Scan barcode
shector1's review against another edition
adventurous
emotional
funny
reflective
relaxing
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Blood, Sexual content, and Violence
Moderate: Toxic relationship, Cursing, Injury/Injury detail, and Emotional abuse
Minor: Death of parent
ofbooksandechos's review against another edition
adventurous
emotional
funny
hopeful
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
Content Warnings
Graphic: Sexual content
Moderate: Emotional abuse, Medical content, and Injury/Injury detail
Minor: Physical abuse, Death of parent, and Racism
additional content warnings: depression/depressive episodes, manipulation. ps: l'unica pizza è quella di Napoli, altro che C(h)icago o NY.booksthatburn's review against another edition
emotional
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
I’m so happy about BITTER MEDICINE. Often I can get very stressed out by stories where the two parties are lying or misrepresenting things, usually because the reasons don’t make any sense, except as transparent excuses to further the plot. When this happens I either become distressed by the lie(s) or I’ll lose the suspension of disbelief and can’t stay in the story. At all points in BITTER MEDICINE, Elle and Luc are being as honest as they possibly can be with each other (given the constraints on them). As they grow closer they work first individually, and then mutually, to get rid of the barriers between them. In each new stage of their relationship they work to accept whatever obstacles cannot yet be removed. The story is driven by their need to fix their individual problems, gradually turning into a realization that they can help each other accomplish more than either could without help.
Elle's relationship with her brother Tony is loving, but strange, as she feels obligated to protect him but he is amused and exasperated at how much she contorts herself to keep him safe in a situation that she sees as her fault. Tony is a fascinating character, cheeky and irascible, he decides what he wants and goes for it - consequences be damned. I suspect he must be more prudent than how Elle sees him, or else he wouldn’t have survived this long in his suddenly mortal state, but she’s so protective and cautious that if he takes literally any risk she sees it is insensible from her very particular baseline. They're both in hiding from their younger brother who wants to kill Tony (and then probably Elle) in pursuit of a power he can only have if they're both dead.
Luc is lonely and deliberate, turning things over in his mind before making any move. He's also in a brutally uneven power, dynamic with his boss, Oberon, who has taken steps to conceal this from those around them. Early in the book, Elle asks Luc a question which he keeps turning over in his mind, using it as a way to explore the possibility of something other than the way he’s been forced to live for two centuries. Gradually he figures out that the person he's been ordered to find (and likely kill) for his job is the brother who's been trying to kill Elle and Tony. Luc is trying to make up for what he sees as a failure in his past, some thing that was actually less terrible than what everyone else has assumed, but a geas on him stops him from correcting the record, and potentially relieving some of the scorn and fear that others hold for him.
Oberon, Luc's boss, is exploitative, intense, ruthless, and terrible. Long before it’s specifically clear what kind of a hold he has on Luc, he’s casually racist, more than a bit sexist, and dismissive of a particular character's gender identity as part of that sexism. I don’t think that “and also he misgenders people" is necessary in order to mark him or anyone else out as a villain, but the way that it’s done here quickly differentiates him as a nasty character. It also serves to set him apart from his employees who are just hired muscle who sometimes kill people. Where for them it’s a job and a skill, for him it’s an obsession, and extension of his obvious need for power and control. Through whatever combination of power and privilege, he’s gotten to the point where he literally doesn’t have to give a shit about what anyone else thinks, and he wields that knowledge to make Luc's life a living hell as a side effect of his seeming need for control and obedience. Oberon's cruelty is casual, systemic, and occasionally specific.
I like the wrecking crew (a particular group of Luc's colleagues). Part of their early antipathy towards Luc is from thinking that he did a terrible thing which crosses a line for them. The ways in which that story is more complicated are gradually untangled in the narrative, but it speaks well for them that what they think he did would cross lines that are not to be crossed.
I’ve enjoyed this audiobook narrator’s work previously, and this was up to their usual excellent standards. The range of voices is nice and the performance was engaging and easy to follow. The worldbuilding unfolds naturally along with the story, aided by the oscillation between Elle and Luc. Their different backgrounds provide different experiences and occasionally different ways of looking at the exact same bit of the story. I like the context-sensitive approach to a kind of "all the spirits/creatures are real" style of worldbuilding. All the living supernatural entities have an item which connects their powers to their bodies, but other than that they have existences and magical parameters consistent with their cultures of origin. Luc has a true name and can be affected by misuse of it because he's a European-style half-elf. Elle is the descendent of a Chinese medicine god and she often works her magic through calligraphy to create charms. Elle's friend and coworker is a helpful (mostly background) presence, suggesting the shape of a long-term bond without distracting from the current crisis and main storyline. She's also a ghost, providing opportunities to explore a few more aspects of how magic works which are specific to her.
Read BITTER MEDICINE for a fantasy romance about building a better life together, and figuring out how to hold on to what actually matters in the face of seemingly unbeatable obstacles.
Elle's relationship with her brother Tony is loving, but strange, as she feels obligated to protect him but he is amused and exasperated at how much she contorts herself to keep him safe in a situation that she sees as her fault. Tony is a fascinating character, cheeky and irascible, he decides what he wants and goes for it - consequences be damned. I suspect he must be more prudent than how Elle sees him, or else he wouldn’t have survived this long in his suddenly mortal state, but she’s so protective and cautious that if he takes literally any risk she sees it is insensible from her very particular baseline. They're both in hiding from their younger brother who wants to kill Tony (and then probably Elle) in pursuit of a power he can only have if they're both dead.
Luc is lonely and deliberate, turning things over in his mind before making any move. He's also in a brutally uneven power, dynamic with his boss, Oberon, who has taken steps to conceal this from those around them. Early in the book, Elle asks Luc a question which he keeps turning over in his mind, using it as a way to explore the possibility of something other than the way he’s been forced to live for two centuries. Gradually he figures out that the person he's been ordered to find (and likely kill) for his job is the brother who's been trying to kill Elle and Tony. Luc is trying to make up for what he sees as a failure in his past, some thing that was actually less terrible than what everyone else has assumed, but a geas on him stops him from correcting the record, and potentially relieving some of the scorn and fear that others hold for him.
Oberon, Luc's boss, is exploitative, intense, ruthless, and terrible. Long before it’s specifically clear what kind of a hold he has on Luc, he’s casually racist, more than a bit sexist, and dismissive of a particular character's gender identity as part of that sexism. I don’t think that “and also he misgenders people" is necessary in order to mark him or anyone else out as a villain, but the way that it’s done here quickly differentiates him as a nasty character. It also serves to set him apart from his employees who are just hired muscle who sometimes kill people. Where for them it’s a job and a skill, for him it’s an obsession, and extension of his obvious need for power and control. Through whatever combination of power and privilege, he’s gotten to the point where he literally doesn’t have to give a shit about what anyone else thinks, and he wields that knowledge to make Luc's life a living hell as a side effect of his seeming need for control and obedience. Oberon's cruelty is casual, systemic, and occasionally specific.
I like the wrecking crew (a particular group of Luc's colleagues). Part of their early antipathy towards Luc is from thinking that he did a terrible thing which crosses a line for them. The ways in which that story is more complicated are gradually untangled in the narrative, but it speaks well for them that what they think he did would cross lines that are not to be crossed.
I’ve enjoyed this audiobook narrator’s work previously, and this was up to their usual excellent standards. The range of voices is nice and the performance was engaging and easy to follow. The worldbuilding unfolds naturally along with the story, aided by the oscillation between Elle and Luc. Their different backgrounds provide different experiences and occasionally different ways of looking at the exact same bit of the story. I like the context-sensitive approach to a kind of "all the spirits/creatures are real" style of worldbuilding. All the living supernatural entities have an item which connects their powers to their bodies, but other than that they have existences and magical parameters consistent with their cultures of origin. Luc has a true name and can be affected by misuse of it because he's a European-style half-elf. Elle is the descendent of a Chinese medicine god and she often works her magic through calligraphy to create charms. Elle's friend and coworker is a helpful (mostly background) presence, suggesting the shape of a long-term bond without distracting from the current crisis and main storyline. She's also a ghost, providing opportunities to explore a few more aspects of how magic works which are specific to her.
Read BITTER MEDICINE for a fantasy romance about building a better life together, and figuring out how to hold on to what actually matters in the face of seemingly unbeatable obstacles.
Content Warnings
Graphic: Medical content, Sexual content, Blood, Violence, Emotional abuse, and Injury/Injury detail
Moderate: Toxic relationship, Physical abuse, Alcohol, Racism, Gun violence, Death of parent, and Death
Minor: Child death
CW for misgendering, disassociation, intrusive thoughts (minor).takarakei's review against another edition
adventurous
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
- Fantasy Romance
- Urban/Contemporary: Raleigh, NYC, Paris, San Fran
- Dual POV (single narrator on audio, but tbh it is very well done)
- Elle
- Chinese descendent of the god of medicine
- Calligraphy/jade magic
- Living a secret life with her brother because of family drama
- Luc
- Half elf, half French/German more specifically he speaks French and Alsatian
- Secret agent (unknowingly) tracking down Elle's brother
- HE COOKS
- Elle
This is a book about choosing happiness. I loved it so much! The magic was absolutely fascinating and a joy to read about. The world building is lush, the writing is beautiful and descriptive. I really enjoyed the character growth with both Elle and Luc. Luc's journey of dealing with his horrible job/overbearing boss was REAL when he finally quits I was near tears Like I will bodily protect Luc til the ends of this earth!
I'm literally not going to shut up about this book til more people read it!
3/5 (was not expecting the spice, but it was so good!)
I'm literally not going to shut up about this book til more people read it!
3/5 (was not expecting the spice, but it was so good!)
Content Warnings
Graphic: Blood, Injury/Injury detail, Violence, and Sexual content
Moderate: Medical content, Death, and Emotional abuse
Minor: Racism, Child death, Death of parent, and Transphobia
Elle has pretty shitty parents who are manipulative. Luc's boss is the worst (no boundaries, runs him into the ground) and is just not a good person.purplepenning's review
adventurous
emotional
hopeful
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.25
I would definitely read more books set in this world! An international spy agency that includes magic users and beings from both the East and the West? Gimme!
Bitter Medicine is an intriguing blend of xianxia (Chinese immortals) fantasy adventure, Western spy thriller, and contemporary romance. Elle is a powerful semi-immortal descendent of the Chinese god of medicine, hiding as a mediocre magical calligrapher to protect her brother(s) lives. Luc is a lonely, tormented, half-elven French fixer who is compelled by Oberon, the head of the agency, to perform against his own conscience. Their paths cross in Elle's glyph shop, where client and artist each see that there's more to the other than meets the eye. When their lives start to tangle outside the workshop, things heat up. And we're not just talking about Elle's pyrokinetics or the masterfully steamy shower scene — we're talking past traumas and family and career priorities coming to an explosive head.
Although a bit of a slow starter, once it gets going the story moves along at a brisk pace with more than competent, sometimes elegant, writing. Where the writing doesn't quite translate for me is the dialogue. The banter is there but the humor is a little less sharp than I'm use to. In some cases it's so subtle I had to read it again to understand the implications; in others, it's stated so simply and obviously that I had to read it again to see if I was missing something. I'm fully prepared to chalk this up to a cultural unfamiliarity on my end, though. Just like the bits of French, Chinese, and Latin that I couldn't understand without the help of Google translate, there are family dynamics and other characterizations and plot points that I stumbled on a bit. It was still thoroughly enjoyable and the characters still shine through, making it a compelling (I read it in one day!) and satisfying (get that HEA!) read on many levels.
Bitter Medicine is an intriguing blend of xianxia (Chinese immortals) fantasy adventure, Western spy thriller, and contemporary romance. Elle is a powerful semi-immortal descendent of the Chinese god of medicine, hiding as a mediocre magical calligrapher to protect her brother(s) lives. Luc is a lonely, tormented, half-elven French fixer who is compelled by Oberon, the head of the agency, to perform against his own conscience. Their paths cross in Elle's glyph shop, where client and artist each see that there's more to the other than meets the eye. When their lives start to tangle outside the workshop, things heat up. And we're not just talking about Elle's pyrokinetics or the masterfully steamy shower scene — we're talking past traumas and family and career priorities coming to an explosive head.
Although a bit of a slow starter, once it gets going the story moves along at a brisk pace with more than competent, sometimes elegant, writing. Where the writing doesn't quite translate for me is the dialogue. The banter is there but the humor is a little less sharp than I'm use to. In some cases it's so subtle I had to read it again to understand the implications; in others, it's stated so simply and obviously that I had to read it again to see if I was missing something. I'm fully prepared to chalk this up to a cultural unfamiliarity on my end, though. Just like the bits of French, Chinese, and Latin that I couldn't understand without the help of Google translate, there are family dynamics and other characterizations and plot points that I stumbled on a bit. It was still thoroughly enjoyable and the characters still shine through, making it a compelling (I read it in one day!) and satisfying (get that HEA!) read on many levels.
Content Warnings
Graphic: Injury/Injury detail and Violence
Moderate: Death, Emotional abuse, Gore, Grief, Medical content, Body horror, Abandonment, Cursing, Blood, Bullying, Physical abuse, and Sexual content
Minor: Death of parent and Child abuse
Also contains use of acupuncture needles and physical compulsion via true name geas.bookwormbullet's review
dark
emotional
funny
lighthearted
relaxing
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Sexual content and Violence
Moderate: Physical abuse, Death, Emotional abuse, Gaslighting, and Torture
Minor: Death of parent and Child death
More...