Reviews with content warning for Emotional abuse - A Marvellous Light

Mixed feelings here. I love the premise of historical, fantasy, mystery, drama, and romance mingling together and having a nice party, but I feel like none of them are balanced in a satisfying way. (Fantasy without expansive world building so lore payoffs don’t feel earned, mystery without enough defined clues so the big reveals don’t hit how they should, etc etc.)

It was also difficult for me to finish due to the beginning having a fairly slow pace. There’s a lot of exposition to dig through before things pick up about a third of the way through. I mostly continued because I enjoyed the prose— I personally enjoyed the descriptions of interior design and opulence in Edwin’s family home.

Also there are a few graphic sex scenes in this book and that threw me off, though it’s mostly on me for not checking the content warnings (which will come in clutch in the future).

For better or for worse, there are only around 4 likeable characters, and that’s by design. While I enjoyed the two lead characters, I’m not sure I’m invested enough to continue this series.

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tiffany_sostar's review against another edition

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2.75

I really wanted to enjoy this book so much more than I did. The characters are great! The mystery is engaging! The spice is hot!

But I’m constantly irritated by authors who write magical alternative histories and include the worst parts of our own history. In this case, so much homophobia. Just trust that your characters can still have conflict and struggle even without oppression! Also patriarchy. Why. It’s a magical alternative world, why is this necessary?! And also so much whiteness and some racism that I can’t tell if the author recognizes or not. The homophobia and patriarchy she’s obviously aware of and having her characters frustrated with it, but the racism just seems to be there unquestioned. It’s not necessary.

The parts outside of the oppressive systemic issues were great and without the inclusion of totally unnecessary homophobia, patriarchy and racism, I would have given this a 4.5. But it did have those parts and they really wrecked it for me.

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fishfish's review

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adventurous dark emotional funny hopeful informative inspiring lighthearted mysterious reflective relaxing sad tense fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

I am sincerely, unbelievably grateful and happy to have read this book and could barely put it down most of the time. Would recommend.

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bergha1998's review against another edition

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adventurous dark emotional mysterious reflective sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

I think it’s a lovely story, I just found the pacing a bit off. It took me awhile to really get into it. But as soon as the characters get fleshed out more and the mystery grows it is quite enjoyable. I also didn’t expect so many spicy scenes.

Fantasy Mystery, MLM Romance, 2 1/2 🔥

“You look like a Turner painting and I want to learn your textures with my fingertips. You are the most fascinating thing in this beautiful house. I’d like to introduce my fists to whoever taught you to stop talking about the things that interest you.”

“I am nothing like you, and yet I feel more myself with you.”

“And I’m sick to death of being afraid, and I want you. Enough to risk it. More than enough. You make me feel like something—extraordinary.”

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just_one_more_paige's review

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adventurous emotional funny mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

I've been waiting to read this one for awhile, because I *knew* I would love it. (Spoiler alert: I was right.) And I was so afraid that any cliffhangers (it's the first in a planned trilogy) would be the death of me. (I was less right on this front, thank goodness, though it's not really an issue anymore since the full series is now published. In other news, I feel bound to transparently admit that the marketing campaign for these books, the "be gay, do magic" and "be gay, do heists" vibes, worked hardcore on me.

After the recent death of his parents, Robin Blyth finds himself solely responsible for his title, family holdings, and younger sister. Having been left very little, financially, to support them, Robin takes an obscure posting within the government...only to find out that it's not just a position of the paper-pushing variety, but rather as a liaison between parliament and a secret magical society. And thus he is introduced to an entire world of magic that has always existed, quietly, within the Edwardian England world that he thought he knew so well. After being attacked and cursed after his first day on the job, he is forced to work very closely with his magical-society counterpart, Edwin Courcey (a outwardly cold and studious/bookish type of person), to both break the curse and figure out why he was attacked in the first place. As the two spend time together, they realize that not only is the mystery they're investigating a threat to the entire magical community, they also might be developing deeper feelings for each other.

Well, I already gave a spoiler earlier, so let me just start by saying, full-throatedly, how much I loved this book. The magic, the mystery, the world-building, the drama, the dry British humor, the delicious romance - it was all just wonderful. I'm going to give lots more details on all of it, as per usual, but I just really needed to set that tone to start.

Now, let's jump in... Marske throws the reader right into the story from the very first lines. It takes some real reader effort on the front end to catch hold of the thread of it, and to hang on as more details are given, so if that's a struggle for you, be aware. However, it nicely avoids the potential info-dump pitfall, and, as one of our MCs (Robin) is also dunked head first into this new world, it fits with the narrative to be discovering and learning alongside him. And it didn't take me too long to sink enough into the character and plot development that the effort of paying that much attention didn't seem like effort at all. Because let me tell you, I sunk all the way in. And as everything unfolded, Marske did a phenomenal job balancing classic, well-loved for a reason, romance and fantasy tropes that made the story feel familiar and comfortable, with creativity and originality that kept the entertainment levels and compellingness high. I loved the hints that Edwin's magic and abilities are somehow more than he thought, and Robin's accustomization into magical reality would be somehow bigger than he thought, and was so excited to watch them each grow into that potential. And grow they did, as the plot thickened, as it were, and they dove deeper and deeper into the mystery and (life-threatening) research into the theoretical possibilities of magic based on the legends and lore of its origins (and the, of course, nefarious secret group trying to bend that knowledge to its own power/benefit). As this all developed, I particularly enjoyed seeing the coming together/connections of all these little vision snippets Robin started getting - what was concluded here in this novel and what we have to look forward to getting clarity on moving forwards. And as everything came to its denouement, I have to give a slow clap to Markse for the way she pulled it all off. There was a lovely little "be careful what bargians you make" situation, a sort of sentient house (I do always love magical devices like that), some very smart weaving together of the language/contracts/consent that had been a theme throughout. Just, what an ending! A perfect closing but also the perfect setup for more: this is a masterclass in non-cliffhanger, but still open-ended in preparation for the next installment, finale.

I was also completely charmed by the slow dawning of shared romantic interests between Robin and Edwin. They're such a well-written opposites-attract couple, with some bonus grumpy-sunshine vibes. The dual-longing slowish burn was so subtle and just, good. And the steam, when it hit, was spectacular. It was similarly soft, parallel to the growing of it, but still quite hot. And as we got more and more of those steamy scenes, they got hotter and hotter. And oh! What a creative and fun use of experimental sexual magic: nerves! How has no one thought of that before (at least not in anything I've read)? So original. Anyways, basically, Edwin and his sharp edges of self protection and Robin with his earnest and willing softness and love have my whole-ass heart.

A few final unique bits I'd like to highlight. First, the magic really was cool. The idea of cradling - using hands to create spells is always a thing I'm into, as a dramatic-gesture-while-talking type person - was super cool. And the way it was used a few times was unlike anything I've read before. I already mentioned the nerve-based magic in the one sexy scene, but also the games played by Edwin's family and their set were so imaginative. I mean, they sucked as people but, the magic was fun! I thought the exploration of Robin’s parents, well known philanthropists, but with the cunning decision making and motivations that made it clear to their children that their priority was being known for their philanthropy as opposed to the actual effect/help of it, was a fascinating and unique character study. Not a perspective seen overly much, and executed with great depth here. Finally, the tone was spot on throughout. This isn't necessarily unique in its own right, as it had a very dry British vibe, but it is one that I love and, so, must needs point out. On this note, I very literally snort-laughed out loud at the sarcastic “we are but feeble women, woe” that Miss Morrissey and her sister used as excuses at the end (taking advantage of the ridiculous assumptions men tend to make about women's abilities and constitutions). I loved all of that and, really, loved Miss Morrissey and her sister period. I'm really hoping for more of them in book two.

So, to recap, this novel delivered, absolutely, on all promises. I highly recommend it.

“Books are at least somewhat less likely to hurl insults at one […] It is one of their major appeals.”

“For the most part, people didn’t see the unfamiliar unless it threw itself in their face.”

“How many frights made a pattern? How many coincidences made a plot?”

“Those were not things ones blurted out to a friend. Those were their own cradles of magic, an expression of the desire to transform one thing into another. And what if the magic went awry?” (this moment in the awakening of their relationship – oh my heart)

“It didn’t take long to become so accustomed to something that you could describe the exact shape of its absence.”

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Reviews tagging 'Emotional abuse'

A Marvellous Light by Freya Marske

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pvp_niki's review against another edition

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bergha1998's review against another edition

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