
The characters are still so loveable and I’m looking forward for more
Moderate: Violence
Minor: Addiction, Animal cruelty, Gun violence, Racism, and Blood
blissofalife's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Animal death, Body horror, Death, Gore, Violence, Blood, Death of parent, Murder, and Injury/Injury detail
Moderate: Cursing
Minor: Domestic abuse, Drug abuse, Drug use, Gun violence, Panic attacks/disorders, Physical abuse, Racism, Self harm, Sexism, Slavery, Police brutality, and Stalking
morganish's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
I don't typically have a lot of books that I anticipate, but I've been waiting for this one since I closed the pages on the last one. I hate that this is true, but it's actually pretty rare for me that I finish one book and then immediately feel the need to read the next (if it's available). So when it happens, it's just... a next-level positive reading experience for me. Ninth House gave me that, and I'm happy to report that, for the most part, Hell Bent did, too. This second entry in Leigh Bardugo's Alex Stern series finds our main protagonist building a tentative alliance with some familiar names (and dealing with some mysterious/dangerous subplots) as they work to figure out how to save fan-favorite Darlington from Hell.
What Worked For Me
The Worldbuilding: I don't have anything especially grand to say, and I don't know that I think other people will love how the magic functions here, both literally or as metaphor. Magic is very much a metaphor for power here, a tool that is utilized to help the privileged accomplish their goals. There are some moments throughout the series of people doing casually horrific things tied to real-world brutality and exploitation. The metaphor at times becomes intentionally thin, so that you're not really looking at magic at all, just at people with power behaving in predictable yet awful ways, without much in the way of growth or clean justice. But I do like how Bardugo writes magic, as something that even the powerful don't really know how to use, but something they hoard. It works in a very academic sense, too; knowledge of ritual and language and incantation which builds upon itself. There's an interesting sense that magic (and knowledge) is meant to be safe, but that actually there are no rules, and no one is really in charge, but that there are a lot of scholars and rich people and bureaucrats that think if they establish organizations like the societies, they'll get a grasp on it. It also allowed magic and what exists in the sort of magical sphere to feel much, much bigger than the books suggest, but to show you very little of it; only what our protagonists care about pursuing, and what they accidentally interact with.
The Characters: I just like them! This isn't some sort of objective statement about how all characters should be like this (although I've made my feelings about a preference for protagonists like Alex Stern known in other reviews before). I just like them, they all worked well together, and they all felt realistically gray and flawed enough to feel three-dimensional and real, which is probably one of the things that helped me sink into the world so easily.
What I Have Mixed Feelings About
What Wasn't My Thing
Who This Is For/Content Warnings
The Alex Stern series really does earn the moniker "dark fantasy" in a more traditional, classic sense. Lots of really fucked up stuff happens, the characters absolutely morally gray (at times walking the knife's edge of believability). While there's sexual content and hints of romance, I'd say this isn't the kind of "dark fantasy" you see in the type of fantasy romance books for adults that are popular right now. It might have the same types of archetypes and tropes, but I'd say this leans a bit more toward the ASoIaF side of content - most of the violence (including sexual violence) exists in this series to highlight the themes. The grimdark elements here do NOT exist here as primarily tonal choices. The goal doesn't seem to be, at least to me, to shock or titillate the audience only for its own sake, or to create cheap stakes. There is theme work happening here. On the flip side, so far the way the dark elements work in this story have been what I would call expository, rather than conclusive. Which means, it's trying to draw stark, unflinching attention to the horrific realities of ivy league academia, not really in trying to offer solutions. If you like that (or can hang with it) and you like dark academia, urban fantasy, and/or a series with a lot of dangling mysteries/questions, jump right in. And if you're a fan of the first, I have a hard time imagining you not liking this one... unless the only thing you care about is Darlington being immediately returned to the real world on page 1.
Warnings for:
Graphic: Bullying, Gore, Gun violence, Racism, Rape, Sexual assault, Sexual violence, Violence, Blood, Police brutality, and Colonisation
Moderate: Confinement
Minor: Slavery
roobadger's review against another edition
- Plot- or character-driven? A mix
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Moderate: Death, Gore, Gun violence, Violence, and Murder
cjladygoodman's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Gun violence, Sexual violence, Violence, and Murder
Moderate: Addiction, Bullying, Child abuse, Drug abuse, and Alcohol
piratesandprophecy's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
5.0
1. book of the year. book of the fucking century. leigh threw her whole spookussy into this one.
2. i never expected to be willing to fight a goddamn adult hippopotamus, the most life-threateningly homicidal animal i know of, for tripp helmuth, but here were are.
3. if darlington and alex don’t get it on in the next book i’m suing. the level of mutual pining and horniness here breaks the scale.
Graphic: Death, Violence, and Grief
Moderate: Gun violence
Minor: Drug abuse, Rape, Sexual assault, Slavery, and Suicide attempt
deedireads's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
TL;DR REVIEW:
Hell Bent was an awesome sequel to Ninth House. I loved diving deeper into these characters and their relationships, all while happily along for the plot ride Leigh Bardugo is famous for.
For you if: You like dark fantasy/academia (and already read Ninth House).
FULL REVIEW:
Hell Bent is the long-awaited, much-anticipated sequel to Ninth House. It’s the second book in the Alex Stern trilogy (although until I read this book I totally thought this was a duology 😅) , an adult dark academia/fantasy series about Yale’s secret societies by our queen, Leigh Bardugo.
We knew from Ninth House that this was going to be a wild ride, and it definitely didn’t disappoint. No spoilers here, but I will say that the story picks up a few months after the last book ended. And whereas Ninth House was more of a world/character introduction by way of mystery (“what happened to Darlington?”), Hell Bent is all about deepening our relationship with those characters while we ride along on the unputdownable plot journey Leigh is famous for (“OK, so how do we save him?”).
I loved getting more time with our motley little crew: fierce but loving Mercy; soft but strong Dawes; moral but loyal Turner. I also felt like Alex kept her badass, unapologetic nature while also growing a bit more mature, but in a way that felt organic for us as we’ve gotten to know her. And of course, Leigh’s skill at using a non-linear timeline to keep us engaged and guessing without making things confusing was on full display.
So the good news is that this was totally worth the wait. But the even better news is that it doesn’t look like we’ll have to wait as long between books 2 and 3, because she’s already hard at work on the finale.
And finally, for those of you who’ve already read this, I’ll just say: glow sticks. #IYKYK.
Graphic: Death, Drug abuse, Drug use, Violence, and Murder
Moderate: Animal death and Gun violence
lindsayerin's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Death, Violence, Murder, and Injury/Injury detail
Moderate: Animal cruelty, Animal death, and Death of parent
Minor: Gun violence and Fire/Fire injury
rc_boxnut's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? N/A
5.0
Graphic: Child abuse and Gun violence
Moderate: Sexual assault, Sexual violence, and Death of parent
briguy992's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Animal death, Gun violence, Blood, Death of parent, and Murder