Reviews

The Leopard by Giuseppe Tomasi di Lampedusa

lawrieytheymock's review against another edition

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informative reflective sad slow-paced
  • Plot- or character-driven? N/A
  • Strong character development? It's complicated

4.5

bigbookbabe's review against another edition

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3.0

(read for class) definitely my own knowledge of sicily dragging down my rating here, but i did find the first bit a little boring. overall though, a very good novel exploring the ways our social class lock us in

conr8582's review against another edition

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adventurous informative slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0

annie_media's review against another edition

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slow-paced

3.0

totototo's review against another edition

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emotional funny reflective medium-paced

4.5

dasbaum's review against another edition

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challenging
  • Plot- or character-driven? Character
  • Loveable characters? It's complicated
  • Diverse cast of characters? No

3.5

mogyi's review against another edition

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adventurous medium-paced

3.0

hannicogood's review against another edition

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reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No

3.0

casparb's review

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ZOOMEd thru this one which has a lovely seesawiness to it di Lampedusa breezes you along. I warmed up to it the deeper I was (maybe I was less tired then
perhaps it's his aristocratic thing but it's a novel shot thru & scored with time I'm sure it's much commented on. Permanent end-of-the-party atmosphere, I was trying to resist making a comparison to La Dolce Vita since I worry I was just leaping to whatever in my limited Italians (BCH text I read lately had a nice analysis of the last LDV scene also). to explain this, looking at the chapter A BALL set in 1862, where we are informed that the partygoers 'thought themselves eternal; but a bomb manufactured in Pittsburgh, Penn., was to prove the contrary in 1943'. gorgeous! heartbreaking too, as I say, aristocratic. I think also of Marquez.

half-remembered Lydia Davis' The Language of Things in the House:
Soup bowl on counter: Fabrizio!