Scan barcode
wogslandwriter's review
adventurous
emotional
hopeful
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
An absolutely stellar sequel. I am a sucker for duologies and I think this one wrapped up Jane and Katherine's story well. I am a fan of 19th century history, usually pre-Civil War, but this series was exactly my kind of thing. The book is written for a younger audience, but it doesn't feel out of place to read it as an adult. As a white person, I learned a lot about the inner feelings and experiences of black women and I hope that this book will help me have continued empathy and grace for people who do not look like me and have been harmed for generations by my ancestors and currently by other white folks. It is amazing to see Justina Ireland wrap up such complicated feelings and experiences into a zombie novel and communicate them so clearly. I am very excited for her future books.
Content Warnings
Graphic: Grief, Child death, Colonisation, Gun violence, Blood, Death, Fire/Fire injury, Genocide, Gore, Injury/Injury detail, and Violence
Moderate: Murder, Slavery, Racism, Sexism, Misogyny, and Pandemic/Epidemic
Minor: Suicidal thoughts, Sexual violence, and Sexual content
It's a zombie book set in the 19th century and centered around an old west caravan trip. There is violence and killing. The gore is particularly explicit, but it's definitely there.sparklefarm's review against another edition
adventurous
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
Hm. Here's an example of why I don't usually read YA - these characters were so dramatic. SO DRAMATIC. I would say they were "acting like it was life or death" but it actually was life or death ...... but depicted in such a black-and-white way. Other things that irked me:
- Parts 1 and 2 feel like separate books. I think they should have been.
- The audiobook narrator for Katherine's POV (I'm sorry!!)
- Lots of repetitive language/phrases.
- Twists were not as twisty - a bit more predictable than the first book.
Things I liked:
- Having a Katherine POV - it made me understand and like the character more.
- Various LGBT reps!
- The ending! I thought things were wrapped up nicely, but not too neatly, which was right on point.
I don't think YA Hannah would have had qualms at all about this book. 5 stars from her 😂
- Parts 1 and 2 feel like separate books. I think they should have been.
- The audiobook narrator for Katherine's POV (I'm sorry!!)
- Lots of repetitive language/phrases.
- Twists were not as twisty - a bit more predictable than the first book.
Things I liked:
- Having a Katherine POV - it made me understand and like the character more.
- Various LGBT reps!
- The ending! I thought things were wrapped up nicely, but not too neatly, which was right on point.
I don't think YA Hannah would have had qualms at all about this book. 5 stars from her 😂
Content Warnings
Graphic: Violence
Moderate: Injury/Injury detail, Gun violence, and Death
Minor: Suicidal thoughts
romiress's review against another edition
dark
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
The pacing was all over the place and it felt like the book didn't know what it wanted to do. I had some major issues with the depictions of non-white minorities in this book, and how they were represented. The ending was bizarre, and the overall struggle felt... off. The entire 'actually, Gideon was evil THE WHOLE TIME' felt so out of place.
Content Warnings
Graphic: Murder, Racism, and Suicidal thoughts
Moderate: Slavery
outtoexist's review
adventurous
challenging
dark
emotional
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
This book was amazing!! It has some pacing issues, as any fantasy book pushing 700pg is going to, but overall I loved it. I loved the explicit aro/ace representation, and I appreciated that the only Indigenous representation got his own redemption arc. I also just adored the genuine love between the main characters, and having a chance to see behind Katherine's eyes. I feel like the first book of this duology get so much love, but this sequel deserves just as much!
Content Warnings
Graphic: Racism, Death, Child death, Death of parent, Panic attacks/disorders, Murder, and Gun violence
Moderate: Abandonment and Suicidal thoughts
wordsareworlds's review
adventurous
challenging
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
This book left me with a lot of complicated feelings. There were parts of it I adored and was completely rivited by, and others that left a sour taste in my mouth. Ireland has written an excellent Western tale centering Black Americans, whose history has been all but completely erased in the story of the Old West. It is much darker in tone than Dread Nation, and tells a more complicated story for both Jane and Katherine.
I enjoyed the plot overall. Both the threat of the primary villain and Jane's emotional journey were poignant and moving. I've seen complaints that the book has anti-science or anti-vaccine rhetoric, but completely disagree. There is no separating the events in this book from the horrific history of forced medical experimentation on Black people in America. Ireland gives the villain nuance, but his actions are absolutely inexcusable and I think it is disingenuous to make the comparison to current anti-vaccination rhetoric.
The book alternates PoVs between Jane and Katherine, and it was wonderful to see through Kate's eyes. Her voice is distinct, and she faces her own struggles that are just as compelling as Jane's. They spend the vast majority of the book separated, but they're never far from each other's thoughts or hearts, and their bond is one of the best parts of the book.
Unfortunately, in comparison to Dread Nation, the pacing of this felt off to me. The first part dragged in the reading, even though so much happened. There is a significant time jump just at a major turning point, and while it made sense on one hand to push the characters forward, it also meant almost all of Katherine's growth happened off-page and was recounted in small mentions. The ending felt rushed - there is a large disconnect at the conclusion of the book that I would have loved to get more details about, rather than a couple of pages covering several weeks. There were also a couple of large plot points that were dropped without resolution. I was especially confused about the concern over Lily - neither Jane nor Katherine actually have a conversation with her in part 2, despite the references to her being haunted, "pointed glances" when Jane asks after her, and Jane specifically saying they need to talk
I was excited by the queer rep in the first book, and Ireland stays true to that in the second. In addition to Jane and Kate, there are several queer side characters and it is an easily accepted part of the world that I appreciated very much.
There is a slightly wider range of characters from other non-white races in this book, but most of that representation was poorly handled. Ireland wanted to highlight that anti-Black racism is not a problem confined to white people, and that history is also neglected when discussing white supremacy in America. However, part of how she decided to exemplify those racial tensions is through erasing the history of both Native and Chinese people, and villainizing them without even the nuance offered to the main villain of the duology. Several Native tribes are mentioned in passing, but never seen. Redfern gets more page time here, but with as little characterization as in the first book. The Chinese people in San Francisco are a mafia-style window dressing, with the only speaking character an unnamed immigration official. The Latinx rep seemed better, but we get only the briefest moment with them as well.
I enjoyed the plot overall. Both the threat of the primary villain and Jane's emotional journey were poignant and moving. I've seen complaints that the book has anti-science or anti-vaccine rhetoric, but completely disagree. There is no separating the events in this book from the horrific history of forced medical experimentation on Black people in America. Ireland gives the villain nuance, but his actions are absolutely inexcusable and I think it is disingenuous to make the comparison to current anti-vaccination rhetoric.
The book alternates PoVs between Jane and Katherine, and it was wonderful to see through Kate's eyes. Her voice is distinct, and she faces her own struggles that are just as compelling as Jane's. They spend the vast majority of the book separated, but they're never far from each other's thoughts or hearts, and their bond is one of the best parts of the book.
Unfortunately, in comparison to Dread Nation, the pacing of this felt off to me. The first part dragged in the reading, even though so much happened. There is a significant time jump just at a major turning point, and while it made sense on one hand to push the characters forward, it also meant almost all of Katherine's growth happened off-page and was recounted in small mentions. The ending felt rushed - there is a large disconnect at the conclusion of the book that I would have loved to get more details about, rather than a couple of pages covering several weeks. There were also a couple of large plot points that were dropped without resolution. I was especially confused about
I was excited by the queer rep in the first book, and Ireland stays true to that in the second. In addition to Jane and Kate, there are several queer side characters and it is an easily accepted part of the world that I appreciated very much.
There is a slightly wider range of characters from other non-white races in this book, but most of that representation was poorly handled. Ireland wanted to highlight that anti-Black racism is not a problem confined to white people, and that history is also neglected when discussing white supremacy in America. However, part of how she decided to exemplify those racial tensions is through erasing the history of both Native and Chinese people, and villainizing them without even the nuance offered to the main villain of the duology. Several Native tribes are mentioned in passing, but never seen. Redfern gets more page time here, but with as little characterization as in the first book. The Chinese people in San Francisco are a mafia-style window dressing, with the only speaking character an unnamed immigration official. The Latinx rep seemed better, but we get only the briefest moment with them as well.
Content Warnings
Graphic: Medical trauma, Racism, Death, and Violence
Moderate: Grief
Minor: Suicidal thoughts
More...