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turrean's review
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.75
This is a marvelous recreation of the world of Sherlock Holmes. It’s a mix of supernatural fantasy and mystery, with a richly imagined Victorian London peopled by hellhounds, angels, vampires, stolid constables, and cunning criminals. The “Holmes” and “Watson” characters are delightful, and the references to the Conan Doyle stories are clever and plentiful.
I was sorry when it ended!
Graphic: Murder, Blood, and Gore
bergha1998's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Fantasy/Mystery, LGBTQIA+
Graphic: Blood, Injury/Injury detail, Violence, Body horror, Gun violence, Animal death, Gore, Colonisation, Cursing, Death, and Murder
massivepizzacrust's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
I was completely sucked in until the Hound of the Baskervilles section, at which point I started losing interest. I thought it was just the epistolary style of that section, but I also found the climax of the overarching Jack the Ripper plot to be a little disappointing. I could really see some of the loose ends being tied up in a sequel, which I would be very willing to read.
Graphic: Death, Blood, Gore, and Violence
pvbobrien's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Gore
Moderate: Murder, Misogyny, Blood, Antisemitism, Injury/Injury detail, Death, Kidnapping, Medical content, Racism, Racial slurs, and Violence
Minor: Animal death, Domestic abuse, Incest, Rape, War, Acephobia/Arophobia, Body horror, Cannibalism, Infertility, Misogyny, and Suicidal thoughts
ehmannky's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.25
For the closest example of what this book reminds me of, it's reminiscent of a MUCH better-written Pride and Prejudice and Zombies, and even though it mentions the BBC Sherlock, the character of Crow is much more kind and true to the original character of Sherlock Holmes than most adaptations are and I just found myself loving him. I also thought that the fantasy element was delightful and molded so well into the stories. Like, even the minor mentions of Jenny Greenteeth in the Hounds of the Baskervilles story was fun.
It was also queer in a way most queer retellings of Sherlock aren't. Like,
Graphic: Blood, Violence, Murder, Death, Injury/Injury detail, and Animal death
Minor: Homophobia
missindyrose's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? N/A
4.25
Graphic: Body horror, Murder, and Blood
obviousthings's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
3.0
It's worth noting that there are three Holmes novels, multiple short stories, and the Jack the Ripper case compressed into one book here. I can see why that was done - does anyone actually like the part of A Study in Scarlet that's just about the mormons? - but I feel like some of the themes were lost in the abridgement, and there wasn't enough added to replace them. I would have liked to see a stronger character arc for Dr. Doyle, with fantasy elements more thoroughly incorporated into the plot. The setting has a ton of potential, but it wasn't explored as much as it could have been in this book.
Graphic: Antisemitism, Blood, Death, Gore, Hate crime, Misogyny, and Murder
Moderate: Acephobia/Arophobia, Confinement, Homophobia, Medical content, Racism, and Violence
Minor: Abortion, Racial slurs, Rape, and Suicide
wardenred's review against another edition
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
Although his public, formal manners were perfect, as angels' manners always were, I had discovered that he had no real understanding of how to treat someone with whom he did not have a strictly defined, formal relationship. I often caught him staring at me as if he had simply no idea what to do with the fact of my existence. It was not that he disliked me or that he did not wish us to be friends. He simply had no idea how and in some ways only the vaguest conception that the thing was possible at all.
Well, this was... certainly different from The Goblin Emperor, which happens to be one of my favorite books ever.
I did know, going in, that this was a Sherlock Holmes retelling. I figured that maybe, since it's been years since I last cracked open a Conan Doyle book, my recollection of the specifics of the crimes would be dim enough for me to still enjoy the plot. Apparently, my memory functions are faring better than I thought. Even with all the supernatural twists and the addition of an overarching storyline connecting the familiar investigation, the plot was incredibly predictable and I had trouble focusing on the plotty bits. Er... on most of the book.
I did enjoy the moments that were focused more on character interactions. Addison's version of Moriarty is now officially my favorite, and Crow—the Sherlock stand-in—is a compelling character, as well. Most of all, I enjoyed the parts that explored the setting. As I said in one earlier review of another book (The Bear and the Nightingale), the setting alone isn't enough to carry the story for me, but in this case, combined with interesting characters, it at least held my attention. I strongly feel that this version of Victorian London with all its angels and vampires and hemophages and hellhounds deserves a book with its own original plot that focuses on fully exploring what this world has to offer. I hope to read it someday.
My favorite moment was the conversation that revealed the characters' queerness. Like some reviews I've seen state, it did come pretty much out of the blue and it didn't influence anything much. However, that's precisely what I loved it. I always enjoy stories where queer characters get to just, you know, exist and do stuff and not have parts of their fictional lives turn into educational pamphlets. There doesn't have to be a point to a character being queer any more than there needs to be a point to a character being straight. If you don't ask questions like, "But what was the point of X being cishet? It doesn't add anything to the story!", you shouldn't ask these questions about characters who are trans, or ace, or gay, or queer in any other way. That's my hill, I'm prepared to die on it. :)
Overall, however, I'm sad to say I didn't enjoy the book very much. I did enjoy the parts of it that belonged to Katherine Addison's imagination and not the one that came from Conan Doyle's stories. I'll say it again: this world and these characters deserve something uniquely their own.
Read for the following September 2020 readathons:
- Monsterathon: Mystery
Moderate: Blood, Death, and Physical abuse