Reviews with content warning for Sexism - A Marvellous Light

Reviews tagging 'Sexism'

A Marvellous Light by Freya Marske

70 reviews

arialien's review

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dark informative medium-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

2.75

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caitlinemccann's review

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adventurous emotional mysterious tense slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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really frustrated by this book's inability to care about it's own plot even a little. if you want to write a smutty romance novel you can 100% still do that in a fantasy + historical setting! but there was so little effort to engage me in the plot of this book as a reader and i didn't care enough about the main pairing for that to be enough for me.

i wanted there to be a more interesting mystery with more interesting sleuthing and there just wasn't. instead it seemed more interested in making the sex scenes plot important?? and like, they were fine. but i just found myself really annoyed about halfway through the book that it didn't seem to be going anywhere.

also i switched between a paper copy and the audiobook a few times and whole the narrator is talented he has no business reading a sex scene. i am usually fine with listening to audiobook sex scenes but oh my god that was the unsexiest voice i've ever heard reading two people actively having sex. HOWEVER at one point he tries to read a noise that robin makes mid-fuck and it is THE funniest sound i have ever heard it cracks me the fuck up every time. so one of these stars is probably for that alone.

anyway maybe im a bit too harsh bc i don't really care for historical england settings let alone posh english society so i maybe didn't go in with the most open mind. also would've maybe helped if this book was abt women and included a butch/masc woman but i also feel that would improve every book i read. and in the end, i still think i would've been disappointed by the story.

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teddie_valetine98's review against another edition

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adventurous emotional hopeful medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.5

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cutie314's review

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adventurous emotional funny fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

If you're looking for a book full of magical secrets, no buried gays, and attempted shrub murder, this one's for you.

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gondorgirl's review

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adventurous emotional hopeful mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

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stoopy's review against another edition

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adventurous hopeful mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? N/A
Flaws of characters a main focus? Yes

3.75

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just_one_more_paige's review

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adventurous emotional funny mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

I've been waiting to read this one for awhile, because I *knew* I would love it. (Spoiler alert: I was right.) And I was so afraid that any cliffhangers (it's the first in a planned trilogy) would be the death of me. (I was less right on this front, thank goodness, though it's not really an issue anymore since the full series is now published. In other news, I feel bound to transparently admit that the marketing campaign for these books, the "be gay, do magic" and "be gay, do heists" vibes, worked hardcore on me.

After the recent death of his parents, Robin Blyth finds himself solely responsible for his title, family holdings, and younger sister. Having been left very little, financially, to support them, Robin takes an obscure posting within the government...only to find out that it's not just a position of the paper-pushing variety, but rather as a liaison between parliament and a secret magical society. And thus he is introduced to an entire world of magic that has always existed, quietly, within the Edwardian England world that he thought he knew so well. After being attacked and cursed after his first day on the job, he is forced to work very closely with his magical-society counterpart, Edwin Courcey (a outwardly cold and studious/bookish type of person), to both break the curse and figure out why he was attacked in the first place. As the two spend time together, they realize that not only is the mystery they're investigating a threat to the entire magical community, they also might be developing deeper feelings for each other.

Well, I already gave a spoiler earlier, so let me just start by saying, full-throatedly, how much I loved this book. The magic, the mystery, the world-building, the drama, the dry British humor, the delicious romance - it was all just wonderful. I'm going to give lots more details on all of it, as per usual, but I just really needed to set that tone to start.

Now, let's jump in... Marske throws the reader right into the story from the very first lines. It takes some real reader effort on the front end to catch hold of the thread of it, and to hang on as more details are given, so if that's a struggle for you, be aware. However, it nicely avoids the potential info-dump pitfall, and, as one of our MCs (Robin) is also dunked head first into this new world, it fits with the narrative to be discovering and learning alongside him. And it didn't take me too long to sink enough into the character and plot development that the effort of paying that much attention didn't seem like effort at all. Because let me tell you, I sunk all the way in. And as everything unfolded, Marske did a phenomenal job balancing classic, well-loved for a reason, romance and fantasy tropes that made the story feel familiar and comfortable, with creativity and originality that kept the entertainment levels and compellingness high. I loved the hints that Edwin's magic and abilities are somehow more than he thought, and Robin's accustomization into magical reality would be somehow bigger than he thought, and was so excited to watch them each grow into that potential. And grow they did, as the plot thickened, as it were, and they dove deeper and deeper into the mystery and (life-threatening) research into the theoretical possibilities of magic based on the legends and lore of its origins (and the, of course, nefarious secret group trying to bend that knowledge to its own power/benefit). As this all developed, I particularly enjoyed seeing the coming together/connections of all these little vision snippets Robin started getting - what was concluded here in this novel and what we have to look forward to getting clarity on moving forwards. And as everything came to its denouement, I have to give a slow clap to Markse for the way she pulled it all off. There was a lovely little "be careful what bargians you make" situation, a sort of sentient house (I do always love magical devices like that), some very smart weaving together of the language/contracts/consent that had been a theme throughout. Just, what an ending! A perfect closing but also the perfect setup for more: this is a masterclass in non-cliffhanger, but still open-ended in preparation for the next installment, finale.

I was also completely charmed by the slow dawning of shared romantic interests between Robin and Edwin. They're such a well-written opposites-attract couple, with some bonus grumpy-sunshine vibes. The dual-longing slowish burn was so subtle and just, good. And the steam, when it hit, was spectacular. It was similarly soft, parallel to the growing of it, but still quite hot. And as we got more and more of those steamy scenes, they got hotter and hotter. And oh! What a creative and fun use of experimental sexual magic: nerves! How has no one thought of that before (at least not in anything I've read)? So original. Anyways, basically, Edwin and his sharp edges of self protection and Robin with his earnest and willing softness and love have my whole-ass heart.

A few final unique bits I'd like to highlight. First, the magic really was cool. The idea of cradling - using hands to create spells is always a thing I'm into, as a dramatic-gesture-while-talking type person - was super cool. And the way it was used a few times was unlike anything I've read before. I already mentioned the nerve-based magic in the one sexy scene, but also the games played by Edwin's family and their set were so imaginative. I mean, they sucked as people but, the magic was fun! I thought the exploration of Robin’s parents, well known philanthropists, but with the cunning decision making and motivations that made it clear to their children that their priority was being known for their philanthropy as opposed to the actual effect/help of it, was a fascinating and unique character study. Not a perspective seen overly much, and executed with great depth here. Finally, the tone was spot on throughout. This isn't necessarily unique in its own right, as it had a very dry British vibe, but it is one that I love and, so, must needs point out. On this note, I very literally snort-laughed out loud at the sarcastic “we are but feeble women, woe” that Miss Morrissey and her sister used as excuses at the end (taking advantage of the ridiculous assumptions men tend to make about women's abilities and constitutions). I loved all of that and, really, loved Miss Morrissey and her sister period. I'm really hoping for more of them in book two.

So, to recap, this novel delivered, absolutely, on all promises. I highly recommend it.

“Books are at least somewhat less likely to hurl insults at one […] It is one of their major appeals.”

“For the most part, people didn’t see the unfamiliar unless it threw itself in their face.”

“How many frights made a pattern? How many coincidences made a plot?”

“Those were not things ones blurted out to a friend. Those were their own cradles of magic, an expression of the desire to transform one thing into another. And what if the magic went awry?” (this moment in the awakening of their relationship – oh my heart)

“It didn’t take long to become so accustomed to something that you could describe the exact shape of its absence.”

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