Reviews with content warning for Child abuse - Babel

Reviews tagging 'Child abuse'

bronzel's review against another edition

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Too slow for me, I tried very hard to engage but it just wasn’t doing it for me.

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isaaceelliot's review

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adventurous challenging dark emotional tense slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

3.75

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sunnyscholar's review against another edition

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dark emotional hopeful informative inspiring reflective sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes

5.0

I don't think I'll ever forget this book. What started as a soothing "slice of life" among unlikely friends evolved into painfully honest acknowledgement of the inherent differences that threaten to tear them apart. I can not do the story justice by trying to eloquate how it continues to resonate with me now.

R.F. Kuang is an artist in portraying the humanity of each of her characters. In my years of reading, I'd developed a habit of blindly accepting the perspective in which the story was delivered - excusing character flaws and mistakes for the sake of the plot. Kuang doesn't give the reader the opportunity to take anything at face value. She challenges you to grapple with the harsh consequences and moral debate that follows even the smallest decisions her characters make. I love her for it.

This is no mere story - but a lesson in learning to see people. An exercise in setting aside one's innate biases to appreciate other walks of life they previously felt no right to consider a connection to.

"Language was just difference. A thousand different ways of seeing, of moving through the world. No; a thousand worlds in one. And translation - a necessary endeavor, however futile, to move between them."

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ericadawson's review against another edition

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adventurous challenging dark emotional funny hopeful informative inspiring sad tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.75

I'd give it 4.9 if I could. Explanation below:

People like to pull Playfair's quote about the violence and betrayal of translation from the text and present it as one of the most gut-wrenching lines in the entire novel. In fact, there are many such lines across many contexts. If I went through Babel now to put them all here, I'd never stop. I may as well quote the whole book.

Babel is about a a young, half-Chinese, half-English man named Robin Swift as he grapples with his role in support Britain's colonial Empire in the 1830s. The lynchpin for all of England's dealings is silver, imbued with the magical and abstract powers of the tongue via the powerful spaces between translation.

Babel has almost everything for me. I love all of the characters. The "math" of the arcs--that is, why anyone one character says or does anything at any give time--makes perfect sense. It's not predictable; simply logical. I could never hate Robin or Victoire or Letty for their initial love of Babel. I couldn't blame Ramy for anything he did or said. Letty's white feminism, white supremancy, and willfully ignorant understanding of the world was on point until it got tiresome.

That is where I have to shave off a portion of a point, unfortunately. Letty's point as a character was hammered home until the wood was dented and the head was flying off the hammer. While I can understand that narrative math of Robin, Ramy, and Victoire explaining to Letty over and over how hard it is to be non-white in a fundamentally white supremacist insitution, white supremacist land--at a point, I grew patient with them. Especially after

Letty shoots Ramy in a classic case of a white woman's sexual entitlement to a brown man ending in violence

, I truly could not wrap my head around why they bothered speaking to her again, after that.

Another portion of a point gets shaved off for Victoire's character. I loved her, I do, I just wish she stood out more from the beginning. I loved her especially in the end, with how her character was set up against Robin's and how they played off each other's strengths and weaknesses.

Yet another portion of a point for the pacing of the ending in general. It was slow for me. There were two supposed twists/keys to success that I was waiting for the characters to remember and use, which made me get impatient.

None of these things overall seriously detracts from my star-point rating for Babel. It was a lovely book. The prose was straightforward without being plain, and often punched me in the gut (in a good way). The concept was amazing, and the entire plot was clearly well-researched. I loved the footnotes. I loved everything. Highly recommended. If there was top-shelf wine for books, Babel would be up there.

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nicklybear's review against another edition

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challenging dark sad tense slow-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.0

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bernika999's review against another edition

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challenging dark emotional reflective sad tense slow-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

This book was amazing.
I would recommend 100 per cent. I had finished the Poppy War series and would recommend reading that first. Not because you have to. You don't. But I think this book hits harder when you do.
The connections between them kills man.
I'd admit that it's a slow start, I mean it was for me. The footnotes are lengthy and sometimes the terminology goes over your head. However, that doesn't matter, at all, it didn't prevent the book from getting five stars from me. Very painful but definitely worth it. Wish I could read it again for the first time.
And all her other books, are all 5 stars for me, must read them.

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discocaptain's review against another edition

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challenging dark emotional hopeful inspiring tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.25

what else do i fucking say, r. f. kuang has brought me to my knees. i have things to pick at but they're not important right now. all that comes to mind is how painfully real it felt to me. i can already see this being a "dark academia" staple in the same way that a secret history or the dead poets society is, which is not necessarily a bad thing and i want to say i ALSO like them but can we be real for a second and forget that? its an evolution past these stories. it's an attempt to infiltrate and blast through the silver laden halls of the ivy league. it's the futility of trying to love a place that does not love you back. it's trying to hold two things in your mind at once, two contradictory things. robin is an excellent protagonist and the undergrads are a wonderful ensemble. it's a bit obvious and a bit overt and a bit heavy handed but, well, as those that have read it to completion know: toppling empire necessitates violence. learn. internalize. listen. understand. this book is just begging you. listen, and then act.

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catmisae's review against another edition

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challenging informative sad tense slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

There was a lot I liked about this book, but I didn’t end up enjoying it as much as I wanted to. The world building was great, and all the talk of match pairs and translation made me nostalgic for my time studying linguistics as an undergraduate.

Unfortunately I think Kuang put so much work into the world building and linguistics content that she didn’t have a lot of space left for the character development. For a story about belonging, alienation and a conflicted sense of national identity, our protagonists felt pretty flat to me. The reader would often be told that characters felt certain ways for specific reasons, but as a result their various reactions and changes in perspective felt forced. They almost seemed more like figures in a case study rather than characters in a work of fiction. Maybe this was deliberate? I’m not sure.

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