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maess's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
Moderate: Alcohol, Death, Death of parent, Grief, Adult/minor relationship, Infidelity, and Sexual content
luxxltyd's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
Graphic: Sexual content
Moderate: Death of parent, Grief, and Infidelity
Minor: Incest
kaitlynfriedman's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.25
Moderate: Death of parent and Incest
martasshelf's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? N/A
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
I liked Elio's section and his bit with Michel, it had me wishing for a different end for the book.
Oliver's chapter was a pain to read and it felt so out of place.
The last chapter made it all come together and make sense, I guess, but it's too short to make it worth it.
It almost feels like all the sections could have been better as independent stories.
Graphic: Sexual content
Minor: Death of parent and Dementia
kirsten_marie's review against another edition
4.5
One can argue it was an unnecessary one. And yes it was, but to me, not at all unwelcome.
In the beginning, I was almost sure I was destined to be disappointed, but the longer I read the more wrong I discovered my predictions to be. The stories that unfold in between old pastry cafes, gloomy allies on Italian summer nights, and behind thin hotel walls feel profound, real, and earned by time. They all found me in the end, and I am glad they did.
Graphic: Sexual content
Minor: Death of parent
ericispublius's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Sexual content and Incest
Moderate: Antisemitism and Infidelity
Minor: Death of parent and Dementia
finleigh's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.75
Moderate: Sexual content and Alcohol
Minor: Death of parent and Dementia
rissaread's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.5
in the movie i adored elio’s parents relationship and i adored his father so bad and i was so sad to find out they divorced. but then i started reading the book and was like elio’s dad !!!! let me in !!! i was so interested in his story and how him and elio’s relationship grew and then it just twisted and i’m honestly disappointed with samuel’s story ( also sad he died and didn’t get to see elio and oliver get back together ) i really was eating up this relationship because like spontaneous love and having so much passion and love for someone you just met and the rush of it all and the details and being vulnerable about it and each other and telling each other all the good and bad parts of yourself and still wanting to be together. it was so good until she mentioned what happened when she was fifteen. of course she learned and grew from that and she was barely a teenager then but i think that whole section of samuel and miranda’s story was unnecessary and her secret could’ve been literally anything else. and even after that it was still sweet and stuff and they were so cute even with the age difference but i couldn’t view her the same way like her excuse was she adored and worshipped her brother and i was like okay but? you don’t do things like that know matter how much you adore your sibling.
elio’s part should’ve been the longest and i would’ve loved to see more of him and michel. ( what’s with the age gaps in the perlman men’s relationships um …. ) like it was sweet but i felt like i needed more. wanted to see how that continued and how it ended. and of course i needed more elio and oliver. the content we got was so minimal and we don’t really see them together much which sucked. while i’m glad they end up together, i wish there was parts of the book where we see them reuniting while still not being able to be together and how they’d act with more tension. i could go on and on about this but all in all it was a mid book, short and sweet but slow paced.
Moderate: Sexual content and Infidelity
Minor: Incest, Dementia, Alcohol, and Death of parent
_maia3_'s review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.75
Whilst in parts a beautifully reflective piece on time, death, the “correct path” in life and most notably, ageing, it was overshadowed by what felt like a compulsive need to write in an unconventional love story. The strength of CMBYN was the fact that the sex seemed intimate and earned, here it is superfluous. However, once the book moves onto Oliver it gets stronger as we get a glimpse of his life still haunted by the Italian Rivera. Unfortunately, the book ends not long after.
This isn’t really a continuation of Elio and Oliver so much as a reminder that life isn’t a straight line, time is a loop, and that life is too short to stay unhappy (with random unconvincing love stories thrown in).
Moderate: Sexual content
Minor: War, Antisemitism, Dementia, Death of parent, and Infidelity
stevia333k's review against another edition
- Strong character development? Yes
4.0
I listened to this book at triple speed. There was an interview at the end that mentioned armie hammer as Oliver, so that's interesting. Also the author said they wanted a mercenary approach to writing.
This book is severely amatonormative (which is literally in the name quite) and even uses queer sense of time to say the time dimension doesn't exist. I partly read this book so I could get more insight on how amatonormativity works & also to find out what happened to these people because I thought basically everyone except Elio was dead at the end of "call me by your name".
That being said, I think this book did a better job at exploring amatonormative grief than "call me by your name" did. Like the first book felt like trying to get more historical context for a fictional book, because it just felt like there was a lot of trauma that happened. Cbmyn is a very WTF kind of book. This book felt more grounded & comfortable with the grief even though it used queer time for essentialist instead of existentialist analysis.
That being said the Holocaust is explored in this book, because the 3 men are Jewish, so the grief of losing information about the dead... Ugh, just, that's the part that made me sob my ass off.
Graphic: Genocide, Grief, Racism, Incest, Religious bigotry, Death of parent, Antisemitism, Blood, Death, War, and Abandonment
Moderate: Alcohol, Dementia, and Domestic abuse