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bisexualwentworth's review against another edition
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
Well, I did it. I finished my reread of the Inheritance Cycle. And I've gotta say, I did not enjoy rereading Inheritance.
When I first read Eragon, I was about eight years old. A paperback copy of Eragon was the first book I ever bought for myself. It was fun and tropey and despite my struggles, even as a child, with the way Paolini wrote women, I continued with the series, reading Eldest and then reading Brisingr right when it came out.
When Inheritance was finally published, I was thirteen years old. I had read a lot of other books. My tastes had expanded. But I was still eager and excited to finish this series that I had enjoyed so much. It was a series that was popular among my friends and my cousins, and books that I can share with the people in my life have always been important to me. Plus, Paolini's dragons are fantastic.
Anyway, I remember reading Inheritance in one day, finishing it past midnight in bed. And I liked it. I remember this book being controversial among fans when it came out, and I remember pushing back against a lot of the criticism. Specifically, people didn't like the ending, and I felt like it made sense for the characters and was also a foregone conclusion. I did not read Inheritance again until this reread of the entire series.
For the entirety of this formulaic, messy, slow, but incredibly entertaining series, Christopher Paolini has followed a very specific structure for each book: violent inciting incident, Eragon goes and does quests and training, big final battle, speedy conclusion. Books two and three spice things up a bit with Roran and Nasuada's (often much more compelling) subplots, but the overall structure is the same. Inheritance strays from this formula, and while as a young teen I found this switchup effective, as an adult, I don't think it's done particularly well. Paolini tries to wrap up far too many things in the aftermath section, and it ends up feeling like a slog. If he had integrated more of those things into earlier parts of the book, the conclusion could have been shorter and would have landed a lot better.
The elements are here. Unlike many readers, I don't mind the deus ex machina elements of this book. I think they fit with the story overall. I genuinely like the way that Eragon eventually defeats Galbatorix and the roles that other characters like Murtagh and Arya play in the final confrontation. And I still think that Paolini made the right choice with the ending. Overall, there are actually stronger narrative choices here than in much of the rest of the series. Unfortunately, the execution is often quite poor.
The rest of this review will contain spoilers.
Before I get into my many issues with this book, there are some things that I genuinely really like about it even as an adult:
When I first read Eragon, I was about eight years old. A paperback copy of Eragon was the first book I ever bought for myself. It was fun and tropey and despite my struggles, even as a child, with the way Paolini wrote women, I continued with the series, reading Eldest and then reading Brisingr right when it came out.
When Inheritance was finally published, I was thirteen years old. I had read a lot of other books. My tastes had expanded. But I was still eager and excited to finish this series that I had enjoyed so much. It was a series that was popular among my friends and my cousins, and books that I can share with the people in my life have always been important to me. Plus, Paolini's dragons are fantastic.
Anyway, I remember reading Inheritance in one day, finishing it past midnight in bed. And I liked it. I remember this book being controversial among fans when it came out, and I remember pushing back against a lot of the criticism. Specifically, people didn't like the ending, and I felt like it made sense for the characters and was also a foregone conclusion. I did not read Inheritance again until this reread of the entire series.
For the entirety of this formulaic, messy, slow, but incredibly entertaining series, Christopher Paolini has followed a very specific structure for each book: violent inciting incident, Eragon goes and does quests and training, big final battle, speedy conclusion. Books two and three spice things up a bit with Roran and Nasuada's (often much more compelling) subplots, but the overall structure is the same. Inheritance strays from this formula, and while as a young teen I found this switchup effective, as an adult, I don't think it's done particularly well. Paolini tries to wrap up far too many things in the aftermath section, and it ends up feeling like a slog. If he had integrated more of those things into earlier parts of the book, the conclusion could have been shorter and would have landed a lot better.
The elements are here. Unlike many readers, I don't mind the deus ex machina elements of this book. I think they fit with the story overall. I genuinely like the way that Eragon eventually defeats Galbatorix and the roles that other characters like Murtagh and Arya play in the final confrontation. And I still think that Paolini made the right choice with the ending. Overall, there are actually stronger narrative choices here than in much of the rest of the series. Unfortunately, the execution is often quite poor.
The rest of this review will contain spoilers.
Before I get into my many issues with this book, there are some things that I genuinely really like about it even as an adult:
- Nasuada's storyline in this book is incredibly harrowing and I hate the way she is treated in-universe, but she is written so inexplicably well and her character arc is so strong and her scenes are the most memorable and well-written in this book. I feel like it is her scenes in the Hall of the Soothsayer where Paolini's love of describing every single thing is finally put to good use in his vivid descriptions of her visions and her overall situation--though I could have done with a shorter description of the jailer's fingernails.
- Are Murtagh and Nasuada a problematic ship? Sure. Do I care? No. I was very invested in them when I first read this book, and I still am. Yes Murtagh's character growth happens mostly off-page, and it's kind of wretched that it's so tied to his supposed love for a woman he barely knows, but I can't bring myself to care. I like them. I am excited to read Murtagh's book.
- The werecats are fun and I like them.
- Eragon singing to Elaine's baby to heal her lip. Of all the magical cures in this series, this is the only acceptable one. Though the misogyny surrounding that scene was vile.
- The older dragons being totally lost in abstraction and struggling to communicate with others feels really appropriate. I love the scene where the oldest dragon tries to impress upon Eragon the importance of the starlings' thoughts and lives.
- Snalgli!
- Saphira doesn't get nearly enough moments in this book, but they are all excellent--when she loses a scale on her nose, when she discovers her true name... I love her. She is still my favorite dragon character ever, and I want more of her (though unfortunately that would also mean more of Eragon and while he is better by the end of this book, I'm not super wanting to spend more time with him).
- Roran defeating Barst. I don't like Roran but this fight scene WORKS, especially in the aftermath of Islanzadi's death.
Many parts of this book did not work for me, and it's mostly for one simple reason: lack of development. Paolini sets up a lot of things in previous books that pay off in this one: the Vault of Souls, Angela's prophecy about Eragon leaving Alagaësia, and the true name of the Ancient Language are all set up with some decent foreshadowing--and then ignored in this book until they are suddenly important. This cheapens them and makes them ring kind of hollow even though they are strong conceptually.
On the flip side, Paolini builds up several things in this book to then give them fairly disappointing payoffs. Chief among these is the sword fighting. In book one, Eragon and Murtagh are evenly matched swordsmen. In book two, Eragon gets his magical powers and then can seemingly defeat any opponent because he's just so good with a sword--with the exception of Murtagh and Arya. So when he works so hard in this book to improve his swordfighting skills with Arya and Glaedr, only for Murtagh to still be better than him at the end with no apparent extra work on Murtagh's end (yes Eragon technically wins but Murtagh is still stated to be the better swordsman) when they were EVENLY MATCHED before is frustrating. The scene is good but the overall arc of it is bad.
Good ideas that just need to be developed and integrated a lot better for them to live up to their potential:
- Including dwarves and urgals in the dragon rider spell.
- The dauthdaert--should have been introduced in book three.
- Saphira and Firnen's relationship.
- All of the stuff about needing to control magic users was decent but needed more buildup in previous books. And also Nasuada's solution almost makes sense, but I feel like it's missing something. We'll see if the Murtagh book addresses that, so I'm reserving judgment for now.
Arya was always the most likely choice for the green rider, and this makes it really boring when it's her. Imagine if it had been Nasuada. Or Elva. Or that teenage girl with the massive forearms who shows up twice. Or even Katrina. That could have been fun. But no. Most obvious, most boring choice.
And have I mentioned that I HATE Eragon and Arya's relationship? It doesn't quite get fully romantic in this book, but it basically does, and it's awful. And what's so frustrating is that their friendship in book three and this one is actually very normal! If it weren't for Eragon's weird boundary-free lust their dynamic would mostly be fine. But no. We can't have nice things.
Also, torture doesn't work. Galbatorix should know this. Plus he has way more effective interrogation methods. I get it, and like I said those scenes were very effective, but also, the brutalization of Nasuada in this book is a LOT.
I genuinely thought that this book would hold up, especially after rereading Brisingr and enjoying it quite a bit more than I expected, but instead, this is a strangely-paced, overlong book that has a real problem with setup and payoff and development, and considering those are the three main parts of storytelling, it is overall a frustrating read. We shall see if Murtagh is any better.
Ugh.
Content Warnings
Graphic: Death, Pregnancy, Gore, Grief, Violence, Torture, Medical content, and Death of parent
Moderate: Misogyny, Slavery, and Racism
natashalg's review against another edition
adventurous
emotional
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Content Warnings
Graphic: Death of parent, Gore, Physical abuse, Violence, Blood, Body horror, War, Fire/Fire injury, Injury/Injury detail, Death, Confinement, and Torture
Moderate: Grief and Kidnapping
Minor: Alcoholism, Animal cruelty, and Animal death
melancholymegs's review against another edition
adventurous
emotional
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Injury/Injury detail, Violence, Death, Kidnapping, Torture, Physical abuse, War, and Confinement
Moderate: Animal death, Blood, Murder, and Schizophrenia/Psychosis
Minor: Slavery, Alcohol, Death of parent, and Genocide
a_wren_that_reads's review against another edition
adventurous
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Torture, War, Death, Gore, and Violence
Moderate: Death of parent
Minor: Alcohol and Racism
zombiezami's review against another edition
adventurous
dark
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
2.0
This book draaaaagged. It felt like it was long just for the sake of being long. Every time I came to a significant plot point, I thought, oh, this book must be wrapping up and moving on its way, only to see that there were hours left in the audiobook. For example, when the big bad was finally defeated, there were 5 hours left! . The storytelling could have been a lot tighter overall. I enjoy many of the characters however.
Content Warnings
Graphic: Animal death, Death, Death of parent, Blood, Self harm, Suicide, Torture, Gore, Gaslighting, Grief, Confinement, Body horror, Violence, Murder, and Kidnapping
Moderate: Alcohol, Fire/Fire injury, Suicidal thoughts, Xenophobia, Slavery, Medical trauma, and Medical content
Minor: Child death and Adult/minor relationship
Warlizziaha's review against another edition
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.0
As much as the romantic in me wants to disagree, I liked the ending to the book, although my logical brain strikes an issue with the “leave and never return” thing. Just because the last time he leaves, he won’t return, doesn’t mean he can’t return after the first time, right??
Content Warnings
Graphic: Blood, Death, Injury/Injury detail, Suicidal thoughts, Death of parent, Gore, Grief, Kidnapping, Torture, Violence, Confinement, and War
Moderate: Slavery
Minor: Vomit
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