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dipsya's review
dark
emotional
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
You begin to hate the writing style in the beginning. But this slowly turns into sympathy for the character and his challenges as a single parent. I am glad I kept reading.
Content Warnings
Graphic: Addiction
kcfromaustcrime's review against another edition
5.0
The preoccupation for Scandinavian crime fiction of many readers is sometimes questioned. One response is to get people to read Karin Fossum's Inspector Konrad Sejer series. Within the one series, Fossum is able to shift the perspective, analyse the reasons why, explore the outcomes and long-term effects of crime, and play with accepted perceptions of clear cut resolutions. In THE MURDER OF HARRIET KROHN, whilst still part of the Sejer series, she's tipped the perspective completely - this is not a whodunnit, or even necessarily a whydunnit, but a how do you live with what you've just done.
There's absolutely no doubt from the opening set up of this book who Charlo Torp is, what a self-inflicted mess he's made of his life, and what his solution to the problem is. It's quite a chilling portrayal. The matter-of-fact way in which Torp sets out to murder Harriet Krohn and his initial reactions post the crime.
It would be an easy thing to have him remain ambivalent, self-justifying. Comfortable that his decision is what was required to sort out his own life and his relationship with his daughter. Certainly post his crime, and as a result of the money and possessions he steals, his life takes a turn for the better. He's able to reconnect with his daughter, he can provide her with the one thing she longs for more than anything else. But somewhere in the middle of all that happy ever after there's something more than just the pressure he's feeling from Inspector Sejer's investigation.
The investigation does take a back seat in this book, but fans of crime fiction that's all about the "chase" would be doing themselves a disservice by missing THE MURDER HARRIET KROHN. This is a carefully laid out, conservatively presented, seeringly understated, big dose of what goes around, comes around. The frightening thing is how blithely ignorant Torp is of what's happening, how his choices impact other people, and what he could have done differently. Until it's way too late.
http://www.austcrimefiction.org/review/review-murder-harriet-krohn-karin-fossum
There's absolutely no doubt from the opening set up of this book who Charlo Torp is, what a self-inflicted mess he's made of his life, and what his solution to the problem is. It's quite a chilling portrayal. The matter-of-fact way in which Torp sets out to murder Harriet Krohn and his initial reactions post the crime.
It would be an easy thing to have him remain ambivalent, self-justifying. Comfortable that his decision is what was required to sort out his own life and his relationship with his daughter. Certainly post his crime, and as a result of the money and possessions he steals, his life takes a turn for the better. He's able to reconnect with his daughter, he can provide her with the one thing she longs for more than anything else. But somewhere in the middle of all that happy ever after there's something more than just the pressure he's feeling from Inspector Sejer's investigation.
The investigation does take a back seat in this book, but fans of crime fiction that's all about the "chase" would be doing themselves a disservice by missing THE MURDER HARRIET KROHN. This is a carefully laid out, conservatively presented, seeringly understated, big dose of what goes around, comes around. The frightening thing is how blithely ignorant Torp is of what's happening, how his choices impact other people, and what he could have done differently. Until it's way too late.
http://www.austcrimefiction.org/review/review-murder-harriet-krohn-karin-fossum
mwgerard's review against another edition
Please read my full review here: http://mwgerard.com/accent-the-murder-of-harriet-krohn-by-karin-fossum/
lillianirene's review against another edition
challenging
emotional
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Flaws of characters a main focus? Yes
3.75
bgg616's review against another edition
I read 45 pages and decided I didn't like the book. It is completely written from the murderer's point of view and the murderer is not an interesting person. He's just wierd and a misfit. Time for reading is limited so I am not finishing this. The advantage of getting a book from the library is guiltless discarding.
linn735's review against another edition
dark
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
0.5
perednia's review against another edition
4.0
A father writes a heartfelt letter to his estranged daughter. She is clearly the most important thing in his life, the reason, really, that he lives. Why won't she have anything to do with him?
Karin Fossum answers that question and more in The Murder of Harriet Krohn, an absorbing character study and crime novel. The father, Charlo, has had a serious gambling problem. His wife dying of cancer didn't help. He even gambled away the money they had put aside to buy a horse for his darling daughter.
Now that there is the chance his gambling creditors will come after him, Charlo has finally hit bottom. He's got to do something. So he does. He buys flowers and takes the bouquet one late, snowy night to the home of an elderly woman, Harriet Krohn, who lives alone.
Fossum, who often experiments with crime fiction tropes in her novels, next switches the focus to Harriet Krohn. She is small-minded, tightly wound, regimented, a skinflint. She is crippled with arthritis, but she is not a figure of sympathy. When the murder occurs, it's easy to see how the killer, over time, begins to blame the victim. If only she hadn't done this or done that, if only she had just let him take the silver and the cash, and leave.
This is just the beginning of the story. The major portion of the novel deals with what Charlo does after the fact. Will he get away with it? Will he feel guilty? Will he be reconciled with his daughter? And what of the police? Fossum's best character is Inspector Sejer. Is he going to show up?
Without incorporating spoilers, let's just say the rest of the book flies by as suspense grows over these questions. Charlo is a fascinating, flawed character who makes his own problems and is a victim of his choices and what matters to him. This is not a novel in which the author asks the reader to feel pity or empathy for the main character. Rather, it is an examination of what might lead a man to think murder is the only way to solve his problems, and how does someone go on after that happens? For an author who has done unusual things in her novels before, Fossum does not disappoint here. She shows how to let character dictate story. The Murder of Harriet Krohn is a remarkable book by an author who can explore ideas while entertaining.
Karin Fossum answers that question and more in The Murder of Harriet Krohn, an absorbing character study and crime novel. The father, Charlo, has had a serious gambling problem. His wife dying of cancer didn't help. He even gambled away the money they had put aside to buy a horse for his darling daughter.
Now that there is the chance his gambling creditors will come after him, Charlo has finally hit bottom. He's got to do something. So he does. He buys flowers and takes the bouquet one late, snowy night to the home of an elderly woman, Harriet Krohn, who lives alone.
Fossum, who often experiments with crime fiction tropes in her novels, next switches the focus to Harriet Krohn. She is small-minded, tightly wound, regimented, a skinflint. She is crippled with arthritis, but she is not a figure of sympathy. When the murder occurs, it's easy to see how the killer, over time, begins to blame the victim. If only she hadn't done this or done that, if only she had just let him take the silver and the cash, and leave.
This is just the beginning of the story. The major portion of the novel deals with what Charlo does after the fact. Will he get away with it? Will he feel guilty? Will he be reconciled with his daughter? And what of the police? Fossum's best character is Inspector Sejer. Is he going to show up?
Without incorporating spoilers, let's just say the rest of the book flies by as suspense grows over these questions. Charlo is a fascinating, flawed character who makes his own problems and is a victim of his choices and what matters to him. This is not a novel in which the author asks the reader to feel pity or empathy for the main character. Rather, it is an examination of what might lead a man to think murder is the only way to solve his problems, and how does someone go on after that happens? For an author who has done unusual things in her novels before, Fossum does not disappoint here. She shows how to let character dictate story. The Murder of Harriet Krohn is a remarkable book by an author who can explore ideas while entertaining.
sus7's review against another edition
2.0
This is not a mystery, since it's told from the murderer's point of view. It was not interesting to me, I wanted the viewpoint of Inspector Sejer.
dorthepedersen_reads's review against another edition
1.0
Et spændende eksperiment: At skrive en krimiroman set fra drabsmandens perspektiv! Desværre sker der naturligt nok det, at man - når man fjerner spændingen og X-faktoren fra en krimi - står tilbage med en u-spændende, forudsigelig fortælling, der ikke kan trækkes op selv af en udmærket personskildring.
lektorstrikk's review against another edition
dark
mysterious
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5