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3.65 AVERAGE
3.65 AVERAGE
adventurous
dark
medium-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
adventurous
challenging
funny
mysterious
tense
medium-paced
adventurous
challenging
dark
emotional
hopeful
lighthearted
mysterious
tense
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
adventurous
mysterious
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
adventurous
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Shigidi is a Nebula nominee this year, and I tend to read the list every year (often finding a hidden gem) even if the description doesn't seem like something I'd like. Unfortunately I've realized in the past I don't like God-centric books (e.g. books where Gods are one of the primary points of view). It's a particular style that doesn't jive with me as the books tend to be full of scenes where the common man is indiscriminately murdered. One of the points of view in Shigidi is also a succubus (think American Gods), so there is a lot of sex/murder... and I've just realized over the years I don't like these types of viewpoints.
I digress- Shigidi follows two lesser Gods as they strike out on their own (leaving the God's union?). It spans many years and locations from Africa to Europe, and generally speaking was well-written and engaging. Unfortunately I was correct in knowing I wasn't going to enjoy it from the description alone.
I digress- Shigidi follows two lesser Gods as they strike out on their own (leaving the God's union?). It spans many years and locations from Africa to Europe, and generally speaking was well-written and engaging. Unfortunately I was correct in knowing I wasn't going to enjoy it from the description alone.
Way too much sex. Not what I’m looking for.
This is an excellent book. The use of Yoruba orishas was an added bonus, as they are not a pantheon I'm terribly familiar with. The characters are interesting, with many layers of depth.
The interweaving of Yoruba, Levantine and British myths and legends made for intriguing worldbuilding. The characterization of pantheons as "spirit companies" was a nice innovation as well.
The only thing I didn't completely enjoy was the way the book jumps around in time. It wasn't difficult to follow, but sometimes interrupted the flow of the story.
I don't know if Mr. Talabi plans to make this a series, but if so, I'm definitely there.
The interweaving of Yoruba, Levantine and British myths and legends made for intriguing worldbuilding. The characterization of pantheons as "spirit companies" was a nice innovation as well.
The only thing I didn't completely enjoy was the way the book jumps around in time. It wasn't difficult to follow, but sometimes interrupted the flow of the story.
I don't know if Mr. Talabi plans to make this a series, but if so, I'm definitely there.
adventurous
fast-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
Yoruba gods are deserve a better story.
adventurous
challenging
mysterious
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
"Shigidi" weaves a captivating narrative, blending Nigerian folklore with a global adventure. The disgruntled nightmare god, Shigidi, and the mysterious succubus, Nneoma, form a compelling duo as they navigate a world of ancient gods, magical realms, and urban landscapes. The author's vivid descriptions transport readers from the vibrant streets of Lagos to the swanky rooftop bars of Singapore and the secretive spaces of London.
However, the book falters in cultural accuracy and representation. While it successfully incorporates Nigerian folklore, other cultural elements, particularly those in Singapore and London, feel more like stereotypes than authentic representations. The portrayal of diverse locations lacks the depth and nuance needed to do justice to their rich cultural tapestries.
Despite this shortcoming, the story's strength lies in its unique premise and dynamic characters. The exploration of Shigidi's existential struggles and the complexities of his relationship with Nneoma adds depth to the narrative. The plot's blend of revenge, spirit business, and a spectacular heist keeps readers engaged.
In conclusion, "Shigidi" is an enthralling read, marred by a need for more nuanced cultural representation beyond its Nigerian roots.
However, the book falters in cultural accuracy and representation. While it successfully incorporates Nigerian folklore, other cultural elements, particularly those in Singapore and London, feel more like stereotypes than authentic representations. The portrayal of diverse locations lacks the depth and nuance needed to do justice to their rich cultural tapestries.
Despite this shortcoming, the story's strength lies in its unique premise and dynamic characters. The exploration of Shigidi's existential struggles and the complexities of his relationship with Nneoma adds depth to the narrative. The plot's blend of revenge, spirit business, and a spectacular heist keeps readers engaged.
In conclusion, "Shigidi" is an enthralling read, marred by a need for more nuanced cultural representation beyond its Nigerian roots.