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nini23's review against another edition
adventurous
- Plot- or character-driven? Plot
3.25
The Monsters We Defy is a historical fantasy set in the capital of the United States mid-1920s. In author Leslye Penelope's own description, it's a "fantasy heist novel set during the Harlem Renaissance." Jazz clubs, intellectual soirées, balls, Prohibition and illicit bootleg facilities, speakeasies conjure a heady atmosphere. Racism and threats of violence against Black Americans are a constant danger, with KKK marching on the streets. Protagonist Clara Johnson is inspired by the real life of Carrie Johnson, unwarranted police gun violence in their homes with devastating consequences. The parallels to what happened to Breonna Taylor a century later immediately comes to mind.
Each member of the heist team is given an intro with background, their particular talent. With chapter headers like 'The Actor,' 'The Musician,' 'The Thief' one can imagine an Oceans Eleven style focus. All of them with the exception of Zelda have made a deal with spirits called Enigmas such that they have a Charm (special talent/magic) and Trick (curse) each. Clara is both a scryer and seer, with the ability to peer to the Other Side and summon Enigmas. Her curse is in facilitating Faustian deals between the desperate humans who seek her help and the often conniving Enigmas. Clara's particular Charm is not revealed till the very end.
In the action scenes, I would have liked more non-standard descriptors and less stock phrases. At times, the way a scene was set up did not sufficiently build up tension eg. when Clara and Israel pretended to be Afflicted and were bundled into a truck.
Character-wise, Aristotle and Jesse Lee felt indistinct. Part of Jesse Lee's backstory is like Fifty First Dates. Israel is obviously the hot sexy male lead, his appearance and descriptions a Harlequin romantic hero. Clara especially in the team meetings seems to be ornery for the sake of being ornery, I'm not really on board the narrative of how she just wants to be helpful. I don't understand why protagonists always have to be so morally 'pure,' never craving power or being 'selfish'/ambitious for once. Clara doesn't want the all powerful object- the ring to control all.( Does she end up with it? Why, of course.) There was also a rather questionable passage where Clara and Israel go to an expert to determine the provenance of the ring, telling him 1. It's a very old ring. 2. From Africa (!) 3. With these markings... and the expert miraculously is able to identify it based on these nebulous clues.
The Monsters We Defy does not shy away from addressing head-on colorism and classism within the Black community. It's also fascinating to read in the Author's Note that Duke Ellington contributed to the fund of Carrie Johnson and intellectual greats of that time such as Du Bois are also mentioned.
Thanks to Redhook Books for providing an eARC via Netgalley in exchange for an honest review.
https://www.theguardian.com/us-news/2022/aug/29/police-defund-abolition-mariame-kaba-andrea-j-ritchie
https://www.aljazeera.com/opinions/2022/8/29/the-blue-wall-of-white-supremacy
Each member of the heist team is given an intro with background, their particular talent. With chapter headers like 'The Actor,' 'The Musician,' 'The Thief' one can imagine an Oceans Eleven style focus. All of them with the exception of Zelda have made a deal with spirits called Enigmas such that they have a Charm (special talent/magic) and Trick (curse) each. Clara is both a scryer and seer, with the ability to peer to the Other Side and summon Enigmas. Her curse is in facilitating Faustian deals between the desperate humans who seek her help and the often conniving Enigmas. Clara's particular Charm is not revealed till the very end.
In the action scenes, I would have liked more non-standard descriptors and less stock phrases. At times, the way a scene was set up did not sufficiently build up tension eg. when Clara and Israel pretended to be Afflicted and were bundled into a truck.
Character-wise, Aristotle and Jesse Lee felt indistinct. Part of Jesse Lee's backstory is like Fifty First Dates. Israel is obviously the hot sexy male lead, his appearance and descriptions a Harlequin romantic hero. Clara especially in the team meetings seems to be ornery for the sake of being ornery, I'm not really on board the narrative of how she just wants to be helpful. I don't understand why protagonists always have to be so morally 'pure,' never craving power or being 'selfish'/ambitious for once. Clara doesn't want the all powerful object- the ring to control all.
The Monsters We Defy does not shy away from addressing head-on colorism and classism within the Black community. It's also fascinating to read in the Author's Note that Duke Ellington contributed to the fund of Carrie Johnson and intellectual greats of that time such as Du Bois are also mentioned.
Thanks to Redhook Books for providing an eARC via Netgalley in exchange for an honest review.
https://www.theguardian.com/us-news/2022/aug/29/police-defund-abolition-mariame-kaba-andrea-j-ritchie
https://www.aljazeera.com/opinions/2022/8/29/the-blue-wall-of-white-supremacy
Content Warnings
Moderate: Kidnapping, Police brutality, Racism, Classism, Gun violence, and Slavery
ninjamuse's review against another edition
adventurous
inspiring
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.25
Content Warnings
Moderate: Slavery and Classism
Minor: Racism, Violence, Police brutality, Homophobia, and Abandonment
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