Reviews tagging 'Islamophobia'

American Psycho by Bret Easton Ellis

19 reviews

solspringsreads's review against another edition

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dark tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.75

I get why this book is like this, I just don’t care. (I even get how my “not caring” relates to the themes of desensitization to violence!) I can see why people have been so inspired creatively by this narrative and why people find value amidst the repeated violence and listing of brands; but I feel like it topples over the line between social commentary and reveling in the societal aspects on which it’s supposedly commenting, perhaps moreso than other interpretations/adaptations of this work, like the 2000 film. Even so, I can understand the value in reading this book and why its impact has lasted for so long.

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zoemaeboonz's review against another edition

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challenging dark emotional funny reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75



This book was a hard one to get through; by page 80 I was already considering whether this would be too gory for me to finish reading. I am glad I got through this book though and whilst I would not recommend it to anyone or read it again I do think that it is a good work of fiction. The way in which Ellis portrays a character with such realistic psychopathic qualities and depersonalisation - a very manic sense of mind is really well written. I don’t think I will ever read a novel where such mental illness is portrayed with such unapologetic truth. It is clear that Ellis got his inspiration for most of the very graphic murders from psychopaths such as Ted Bundy or Jeffrey Dahmer. I found myself actually skimming through some parts or even having to put the book down at points because of how intense these scenes were (most notably the rat one because wtaf). Bateman is not being romanticised in this novel nor is he being portrayed as a likeable character by the author. The way it is written is through this very manic first point of view and in times when Bateman depersonalised from himself we saw the passages being written in third point of view. This book will probably sit with me for a bit and I find myself having to write about it because of this - most notably the amount of Xenophobia and slurs that were in this book was definitely hard to read and the fact that the term ‘yuppie’ was the least derogatory term put in the book says it all. The quote that probably sums up this book for the reader in a way that can make you understand the bigger picture in this novel is probably this: “…and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I am simply not there.”. This is not an easy read because it is not meant to be an easy read; Bateman is a psychopath and a horrible person and all the things written affirm this about the character and who he is. Though I disagree with the back of my book saying it’s ‘one of the greatest novels of our time’ I can agree that it is a good work of literature that I will gracefully never lay eyes on again. 

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emamno's review against another edition

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dark medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

0.25

Bret Easton Ellis is such a talented, descriptive, imaginative author and he chose to create this? Ew.

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kittiesss's review against another edition

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challenging dark tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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wednesdayboy's review against another edition

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challenging dark reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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phibs's review against another edition

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dark funny reflective tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

Bret Easton Ellis constructs a completely believable world in which characters blindly and vapidly consider their wants first, regardless of circumstance. Characters are made interchangeable, all entirely selfish, two-dimensional yuppies in a grim satire of 1980s Wall Street consumerism. 

Although Ellis manages to deftly weave grim comedy throughout, his postmodernist critique remains explicitly crude and vile, leading the reader to question how necessary Ellis’ innumerable graphic depictions of wanton violence against women were to the narrative at large. 

Director Mary Harron certainly cherrypicks the best of Ellis’ novel to adapt for cinema, leaving the novel little more than a compendium of desensitised butchery and $300 ceviches.

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lynxpardinus's review against another edition

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challenging dark reflective tense

4.0


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schlong01's review against another edition

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dark emotional informative reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.5

American Psycho is thriller about a possibly gay but definitely nihilistic man covering up his identity by copying those of everyone around him. This theme is always present as he gets confused a lot with other people and just goes with it.  He adopts their views on politics, the state of the world, their interests etc. Except when he doesn't and violently breaks out of this cycle with awful acts of sexual frustrated murder. His character slowly deteriorates over the course of the novel disalusioning himself with his made up personality.

It's a wonderful critique of businessman and capitalism in general with very many details woven into it. But those details often become dreadful as a whole chapter can be just Patrick's opinion on a newly released album or the things he bought yesterday. Although the author is a genius at writing in great detail, this often becomes his downfall, as he does not seem to know when to use said detailism.

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belladonnashrike's review against another edition

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dark medium-paced
  • Plot- or character-driven? Character

3.75

well that's the MOST disturbing book i've ever read! and probably will ever read!

content warning for literally everything but also for excessive mentions of donald trump

ramble incoming:

something that started to bug me about 3/4 of the way through was how gratuitous the murders of women were...i don't typically read anything that depicts such brutal treatment of women but i read this because i love the film and because i know that at its core, this is a satire, so i ignored my discomfort for most of the book. bateman doesn't necessarily target women and i would say that to generalize his killing patterns, he's mostly opportunistic. he kills easy targets - the unhoused, sex workers, random women he meets at bars, random kids and animals who aren't with a guardian/owner, etc. occasionally he does kill someone he knows personally (such as his ex from college and paul owen), but i wouldn't say he just operates on misogyny. but the only murders that are memorable are those of women. this surprised me because i didn't feel this way when watching the movie and i would say that it's mostly because of the treatment of paul owen/allen: in the film, his death is a spectacle. it's such an iconic scene and is just as over-the-top and lengthy as the rest of bateman's murders. in the book, it's over and done with within a page or two and isn't as memorable as what he did to, say, christie. the only murders (and by association, rapes) that are lengthy and disgustingly descriptive are of women. at first this didn't feel like any bias on the author's part but the more i read the more uncomfortable i became because it just feels like the author was sort of playing out fantasies with some of those heinous acts. maybe it's just because i am automatically suspicious of any man who writes about gender violence in general, but it just felt so off to me at that 3/4 point. in the film, we see him kill men and it doesn't seem like he simply enjoys killing women - the messaging there is that he enjoys murdering people in general. if paul's book death was as gory and over-the-top (and just, so fucking disgusting) like his female victims, i wouldn't think this. if the deaths of other men, such as the homeless man with the dog, were just as descriptive, again, i wouldn't think this. but when the only murders that are written in such a way are that of women victims... it makes one think. the fact that i can't really tell if this is commentary on misogyny or not troubles me.


i think that the book depicts bateman's descent into madness, along with his excessive drug usage (which certainly contributes to his hallucinations and skewed view of reality), much better than the film does. it is also obvious from the first twenty or so pages that these men are constantly being mistaken for someone else, when in the film it's not really blatant until the end scene where bateman is confessing face-to-face with his lawyer discussing paul. i do enjoy the added humor in the film, which i will mostly attribute to christian bale -- he was perfect for this role. so perfect that i did read the book in his voice. 

also, i've heard that people think this book is really boring and complain about it but i think it's obvious that that's the point. bateman and his colleagues live an incredibly boring life, so boring that the specifics of his work are never mentioned. everything is superficial. it's the same reason why everyone is described based on what they're wearing. even when describing attractive women, the most bateman says is "nice tits" and "blonde." everything is pointless! everything is meaningless! the critique that is given on businessmen in the 80s, as well as american consumerism, is perfect. just absolutely on the nose. it's supposed to be a little boring!

i did like this and i am glad i read the source material for the film. i need to think about it some more. but i am uncomfortable with the treatment of women because i just can't decipher the tone there.

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darwynne's review against another edition

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challenging dark informative mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

Disturbing, but necessary. Makes you reflect on real life examples of Patrick Bateman and where they could be (closer than you may think), giving you a very introspective insight into the mind of a psycho in power, made all the more disturbing by others’ lack of care towards the visible red flags throughout the novel.

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