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maddox22's review
challenging
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
Content Warnings
Graphic: Alcoholism, Addiction, Murder, Suicide, Suicide attempt, Drug abuse, Drug use, Mental illness, Suicidal thoughts, Emotional abuse, Grief, Toxic relationship, and Violence
Moderate: Alcoholism, Blood, Cursing, Alcohol, Death of parent, and Death
laguerrelewis's review
adventurous
challenging
dark
emotional
funny
hopeful
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
My biggest piece of advice for enjoying this book? Meet it on its terms, not Shakespeare’s. This is not to say the book is a failure or suffers as an interpretation of a classic, it is only to say that there are some creative changes and liberties taken to explore these takes on the story and characters. Faye is clearly well versed in the Bard, and ESPECIALLY the characters, who are the driving force of this story. A beautiful study of Hamlet, Ophelia, and (my favorite) Horatio, transplanting them into a more familiar setting and exploring what that could look like.
Content Warnings
Graphic: Gaslighting, Homophobia, Injury/Injury detail, Murder, Panic attacks/disorders, Racism, Gun violence, Addiction, Alcohol, Alcoholism, Blood, Bullying, Death of parent, Drug abuse, Emotional abuse, Child death, Death, Drug use, Sexual content, Suicide attempt, Cursing, Grief, Suicidal thoughts, Racial slurs, and Self harm
shakespeareantragedy's review
emotional
funny
reflective
sad
slow-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
The problem with this book is that it's a really good book, and a very bad retelling. Misunderstands the original text of Hamlet, particularly in the scope of its themes. It feels as though the author realized that Hamlet was 'about death' and ran with it, neglecting to include many of the ways the play explores death, as well as how that branches out into a multitude of other rich themes. I'm also really not opposed to playing with the narrative of a retelling, but some of the creative choices here just.... don't work?
That being said; great prose, great romance, great twist.
That being said; great prose, great romance, great twist.
Content Warnings
Graphic: Alcoholism, Gun violence, Murder, Suicidal thoughts, and Suicide attempt
gsch219's review
dark
emotional
sad
slow-paced
- Plot- or character-driven? Character
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
Content Warnings
Graphic: Suicidal thoughts, Suicide attempt, Murder, and Death
amym84's review
dark
emotional
mysterious
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
In modern-day New York Benjamin Dane, his friend Horatio, and his ex-fiancée Lia become embroiled in figuring out the mysterious circumstances surrounding the death of Ben's father Jackson - an oil tycoon with a hand in the New York theatre scene. Ben's mother quickly marrying Ben's uncle Claude afterward is just one alarm bell that's ringing in Ben's ears. Digging into his father's death, Ben keeps circling around the past and realizes that his eyes have been closed to what's been going on around him since his and Lia's breakup nearly two years before.
The King of Infinite Space is probably one of the best Hamlet retellings / adaptations I've ever encountered. Lyndsay Faye did such a fantastic job of bringing this story to a modern timeline, but also keeping the heart of the original play fully intact.
I appreciated that Faye dropped in more Shakespearian Easter eggs I think the choices in characters was really indicative of those same characters having this almost supernatural quality about them in their own plays, and they bring a little something extra to this story. They were all right at home here. Not really wanting to go too in-depth because I fear that will ruin some of the surprise twists that Lyndsay Faye played with in this iteration.
I thought that Ben (Hamlet), Horatio, and Lia (Ophelia) all pulled their weight in terms of each getting their own points of view alternating throughout and really commanding their sections. Ben is really a character to be reckoned with - the titular "King" if you will - but I felt like Horatio and Lia both hold their own up against Ben's undeniable frenetic energy.
This story took me a little longer to parse my way through and not because I wasn't engrossed, but mainly because the words were so important that I took my time with each sentence and phrase especially where Ben was concerned where asides and breaks were par for the course. I feel like in being so careful to take in each word I really feel like the story has left it's mark and will be one that I continue thinking about for a long while afterward.
This one is definitely my favorite by Lyndsay Faye. I'd honestly love to see what she can do with other works by the Bard.
If you're looking for an engrossing updated spin on one of Shakespeare's most famous plays, The King of Infinite Space ticks all the boxes and then some.
*ARC provided by the publisher in exchange for an honest review.
The King of Infinite Space is probably one of the best Hamlet retellings / adaptations I've ever encountered. Lyndsay Faye did such a fantastic job of bringing this story to a modern timeline, but also keeping the heart of the original play fully intact.
I appreciated that Faye dropped in more Shakespearian Easter eggs I think the choices in characters was really indicative of those same characters having this almost supernatural quality about them in their own plays, and they bring a little something extra to this story. They were all right at home here. Not really wanting to go too in-depth because I fear that will ruin some of the surprise twists that Lyndsay Faye played with in this iteration.
I thought that Ben (Hamlet), Horatio, and Lia (Ophelia) all pulled their weight in terms of each getting their own points of view alternating throughout and really commanding their sections. Ben is really a character to be reckoned with - the titular "King" if you will - but I felt like Horatio and Lia both hold their own up against Ben's undeniable frenetic energy.
This story took me a little longer to parse my way through and not because I wasn't engrossed, but mainly because the words were so important that I took my time with each sentence and phrase especially where Ben was concerned where asides and breaks were par for the course. I feel like in being so careful to take in each word I really feel like the story has left it's mark and will be one that I continue thinking about for a long while afterward.
This one is definitely my favorite by Lyndsay Faye. I'd honestly love to see what she can do with other works by the Bard.
If you're looking for an engrossing updated spin on one of Shakespeare's most famous plays, The King of Infinite Space ticks all the boxes and then some.
*ARC provided by the publisher in exchange for an honest review.
Content Warnings
Graphic: Addiction, Alcoholism, Drug abuse, Death of parent, Suicidal thoughts, and Suicide attempt
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