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scifi_rat's review against another edition
adventurous
emotional
hopeful
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
5.0
Plot: 4.75★
Prose: 4.7★
Pace: 4.5★
Concept/Execution: 5★/5★
Characters: 5★
Worldbuilding: 5★
Ending: 4.5★
Prose: 4.7★
Pace: 4.5★
Concept/Execution: 5★/5★
Characters: 5★
Worldbuilding: 5★
Ending: 4.5★
Content Warnings
Moderate: Death, Gaslighting, Grief, Incest, Injury/Injury detail, Mental illness, Misogyny, Pregnancy, Torture, Xenophobia, and Sexism
Minor: Violence, War, Blood, Miscarriage, and Suicide
kmhst25's review against another edition
adventurous
challenging
dark
mysterious
sad
tense
3.5
The positives:
I couldn’t put it down, it contains some wisdom and interesting philosophical thought, and it perfectly depicts the conflicts that arise between people with different ideas of politeness and social norms.
The negatives:
In the intro, Le Guin says that sci-fi tells us nothing about the future and a lot about the present. And this book, written in the 60s, is a great example of that. The narrator disdains women, and his notions about men and women are dated and grating. And even knowing that the content is reflective of the time, it is still displeasing to me to read of a future where very few women are mathematicians or abstract thinkers, and a man, when asked if women are mentally deficient, says, “I don’t know.” It’s a blocker for me; it detracts from the experience.
Additionally, the impact of a man trying to understand gender in an ambisexual society is completely undercut by the narrative using “he” pronouns for everyone; your brain reads “he” as “man”, in much the same way that the narrator reads the locals as men, which I’m sure is at least half the point, but completely dulls the effect.
Finally, the second half of the book contains an absurd number of descriptions of snow and ice that don’t really add anything to the experience.
I couldn’t put it down, it contains some wisdom and interesting philosophical thought, and it perfectly depicts the conflicts that arise between people with different ideas of politeness and social norms.
The negatives:
In the intro, Le Guin says that sci-fi tells us nothing about the future and a lot about the present. And this book, written in the 60s, is a great example of that. The narrator disdains women, and his notions about men and women are dated and grating. And even knowing that the content is reflective of the time, it is still displeasing to me to read of a future where very few women are mathematicians or abstract thinkers, and a man, when asked if women are mentally deficient, says, “I don’t know.” It’s a blocker for me; it detracts from the experience.
Additionally, the impact of a man trying to understand gender in an ambisexual society is completely undercut by the narrative using “he” pronouns for everyone; your brain reads “he” as “man”, in much the same way that the narrator reads the locals as men, which I’m sure is at least half the point, but completely dulls the effect.
Finally, the second half of the book contains an absurd number of descriptions of snow and ice that don’t really add anything to the experience.
Content Warnings
Graphic: Murder and Death
Moderate: Sexism and Torture
Minor: Vomit, Blood, and Excrement
nexelle's review against another edition
challenging
emotional
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.75
It's a great story that really picks up in the latter half when we can finally emotionally connect to the characters. Worldbuilding is great and societies are very intricate.
However, it is dated and so many opinions are problematic.
The main character Genly is extremely sexist, as well as some other characters that came before him whose records we glimpse. I find it hard to discern if these were authors' thoughts or thoughts of a shitty man character (if later why send some1 like that to build peace between nations, especially for an idealised sci-fi futuristic society).
I also found it very insulting that societally amongst winter residents incest is allowed, why would you write that in (people who don't obey normal rules of the human race and sex also participate in incest) like??? So unnecessary.
I know that I read this through a queer lens in 2023, but I just found it very sad that Le Guin who fought for representation of minorities (having black man as a protag in '69 was bold) could still spew so many hateful and inaccurate ideas towards women and queers.
However, it is dated and so many opinions are problematic.
The main character Genly is extremely sexist, as well as some other characters that came before him whose records we glimpse. I find it hard to discern if these were authors' thoughts or thoughts of a shitty man character (if later why send some1 like that to build peace between nations, especially for an idealised sci-fi futuristic society).
I also found it very insulting that societally amongst winter residents incest is allowed, why would you write that in (people who don't obey normal rules of the human race and sex also participate in incest) like??? So unnecessary.
I know that I read this through a queer lens in 2023, but I just found it very sad that Le Guin who fought for representation of minorities (having black man as a protag in '69 was bold) could still spew so many hateful and inaccurate ideas towards women and queers.
Content Warnings
Graphic: Sexism
Moderate: Misogyny, Incest, and Suicide attempt
Minor: Homophobia and Gun violence
kaziaroo's review against another edition
emotional
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.75
Synopsis: an envoy is sent from a vast, interplanetary alliance to a wintery planet to recruit its inhabitants, a people of no gender whose bodies instead develop sexual organs for just a few days each month; in his quest, the envoy becomes embroiled in the politics both within and between two feuding countries, while being drawn to one figure in particular.
This was very interesting to read, especially from a 21st century perspective where we are accustomed to the boundaries of the gender binary being pushed, twisted, and ignored in wonderful diversity. We are also mostly familiar with, and accepting of, the gender neutral pronoun "they" being used exclusively to refer to a particular person.
In The Left Hand of Darkness, the main character, Genly Ai, is a poor representative of planet Earth in this respect; he is frequently disgusted by the Gethenians' bodies and attitudes towards sex and constantly tries to fit them and their characteristics into gendered boxes. He refers to the Gethenians using masculine pronouns, and seems to reject their femininity; it is only when one of them cries, or flirts, or is distressed, that he thinks "Ah ha! There is his femininity!" when it has been there all along. Genly's awkwardness around the Gethenians' sex and even his own fumbling description of what defines a woman, paired with the fact that he is the minority, the alien, on this planet, betray the notion that perhaps it is us earthlings who are the silly ones, forcing divides and highlighting differences between genders where there are none, and believing ourselves superior because of it. The Gethenians have no gender, yet they also have so far had no testosterone-fueled war or sexism (although they are not perfect; some parts of the book had strong echoes of 1984). On the other hand, the society of Earth that we see glimpses of is cisnormative and allonormative; at the beginning of the book, Genly cannot fathom a sexless and genderless society and yet by the end he is in the beginnings of what I would tentatively call a queerplatonic relationship with no sex and no gender roles .
I enjoyed this book a lot, and although I would have liked an earlier explanation of certain concepts (mostly kemmer), once I understood them I could fully immerse myself in the world. The Gethenians' societies and customs felt incredibly detailed and well thought out for such a short novel. It was interesting reading from the perspective of both the alien visitor and the visited, except this time it's us earthlings who are the visitors. I particularly loved the scenes journeying across the icy landscape. I highly recommend this book, but it's important to remember the publication date before complaining about the intricacies of gender politics – it was ahead of its time.
This was very interesting to read, especially from a 21st century perspective where we are accustomed to the boundaries of the gender binary being pushed, twisted, and ignored in wonderful diversity. We are also mostly familiar with, and accepting of, the gender neutral pronoun "they" being used exclusively to refer to a particular person.
In The Left Hand of Darkness, the main character, Genly Ai, is a poor representative of planet Earth in this respect; he is frequently disgusted by the Gethenians' bodies and attitudes towards sex and constantly tries to fit them and their characteristics into gendered boxes. He refers to the Gethenians using masculine pronouns, and seems to reject their femininity; it is only when one of them cries, or flirts, or is distressed, that he thinks "Ah ha! There is his femininity!" when it has been there all along. Genly's awkwardness around the Gethenians' sex and even his own fumbling description of what defines a woman, paired with the fact that he is the minority, the alien, on this planet, betray the notion that perhaps it is us earthlings who are the silly ones, forcing divides and highlighting differences between genders where there are none, and believing ourselves superior because of it. The Gethenians have no gender, yet they also have so far had no testosterone-fueled war or sexism (although they are not perfect; some parts of the book had strong echoes of 1984). On the other hand, the society of Earth that we see glimpses of is cisnormative and allonormative; at the beginning of the book, Genly cannot fathom a sexless and genderless society
I enjoyed this book a lot, and although I would have liked an earlier explanation of certain concepts (mostly kemmer), once I understood them I could fully immerse myself in the world. The Gethenians' societies and customs felt incredibly detailed and well thought out for such a short novel. It was interesting reading from the perspective of both the alien visitor and the visited, except this time it's us earthlings who are the visitors. I particularly loved the scenes journeying across the icy landscape. I highly recommend this book, but it's important to remember the publication date before complaining about the intricacies of gender politics – it was ahead of its time.
Content Warnings
Graphic: Blood, Medical trauma, Transphobia, Xenophobia, Death, Kidnapping, Grief, Incest, Acephobia/Arophobia, and Medical content
Moderate: Sexual content, Suicide, Gun violence, Sexism, Excrement, Miscarriage, Fire/Fire injury, and Schizophrenia/Psychosis
Minor: Pregnancy, Rape, Child death, and War
maryellen's review against another edition
adventurous
challenging
dark
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Content Warnings
Moderate: Confinement, Death, Grief, Gun violence, Murder, Child death, Physical abuse, and Incest
Minor: Kidnapping, Torture, Misogyny, Gun violence, Incest, Injury/Injury detail, Police brutality, Sexism, Suicide, Confinement, Grief, Murder, Physical abuse, Pregnancy, Child death, and Death
ayamaro's review against another edition
adventurous
challenging
emotional
inspiring
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? N/A
5.0
Content Warnings
Graphic: Xenophobia
Moderate: Incest
Minor: Sexual harassment, Sexism, and Addiction
loki's review against another edition
adventurous
challenging
dark
emotional
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
The way this book explores gender means so much to me. While I knew the premise of the book, I didn't expect it to be quite as revolutionary as it is, especially given when it was written. The two perspectives of Gently Ai and Estraven work beautifully to illustrate both the strangeness of the androgyny of the inhabitants of Gethen, and the strangeness of our own gender norms. The dual perspective allows us to see how each system of gender is working, and how crucial those systems are in understanding each other. It is painful to watch the two main characters so deeply misunderstand each other to begin with, and then to find mutual understanding as the story goes on. I was surprised that the book managed to convince me not to hate Gently Ai, as I did after just the first chapter. In a wider context, this is the first of Le Guin's books that I have read so far that so beautifully marries social commentary and an incredible story.
As a final note that i will not specify as a positive or a negative, this is essentially omegaverse before omegaverse even existed.
As a final note that i will not specify as a positive or a negative, this is essentially omegaverse before omegaverse even existed.
Content Warnings
Graphic: Violence, Sexism, Colonisation, and Grief
tiredcreature's review against another edition
adventurous
challenging
hopeful
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This is my second readthrough, the first having been many years ago now. It's a difficult book, that doesn't only speak of a different world, but is itself from a different world - the country called the past. I've read a fair bit of classical sci-fi, but no other book so far has given me such a keen feeling of its age as The Left Hand Of Darkness. Perhaps because how personal its themes are to me. For all of its difficulty, I found it less frustrating when I reminded myself of that.
And so, Genly Ai, a man from Earth, preoccupied with his masculinity, and passively misogynistic by upbringing, comes to the planet Gethen, where the people are both male and female and also neither, and the duality of the sexes doesn't exist. He is an alien in many senses here, but his journey and the bond he forms with Estraven along the way leave him changed, until he feels more familiar with the Gethenians than with his fellow Earthlings. When the story comes full-circle, the world has, largely, stayed the same; it is Genly who returns a different man.
And so, Genly Ai, a man from Earth, preoccupied with his masculinity, and passively misogynistic by upbringing, comes to the planet Gethen, where the people are both male and female and also neither, and the duality of the sexes doesn't exist. He is an alien in many senses here, but his journey and the bond he forms with Estraven along the way leave him changed, until he feels more familiar with the Gethenians than with his fellow Earthlings. When the story comes full-circle, the world has, largely, stayed the same; it is Genly who returns a different man.
Content Warnings
Moderate: Forced institutionalization and Confinement
Minor: Misogyny and Sexism
thecriticalreader's review against another edition
challenging
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? N/A
- Flaws of characters a main focus? It's complicated
4.5
Blurb:
Genly Ai is a human envoy from an interstellar organization called Ekumen that coordinates communication, trade, transportation, and cultural exchange between anthropoid planets sent to the planet of Gethen to convince the planet’s government to join Ekumen. Gethen is an extremely cold planet with near-constant wintery weather. Another notable aspect of the planet is that its inhabitants belong to a singular, fluid sex. Their physiology is androgynous and asexual except for when they find themselves in heat, at which point they couple with another person in heat. When coupling, one person’s anatomy and hormones closely resemble that of a human male; the other, that of a human female. Genly Ai struggles as he fights to accomplish his goal on a planet that he finds strange, confusing, and inhospitable.
Review:
The Left Hand of Darkness is a science fiction novel that is often spoken about for its exploration of gender and sex, but it would be unfair to limit one’s assessment of the novel here, because The Left Hand of Darkness also delves into themes of patriotism, war, human nature, and cultural anthropology. The book’s main strengths lie in world-building, philosophical thought, and thematic explorations: since it reads like a cultural anthropology report, Le Guin’s highly imaginative world stands out but remains rather remote from the adventure, unique characterizations, and gripping plots that some expect from the science fiction genre. Nevertheless, she expertly evokes an icy atmosphere, both in terms of Gethen’s physical conditions and in the bewildering incomprehensibility its society presents for Genly Ai. The language and descriptions are so vivid, in fact, that I felt distinctly chilly every time I picked up the book. Although the plot moves slowly and takes place on another world, the story at the book’s center is a very human one.
The book’s imaginative worldbuilding and profound philosophical discussions make it a worthwhile and enjoyable read, but it would be incorrect to call The Left Hand of Darkness a ‘timeless classic,’ as several aspects of its thematic exploration betray it as a product of its time. For one, the book’s concern with the nature of patriotism and war reflects anxieties over America’s division over the Vietnam War, although these discussions still hold relevance today. On the other hand, its central optimism, rather unquestioning faith in institutions of open trade and cultural exchange, and lack of concern surrounding ecological destruction seem rather naïve to a twenty-first-century reader. Similarly, Le Guin’s narrative brushes against but never fully embraces the idea of gender and sex as social constructions, ultimately unable to fully escape a bio-essentialist understanding of gender. Her exclusive use of he/him pronouns to describe the ambisexual Getherians—despite their nonbinary conception of gender—particularly undercuts the impact of her commentary. The Left Hand of Darkness would have certainly been radical in the middle of the second wave of feminism, but now appears rather outdated in the face of subsequent scholarship in the field of gender and sexuality studies.
The Run-Down:
You will probably like The Left Hand of Darkness if:
· You enjoy cerebral, philosophical science fiction in the vein of Star Trek
· You are a fan of cultural anthropologys
You might not like The Left Hand of Darkness if:
· You are looking for an action-packed, adventurous story with fascinating characters
Content Warnings
Graphic: Forced institutionalization
Moderate: Sexism, Death, and Incest
Minor: Pregnancy, Sexual assault, Sexual content, Violence, War, and Miscarriage
erebus53's review against another edition
adventurous
emotional
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The premise of this book is that a man comes from outer-space, to a world different to ours, on a peaceful mission of communication; as is often the case when worlds collide, it's more about the journey than the destination.
As is often the case with hard science fiction, we break into this story feeling like and Alice (in Wonderland). We don't know what half the words mean and we are a little out of our depth, but through the ignorance of the protagonist, we learn our way around by their experiences. Despite having a world with some different names for things, and a slightly different calendar and clock, the new world is fairly easy to understand once you get over the initial shock, and I think that's pretty much the point of it. Our protagonist comes at this new place with curiosity, but with his own preconceptions, some of which slowly grow and change over the course of the book.
The core of this book explores a premise whereby there can be no "battle of the sexes" if there are no distinctly different sexes. This story tells of a people who go through a monthly fertile time, during which they become either male or female depending on the conditions. They have no sexual need outside of that fertile time, and their society is arranged to accommodate it. In coupling either of the partners could be the child-bearer so there is no division of labour as we have in out "bi-sexual" society. I can see how this would be a popular read today, as our society's friction over accepting non-binary gender identities becomes even more prominent.
As an aside, I find it amusing that the people in the new world can't pronounce the protagonist's name properly, and the Audiobook narrator has a tiny lisp. It's barely noticable but, when he has to say a soft "th" sound he uses an "ff" sound.. so death becomes deff, breath becomes breff. Typically this sort of thing annoys me, but I just think it's quite charming in such an alien story. ... aaaanyway.
There is an incisive foreword from the author at the start of the audiobook, where Ursula Le Guin says some valuable things about the roles and lying ways of speculative fiction writers, and how they are not to be trusted, or treated as though they are experts, profits or sages.
Without the relationship building in this story, it might have been quite a dry affair. After helping to introduce the protagonist to those in charge of the land, his main contact is exiled as a traitor, and the two of them are caught in the wheels and machinations of the politics of the place. They undertake a journey to find friends, and need to work together to survive the hostile climate. I was reminded of the film Enemy Mine (1985 w. Louis Gosset Jnr, Dennis Quaid) and I find it hard to imagine that a film like that (based on a 1979 novella by Barry B. Longyear) was made without the influence of this 1969 book.
The story is quite an adventurous tale, one of exploration and survival and understanding. I think the style in which it is written may be an acquired taste, but it's a must-read Classic for any fans of science fiction.
As is often the case with hard science fiction, we break into this story feeling like and Alice (in Wonderland). We don't know what half the words mean and we are a little out of our depth, but through the ignorance of the protagonist, we learn our way around by their experiences. Despite having a world with some different names for things, and a slightly different calendar and clock, the new world is fairly easy to understand once you get over the initial shock, and I think that's pretty much the point of it. Our protagonist comes at this new place with curiosity, but with his own preconceptions, some of which slowly grow and change over the course of the book.
The core of this book explores a premise whereby there can be no "battle of the sexes" if there are no distinctly different sexes. This story tells of a people who go through a monthly fertile time, during which they become either male or female depending on the conditions. They have no sexual need outside of that fertile time, and their society is arranged to accommodate it. In coupling either of the partners could be the child-bearer so there is no division of labour as we have in out "bi-sexual" society. I can see how this would be a popular read today, as our society's friction over accepting non-binary gender identities becomes even more prominent.
As an aside, I find it amusing that the people in the new world can't pronounce the protagonist's name properly, and the Audiobook narrator has a tiny lisp. It's barely noticable but, when he has to say a soft "th" sound he uses an "ff" sound.. so death becomes deff, breath becomes breff. Typically this sort of thing annoys me, but I just think it's quite charming in such an alien story. ... aaaanyway.
There is an incisive foreword from the author at the start of the audiobook, where Ursula Le Guin says some valuable things about the roles and lying ways of speculative fiction writers, and how they are not to be trusted, or treated as though they are experts, profits or sages.
Without the relationship building in this story, it might have been quite a dry affair. After helping to introduce the protagonist to those in charge of the land, his main contact is exiled as a traitor, and the two of them are caught in the wheels and machinations of the politics of the place. They undertake a journey to find friends, and need to work together to survive the hostile climate. I was reminded of the film Enemy Mine (1985 w. Louis Gosset Jnr, Dennis Quaid) and I find it hard to imagine that a film like that (based on a 1979 novella by Barry B. Longyear) was made without the influence of this 1969 book.
The story is quite an adventurous tale, one of exploration and survival and understanding. I think the style in which it is written may be an acquired taste, but it's a must-read Classic for any fans of science fiction.
Content Warnings
Graphic: Gun violence, Death, Confinement, Deportation, Forced institutionalization, Grief, Ableism, Sexism, and Transphobia
Minor: Vomit, Pregnancy, Racism, Incest, Suicide, and Physical abuse