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kirstym25's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Slavery and Violence
Moderate: Sexual assault
Minor: Rape
moth_mcgangis's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
Ship of Magic is a sadistic sad-fest of a novel, and as much as I adored Hobb's prose, character development, and vivid descriptions, I don't feel like I can justify rating this book any higher because of that. The author starts by showing you an array of likable characters, then spends the rest of the book putting them through hell again and again and again and again and again.
No good deed goes unpunished in this novel. The likeable characters are beaten and forced to submit while the worst, most hateable characters always get their way. After the first quarter of the book, this pattern is frustrating. Halfway through it is tiresome. And three-quarters of the way I was starved for any sense of justice for the characters I had grown to care for so much, but I never really got it in a justifiably satisfying way. 800 pages is a long time to go without seeing anything good happen to the characters you love, and I just came out of it feeling depressed.
But as much psychological distress as this book caused me... goddammit, I can't possibly rate it lower because all of the characters are so compelling and my desire to see things work out for them (or for some, to see them held responsible for their actions) is overwhelming. Not to mention it is the first book I've read in recent memory to make me cry (poor Paragon...) I will definitely be reading the other two at some point, but not for a while.
In summary, if you are up for a sad novel with infuriating antagonists and very little hope, you will probably love this book. But if you are expecting something cozy and fun like I was, look elsewhere, or you will get strung along on a ride of beautifully written, but seemingly endless misery.
EDIT:
I HAVE DISCOVERD THAT YOU ARE NOT SUPPOSED TO READ THIS BEFORE READING THE FARSEER TRILOGY. DON'T DO WHAT I DID! READ FARSEER FIRST!
Graphic: Misogyny, Child abuse, and Slavery
readwithbells's review against another edition
4.0
That being said. A primary focus of this book is slavery, specifically the slave trade on ships. While I do think Hobb did her research and had good intentions, I also take issue with a white woman writing so extensively on slavery. It’s just a little icky?? And very hard for me to put into words. I think this book would have been just as good, if not better, without slavery as a plot device. I think it’s done tastefully, truly. But it gives me the ick and that’s a real bummer because I want to love these books and I am weirdly conflicted in my feelings for them. These are older books and I can acknowledge that Hobb was likely bringing attention to something not a lot of other authors were talking about, but at the same time it gives me an uncomfortable feeling. So.
Graphic: Death, Domestic abuse, Child abuse, Slavery, Sexism, and Misogyny
Moderate: Sexual assault, Blood, and Vomit
jferguson1138's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
You can see the twists coming from a mile away and Hobb twists the knife in while looking at you firmly in the eyes. Excited to pick up the next.
Moderate: Slavery
lunafrmoon's review against another edition
4.0
Graphic: Child abuse, Drug use, Violence, Blood, Child death, Death, Torture, Slavery, and Misogyny
Moderate: Bullying, Sexual content, and Sexual assault
Minor: Excrement and Suicidal thoughts
mythmakers's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Child abuse, Slavery, and Violence
skyeoak's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Slavery, Child abuse, and Sexism
Moderate: Sexual assault
ofthebrownajah's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Slavery and Violence
Moderate: Drug use
barry_x's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.25
I picked up 'Ship of Magic' as a freebie in some online giveaway years ago but never got round to reading it before now.
It's the first book in the second trilogy set in Hobb's 'Realm of the Elderlings' setting and the focus is on seafaring, familial and generational drama with lots of piracy and a fair bit of my favourite word in the world- SWASHBUCKLING! Oh yeah, and living, talking ships - known as liveships.
I think I had only read a couple of Hobb's short fiction set in this universe, probably in one of the G.R.R Martin short story collections and to be honest I wasn't over enamoured, but I have changed my mind and hope one day to read more in this series.
The basic concept of a Liveship is that it is a living ship made of wizardwood which grants the ship sentience. They are intimately bound to their owners who are known as Old Traders - a form of settler colonial merchant class. They purchase the ships from Rain Wild Traders, a class of people afflicted by mutations and magic which take generations to pay back. The ships are immediately knowing to a degree but only truly gain sentience when they 'quicken', an act that only occurs once three generations of the owner's family die on ship. The ship then 'belongs' to a member of the owning family and their thoughts and feelings are inextricably entwined.
I loved the approach to this and the questions it poses. To what degree are the ships sentient? Are they a person and do they have rights? Bound to their owners to what degree can they consent to be built, to sail? Are they a slave to their owner or are they one and the same? What is the nature of love bonded through blood and familial love? It's very clever, it asks the reader to think and consider these thoughts. A ship can be viewed as a tool, a slave, a pet, a lover, a friend, a child and I can't help but feel reading this about how we treat our families and also non-human companions. That the liveships are sentient, well-formed characters in the story is beyond doubt, but the nature of them stayed with me long after reading.
The basic theme of the book is a patriarch dies, hands his liveship over to his son in law, bypassing his daughter who loves the ship. Needing a blood relative on the ship he installs his son, a priest who doesn't want to be there on the ship. The family are suffering financially so, 'hard, economic decisions' take place which impact on the family’s values.
So in effect the son-in-law is painted as a right bastard who sees the ship as a tool, he wants his son to man up and follow in his footsteps. His son has a deep bond with the ship but feels the pull of his profession more. Wintrow the son makes a lot of choices, all logically and morally correct for him, but none of which give him an easier life. I hurt for him, seeing how much trauma he endures, and his deep feelings for the ship is heart-breaking. Imagine loving someone so much with your core being, but knowing it isn't right for you and you need to be someone and somewhere else. It really got to me, pushing them buttons!
His Dad is a right shitbag and every decision he takes is wrong, but he's written so well, every decision he takes makes sense in his eye. I am not saying I have sympathy for him - he's a slaver, he rules with violence and his patriarchal authority in the family shouldn't be challenged, and yet it felt quite uncomfortable when I realised that this horrible villain is consistently doing what he feels is right. That's excellent characterisation because it would be so easy to portray him as an evil villain to be foiled.
Althea, the daughter is so much fun as a character. She's in her late teens, loves her ship intently and goes on a bunch of adventures essentially impersonating a ship's boy to prove her worth as a sailor to get her ship back. A little part of me loved her, and wanted her to succeed, although for such a large part of the book her quest seems to be filler to another story. I really appreciated her control over her sexuality too – whilst the threat of sexual violence is never far away disguised as a boy in a man’s world there is also an unashamed awareness of her sexual needs and desires, but also her control. There is a love interest, but she is not treated as a swooning damsel waiting to be swept off her feet and I loved the maturity in how this relationship was handled. I guess there are a few rather familiar ‘young girl on ship’ tropes in a man’s world but it’s done rather well and with a certain spirit that is really fun and easy to engage with.
Graphic: Slavery
Moderate: Bullying, Trafficking, Domestic abuse, Gore, Death of parent, Physical abuse, and Emotional abuse
Minor: Pedophilia and Sexual content
philineselavy's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Graphic: Slavery
Moderate: Misogyny, Animal cruelty, Sexual assault, Animal death, and Injury/Injury detail
Minor: Drug use