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melissa_cosgrove's review against another edition
adventurous
dark
emotional
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Grief, Injury/Injury detail, War, Gore, and Death
Moderate: Animal death
ezwolf's review against another edition
I really really really wanted to like this. I love queer horror and this seemed like exactly what I’ve been trying to read. But oh my gosh I was so incredibly bored. I kept thinking “okay once I hit 20% the pace will pick up”. It did not. The plot is probably about to actually start but I just can’t make myself keep going.
Content Warnings
Graphic: Grief, Violence, Injury/Injury detail, Transphobia, Animal cruelty, and Fire/Fire injury
Moderate: Animal death, Death, Dysphoria, and Vomit
Minor: War and Alcohol
tamarant4's review against another edition
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
..my brothers would never see Antarctica. Never know a clear day on the South Atlantic, or the jewelled ice of the floes. Their dreams had come to nothing, but I was the last Morgan sibling, and I knew where I’d find them. I knew where I had to go. [p. 8]
Jonathan Morgan stows away on the Fortitude to join the (fictional) 1920 British Coats Land Expedition, bound for Antarctica. Morgan's elder brothers Rufus and Francis both died in the Great War, before they could join explorer James Randall's expedition: Jonathan is still young enough to believe in heroism and desperate to prove himself as much of a man as his brothers. He is helped by Harry Cooper, an old friend of the family, but is of course discovered, some days into the voyage south. Expedition leader James 'Australis' Randall decides to let him stay, and Jonathan (having proved his worth by saving a crew member from going overboard) shares the peril of the crew as disaster strikes and they're stranded on the ice, with the southern winter closing in. The men are whispering about ghosts, about half-heard familiar voices, about vivid hallucinations of the War. And Jonathan begins to believe that he's glimpsed the ghost of his brother Francis.
This is an alternate history: instead of Shackleton's heroic efforts to save the Endurance expedition, Wilkes gives us Randall, damaged and flawed, unwilling to admit that he could ever make the wrong call when it comes to polar exploration. All the White Spaces explores ideas of masculinity: Randall, bluff and tough; Tarlington, the expedition's scientist, a former conscientious objector who's ostracised by the rest of the crew; Harry Cooper, who continually behaves as though Jonathan is a girl disguised as a boy; and Jonathan himself, self-made into the man he always knew he was, desperate to belong to 'the place I’d won by the fire, in that circle of men'.
Wilkes writes beautifully of Antarctica's stark beauty ('Tiny cracks marbled the furthest ice, thin and dark as the veins on an old woman’s hand. Everything else was glittering, sharp—dead white.') and imbues the crackling aurora australis, flickering red and green overhead, with dread. The aurora seems to herald visitations by something that Jonathan calls 'the nightwatchman'; blizzards come out of nowhere; a previous, German, expedition has vanished without trace. If All the White Spaces was a simple horror novel, it would be an accomplished example of its kind. The interactions between Jonathan, Cooper, Tarlington and Randall add a dimension that I found compelling and fascinating. Looking forward to reading Wilkes' second novel, Where the Dead Wait, which seems to riff off the Franklin expedition...
"We’ve dropped down a ... hole in the cloth of the world. Been sucked into one of the white spaces on the map.”
Fulfils the ‘grieving characters’ rubric of the 52 books in 2024 challenge: Jonathan and Harry are grieving the Morgan brothers, Randall is grieving his son, many of the crew have lost friends and relations to the War.
Content Warnings
Graphic: Injury/Injury detail
Moderate: Deadnaming and Fire/Fire injury
gen_wolfhailstorm's review against another edition
adventurous
challenging
emotional
hopeful
inspiring
mysterious
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Set in the 1920s, an Antartic expedition adventure quickly becomes deadly and frightening, when the crew become stranded and begin to see spectral apparitions.
I went into this thinking it was going to be horror from the start and was turned off when that wasn't the case and felt very heavy on the historical fiction, but I'm so glad I carried on, because I quickly ate this up whenever I picked it up.
It felt like like I was there with the expedition, feeling bone cold with the men and dogs out on the great expanse of ice and snow. I began to agree with their paranoia, thinking one or more of the crew had intentionally sabotaged the expedition, but to what ends and I grew insistently more anxious as to what supernatural forces were at play; why were the dogs going mad? Where was the German expedition? How longer would Jonathan be able to keep his privacy and will Harry, in a fit of rage, out him? How would they make it back home? ... If they ever would...
I adored this for the trans rep. I wasn't expecting it and to be in the head space of Jonathan, trying to navigate how he's always felt, whilst hiding on a ship he shouldn't be on, and trying to keep his body a secret when discovered was such a different experience. A perspective I thought was well explored (coming from a cis female).
This was such a great story. It felt pretty slow burn and psychological but when others confirmed sightings of ... <i> something </i>... it made me spiral as to how corporal these phantoms were and what they could do to the living.
A well written, well researched tale of isolation, desperation, identity and hope.
I went into this thinking it was going to be horror from the start and was turned off when that wasn't the case and felt very heavy on the historical fiction, but I'm so glad I carried on, because I quickly ate this up whenever I picked it up.
It felt like like I was there with the expedition, feeling bone cold with the men and dogs out on the great expanse of ice and snow. I began to agree with their paranoia, thinking one or more of the crew had intentionally sabotaged the expedition, but to what ends and I grew insistently more anxious as to what supernatural forces were at play; why were the dogs going mad? Where was the German expedition? How longer would Jonathan be able to keep his privacy and will Harry, in a fit of rage, out him? How would they make it back home? ... If they ever would...
I adored this for the trans rep. I wasn't expecting it and to be in the head space of Jonathan, trying to navigate how he's always felt, whilst hiding on a ship he shouldn't be on, and trying to keep his body a secret when discovered was such a different experience. A perspective I thought was well explored (coming from a cis female).
This was such a great story. It felt pretty slow burn and psychological but when others confirmed sightings of ... <i> something </i>... it made me spiral as to how corporal these phantoms were and what they could do to the living.
A well written, well researched tale of isolation, desperation, identity and hope.
Content Warnings
Graphic: Stalking, Torture, Toxic friendship, Homophobia, Deadnaming, Death, Infidelity, Injury/Injury detail, Murder, Physical abuse, Sexism, Suicidal thoughts, Suicide, Gore, Suicide attempt, Animal death, Blood, Body horror, Bullying, Confinement, Fire/Fire injury, Gaslighting, Grief, Gun violence, Medical content, Medical trauma, Mental illness, Misogyny, Outing, Violence, War, Vomit, and Transphobia
layzuli's review against another edition
dark
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Blood and Death
Minor: Injury/Injury detail, Vomit, War, Animal death, Violence, Blood, Cursing, Deadnaming, Death, Fire/Fire injury, Murder, Grief, and Gun violence
arlingtonchamberofgay's review against another edition
adventurous
dark
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Injury/Injury detail and Medical content
Moderate: Deadnaming and Death
ofbooksandechos's review
challenging
dark
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
Content Warnings
Graphic: Injury/Injury detail, Grief, Blood, and Gore
Moderate: Animal death, Transphobia, and Dysphoria
Minor: Medical content, Fire/Fire injury, War, and Homophobia
billie_budd's review against another edition
adventurous
dark
tense
slow-paced
- Plot- or character-driven? A mix
3.5
I really, really wanted to love this book—on paper it has all the elements I want in a book right now, all at once (polar exploration, interwar period, trans protagonist). And others who are interested in some combination of those elements would probably find this well worth the read! But there was a lot that didn’t quite come together for me.
There’s about 50-75 pages in the middle where everything felt disjointed (in what I can only read as an unintentional way); quotidian things were happening but I could barely tell what they were, or if they were important, because they were interspersed so heavily with flashbacks and memories. Past that part there’s less of this muddled feeling, but it was a struggle to get past the middle of the book.
I also really missed relationships in this book, especially because there’s so much down-time plot-wise, on the ship, on the ice. But I didn’t feel that really any relationships between any characters were developed in any real way, even though they all spent so much time in exceedingly close quarters and enduring events that could have changed or strengthened their relationships in really significant ways, and several of them knew each other pre-plot. (An exception to this is the Randall/Clarke dynamic, which I felt was complex and genuine and changed compellingly over time.) I was frustrated by how much of the time I really wanted to be reading a conversation and instead was just watching someone hammer in some nail, lost in thought.
Some of the horror elements were genuinely spooky but I did feel that they could have been carried off better if the tension in the book as a whole had been carried better instead of feeling as flat as it did, and weighed down by various chores and memories—if the protagonist had ever felt present enough in his surroundings to show that tension.
All that said, I found the narrative of the protagonist’s transness and struggles with family transphobia very well done, and very well integrated with the plot’s main conflicts. This was a great read just to get to hang out with him (and in high-adventure places and scenarios typically considered all-cis-male-only, no less), even if by the end I wished I had been given a view of him and his expedition comrades that was somehow more personal.
There’s about 50-75 pages in the middle where everything felt disjointed (in what I can only read as an unintentional way); quotidian things were happening but I could barely tell what they were, or if they were important, because they were interspersed so heavily with flashbacks and memories. Past that part there’s less of this muddled feeling, but it was a struggle to get past the middle of the book.
I also really missed relationships in this book, especially because there’s so much down-time plot-wise, on the ship, on the ice. But I didn’t feel that really any relationships between any characters were developed in any real way, even though they all spent so much time in exceedingly close quarters and enduring events that could have changed or strengthened their relationships in really significant ways, and several of them knew each other pre-plot. (An exception to this is the Randall/Clarke dynamic, which I felt was complex and genuine and changed compellingly over time.) I was frustrated by how much of the time I really wanted to be reading a conversation and instead was just watching someone hammer in some nail, lost in thought.
Some of the horror elements were genuinely spooky but I did feel that they could have been carried off better if the tension in the book as a whole had been carried better instead of feeling as flat as it did, and weighed down by various chores and memories—if the protagonist had ever felt present enough in his surroundings to show that tension.
All that said, I found the narrative of the protagonist’s transness and struggles with family transphobia very well done, and very well integrated with the plot’s main conflicts. This was a great read just to get to hang out with him (and in high-adventure places and scenarios typically considered all-cis-male-only, no less), even if by the end I wished I had been given a view of him and his expedition comrades that was somehow more personal.
Content Warnings
Graphic: Injury/Injury detail
Moderate: Homophobia, Suicide, Transphobia, and Dysphoria
sdsmith80's review against another edition
adventurous
dark
emotional
hopeful
mysterious
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
I've heard so much about this book in the last few months that I was both eager to get my hands on it, and afraid it wouldn't live up to the hype. I'm very glad to say that it very much did. The detail that the author puts into this world, with descriptions of the scenery, or lack thereof, the clothing, the accommodations, just everything, was so lush and encompassing that I actually found myself feeling chilled while reading. The characters are interesting and are fully fleshed out, so when something happens to even a side character, I care about them. Jonathan's growth, emotionally and physically, was rewarding as well, and I hope for a brighter future for all of them.
Content Warnings
Graphic: Fire/Fire injury, Medical trauma, and Injury/Injury detail
Moderate: War and Violence
Minor: Vomit and Animal death
anniereads221's review
adventurous
dark
emotional
mysterious
slow-paced
- Loveable characters? Yes
4.0
Content Warnings
Graphic: Animal cruelty, Blood, Grief, Homophobia, Murder, Misogyny, War, Animal death, Injury/Injury detail, Mental illness, Transphobia, Abandonment, Body horror, Death, Fire/Fire injury, Violence, Gun violence, and Suicide