Take a photo of a barcode or cover
4.06 AVERAGE
4.06 AVERAGE
adventurous
medium-paced
adventurous
dark
emotional
mysterious
tense
fast-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
adventurous
dark
mysterious
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
From the publisher: “AS DESTINY CALLS, A JOURNEY BEGINS. It has been twenty years since the god-like Augurs were overthrown and killed. Now, those who once served them – the Gifted – are spared only because they have accepted the rebellion’s Four Tenets, vastly limiting their own powers. As a young Gifted, Davian suffers the consequences of a war lost before he was even born. He and others like him are despised. But when Davian discovers he wields the forbidden powers of the Augurs, he sets in motion a chain of events that will change everything. To the west, a young man whose fate is intertwined with Davian’s wakes up in the forest, covered in blood and with no memory of who he is …And in the far north, an ancient enemy long thought defeated, begins to stir.”
If you’ve been reading this type of thing for a while now, you will know that the description given by the publisher is nothing new. It sounds like a book from the 1980’s or 90’s, and ticks off all the expected, oft-used tropes.
Don’t get me wrong – to riff off old favourites and much loved tropes can be great fun. It is usually accepted that anything written in homage, as I understand this was, has got to be able to create that sense of contentment, that feeling that “it’s great to be back”, so that a reader is happy knowing what’s going to happen, even if it’s not precisely shown how.
And at first this seems to be a book determined to follow a well-trodden path from before. There is the usual initial setting up. The book is set in a world years after a war between those with magic powers (the Augurs) and those without. The ones without powers won – which means that the Augurs are gone and those Gifted who helped them are kept in gated communities known as Tols and usually only let out amongst the general populace (for supplies and such) wearing a limiter – an arm bracelet named a Shield.
In this world we meet Davian, a young hero with a destiny about to begin a bildungsroman journey, Asha, his girl friend, Wirr his faithful sidekick friend with a secret past and Ilseth is an elderly mentor also with a secret past. There’s magic/forbidden powers and evil afoot – in many cases it’s almost Star Wars (without all the SF trappings, admittedly.) I must admit I found this first part wasn’t inspiring to begin with. It’s an attempt to be filmic that doesn’t entirely work for me, has dialogue that screams “cliché!” and a lot of information-dumping to set up the plot. However if you can accept that this is a debut novel and a big novel, it is worth sticking with.
As in many of these tales, the book soon gets Davian and some of his friends separated. Asha ends up working in the library of the Tol Athian with Ilseth, believing her friends killed. Davian and Wirr have actually set off on a secret quest North, Davian being told by an Elder to do so. They rescue a Gifted prisoner named Caeden and meet Taeris Sarr, a man who has been important in Davian’s past. The group soon becomes larger with a priest named Nihim and a young swordsman Aelric and his sister Dezia sent to help Davian and Wirr, all helping the group get to The Council at Ilin Illan so that they can discover Caeden’s mysterious past. Here the book has space to breathe, a world to build on and characters to develop.
There are parts that I liked, especially once past the beginning. Once it settles down and the main plot gets going, there’s lots of running and being hunted, which was quite exciting, and there’s even a couple of nearly-unexpected twists along the way (as well as a couple that were blindingly obvious.) If you can cope with the fact that you may have read something very similar to this before (and I do realise that there may be many who have not!), it is undoubtedly entertaining.
It is clearly a character driven tale. The dialogue between the characters is generally good, though there’s the occasional clunk of dialogue info-dumping. It is perhaps to be expected with a debut novel of this size, though, and not too jarring for the reader. What keeps you reading are the characters – their wishes, worries, beliefs, loves and back-stories, all of which flesh out the plot and the world as we go.
So far, so expected. And as much as I was enjoying it, I was beginning to feel that there was nothing particularly original here. I was recognising touches of Brandon Sanderson, of Robert Jordan and even good ol’ Tolkien. As my SFFWorld colleague Rob Bedford often says (and I often agree with him), there’s no problem if that is the case, as long as the author brings in his/her own little twists, their own stylistic traits that add to the classic and traditional.
For a book to remain noticeable above the rest of the mass, the thousands of books using the same ideas and principles, it has to have something in there that’s new, that readers will latch on to and remember. A character trait, a key idea, a place that is comforting or scary – the things that make a reader want to read it again. I was beginning to think that Shadow was not that sort of book.
But then, about half way into Shadow, and just when things are settling down to be this pleasantly comfortable Fantasy epic, there’s a rather abrupt slap in the face, when in the bigger scheme of things, Davian encounters time travel and quantum universes and goes a little SF.
This doesn’t last too long before things return back to classic Fantasy style, though. As the book moves towards the end, there’s a lot of mysteries being resolved and things discovered. Lots of secrets are shown and revealed, although as the characters keep telling us this is clearly only the start of something bigger. Davian discovers his destiny (and other things besides) and moves to defend his world against the inhuman soldiers known as the Blind who are doing Davaed’s work for him. Surprisingly, Darth Vader (sorry, Aarkein Davaed) appears very little, letting his evil minions pave the way for his malevolent plans to bear fruit. Nevertheless the book moves towards a logical conclusion, albeit partly a set up for the inevitable Book Two.
Of the parts I disliked, the already-mentioned beginning is a key one – almost to the point where I stopped reading – but I’m pleased that it did seem to get better. Perhaps my biggest concern is that despite Shadow being such a big book there’s a lot happening without a great deal of explanation. Characters do things without being given a real need or understanding of why they must do these things. Though, as readers, we are told that things are important, there’s little said about why they must do things, and so our engagement with things, our concern for the characters, is less. The mysterious and enigmatic enemy has a presence but it never seems as if our heroes are in genuine peril. The deaths of characters mean surprisingly little as there has been little given to make us care about them. In the end it feels like a book with epic width but little depth.
Nevertheless, The Shadow of What Was Lost is a big, fat immersive novel that many readers will love. With characters you may recognise and situations you may recall as similar to what you have read before, as well as by dealing with traditional values such as loyalty, honour and love, it brings back to Fantasy many classic things that in the recent days of Grimdark have been less noticeable. As a new version of what has been loved before, I can see why it may be popular.
I do think the author has potential, although I don’t think The Shadow of What Was Lost is quite there as a definitive classic, for playing make-believe in an area well-known already, even in homage, does not an immediate classic make. It was a typical debut novel in that whilst there were parts that show the author can write well, there were sometimes other elements that were uneven and at times even annoying. It’s good but not that good.
Despite my quibbles, there’s enough here to entertain and enough curiosity created to keep the reader reading and the pages turning. I did enjoy it (and unlike The Wheel of Time series and The Stormlight Archives I did finish it!), but it may be more a case of The Opportunity What Was Lost rather than The Shadow of What Was Lost.
If you’ve been reading this type of thing for a while now, you will know that the description given by the publisher is nothing new. It sounds like a book from the 1980’s or 90’s, and ticks off all the expected, oft-used tropes.
Don’t get me wrong – to riff off old favourites and much loved tropes can be great fun. It is usually accepted that anything written in homage, as I understand this was, has got to be able to create that sense of contentment, that feeling that “it’s great to be back”, so that a reader is happy knowing what’s going to happen, even if it’s not precisely shown how.
And at first this seems to be a book determined to follow a well-trodden path from before. There is the usual initial setting up. The book is set in a world years after a war between those with magic powers (the Augurs) and those without. The ones without powers won – which means that the Augurs are gone and those Gifted who helped them are kept in gated communities known as Tols and usually only let out amongst the general populace (for supplies and such) wearing a limiter – an arm bracelet named a Shield.
In this world we meet Davian, a young hero with a destiny about to begin a bildungsroman journey, Asha, his girl friend, Wirr his faithful sidekick friend with a secret past and Ilseth is an elderly mentor also with a secret past. There’s magic/forbidden powers and evil afoot – in many cases it’s almost Star Wars (without all the SF trappings, admittedly.) I must admit I found this first part wasn’t inspiring to begin with. It’s an attempt to be filmic that doesn’t entirely work for me, has dialogue that screams “cliché!” and a lot of information-dumping to set up the plot. However if you can accept that this is a debut novel and a big novel, it is worth sticking with.
As in many of these tales, the book soon gets Davian and some of his friends separated. Asha ends up working in the library of the Tol Athian with Ilseth, believing her friends killed. Davian and Wirr have actually set off on a secret quest North, Davian being told by an Elder to do so. They rescue a Gifted prisoner named Caeden and meet Taeris Sarr, a man who has been important in Davian’s past. The group soon becomes larger with a priest named Nihim and a young swordsman Aelric and his sister Dezia sent to help Davian and Wirr, all helping the group get to The Council at Ilin Illan so that they can discover Caeden’s mysterious past. Here the book has space to breathe, a world to build on and characters to develop.
There are parts that I liked, especially once past the beginning. Once it settles down and the main plot gets going, there’s lots of running and being hunted, which was quite exciting, and there’s even a couple of nearly-unexpected twists along the way (as well as a couple that were blindingly obvious.) If you can cope with the fact that you may have read something very similar to this before (and I do realise that there may be many who have not!), it is undoubtedly entertaining.
It is clearly a character driven tale. The dialogue between the characters is generally good, though there’s the occasional clunk of dialogue info-dumping. It is perhaps to be expected with a debut novel of this size, though, and not too jarring for the reader. What keeps you reading are the characters – their wishes, worries, beliefs, loves and back-stories, all of which flesh out the plot and the world as we go.
So far, so expected. And as much as I was enjoying it, I was beginning to feel that there was nothing particularly original here. I was recognising touches of Brandon Sanderson, of Robert Jordan and even good ol’ Tolkien. As my SFFWorld colleague Rob Bedford often says (and I often agree with him), there’s no problem if that is the case, as long as the author brings in his/her own little twists, their own stylistic traits that add to the classic and traditional.
For a book to remain noticeable above the rest of the mass, the thousands of books using the same ideas and principles, it has to have something in there that’s new, that readers will latch on to and remember. A character trait, a key idea, a place that is comforting or scary – the things that make a reader want to read it again. I was beginning to think that Shadow was not that sort of book.
But then, about half way into Shadow, and just when things are settling down to be this pleasantly comfortable Fantasy epic, there’s a rather abrupt slap in the face, when in the bigger scheme of things, Davian encounters time travel and quantum universes and goes a little SF.
This doesn’t last too long before things return back to classic Fantasy style, though. As the book moves towards the end, there’s a lot of mysteries being resolved and things discovered. Lots of secrets are shown and revealed, although as the characters keep telling us this is clearly only the start of something bigger. Davian discovers his destiny (and other things besides) and moves to defend his world against the inhuman soldiers known as the Blind who are doing Davaed’s work for him. Surprisingly,
Of the parts I disliked, the already-mentioned beginning is a key one – almost to the point where I stopped reading – but I’m pleased that it did seem to get better. Perhaps my biggest concern is that despite Shadow being such a big book there’s a lot happening without a great deal of explanation. Characters do things without being given a real need or understanding of why they must do these things. Though, as readers, we are told that things are important, there’s little said about why they must do things, and so our engagement with things, our concern for the characters, is less. The mysterious and enigmatic enemy has a presence but it never seems as if our heroes are in genuine peril. The deaths of characters mean surprisingly little as there has been little given to make us care about them. In the end it feels like a book with epic width but little depth.
Nevertheless, The Shadow of What Was Lost is a big, fat immersive novel that many readers will love. With characters you may recognise and situations you may recall as similar to what you have read before, as well as by dealing with traditional values such as loyalty, honour and love, it brings back to Fantasy many classic things that in the recent days of Grimdark have been less noticeable. As a new version of what has been loved before, I can see why it may be popular.
I do think the author has potential, although I don’t think The Shadow of What Was Lost is quite there as a definitive classic, for playing make-believe in an area well-known already, even in homage, does not an immediate classic make. It was a typical debut novel in that whilst there were parts that show the author can write well, there were sometimes other elements that were uneven and at times even annoying. It’s good but not that good.
Despite my quibbles, there’s enough here to entertain and enough curiosity created to keep the reader reading and the pages turning. I did enjoy it (and unlike The Wheel of Time series and The Stormlight Archives I did finish it!), but it may be more a case of The Opportunity What Was Lost rather than The Shadow of What Was Lost.
adventurous
dark
mysterious
relaxing
tense
adventurous
slow-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
No
adventurous
dark
emotional
mysterious
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
adventurous
dark
mysterious
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Yes
A great fantasy with plenty of world building and a great magic system. I like how we get the story from Davian, Caden, Asha, and Wer as they learn more about the magic and political struggles throughout the novel. There’s definitely a lot of potential and storylines to follow in the next book and I’m looking forward to continuing the series.
adventurous
challenging
dark
medium-paced
Plot or Character Driven:
A mix
Strong character development:
No
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
adventurous
mysterious
medium-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Another edition to the "white, male epic fantasy with mediocre female characters" collection. God forbid my generic fantasy world with magical people capable of bending reality in every way you'd expect has people of color. While fairly predictable, I did get a couple fun thrills: the epilogue reveal and Elocien's situation. The author foreshadowed the other big twists a little too well, and I mostly just felt smart for picking up on all the hints ahead of time. The characters should feel stupid for missing a bunch of obvious things, though. The Echo soldiers!! Like, come on. Taeris had all the kids eavesdropping on him, like please have any sense of awareness or caution in your surroundings.
I will be reading the rest of the trilogy. I'm interested to see how this author handles some of the time travel and iffy politics. I wouldn't recommend this trilogy from this book alone, but I will see how the rest of the story pans out.
I will be reading the rest of the trilogy. I'm interested to see how this author handles some of the time travel and iffy politics. I wouldn't recommend this trilogy from this book alone, but I will see how the rest of the story pans out.