Reviews

The Confabulist by Steven Galloway

book_concierge's review against another edition

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3.0

From the dust jacket History says Harry Houdini died from a ruptured appendix, possibly the result of an ill-timed punch to the abdomen. But is the death of such a magician, one who built his career on illusion and sleight of hand, to be trusted? [Galloway] weaves together the life, loves and death of Houdini with the story of the person who secretly knows he killed him: Martin Strauss, an everyday man whose fate seems forever tied to the magician’s in complex and unforeseen ways. Martin is our guide to this early-20th-century world of vaudeville-theater and spectacle, full of escapes from straitjackets and water tanks, and also to Houdini’s tangled web of love affairs and international espionage. In the end, the narrative creates a magic trick of its own, revealing the ways in which love, grief and imagination can – for better or worse – alter what we perceive and believe.

My reactions
Where do I start? Galloway’s narrative had me running to Wikipedia and other sources to check some of the “facts” presented in the book. Some elements were clearly straight from Houdini’s life, but others were obvious fabrications. I have no problem with that; it’s a work of fiction, after all.

The book is told in alternating chapters: Martin Strauss in the present day; Martin Strauss in 1926-1927; Harry Houdini 1897-1926. It starts with Strauss in the present day relating that he has just been diagnosed with a rare brain condition which will affect his memory and lead to his gradually losing his mind. The next chapter focuses on Houdini’s early career. The story then returns to Martin in the present day, followed by a chapter focusing on Martin in 1926. And so on.

The book’s structure poses some difficulties, but Houdini was a fascinating character in real life and is equally fascinating in this fictionalized account. Galloway fueled my imagination and kept me turning pages. I found myself constantly trying to figure out the trick of the book’s narrative, but like a skilled magician Galloway kept the reader’s attention away from what was REALLY happening and led us to what he wanted us to believe was happening. I’m still not sure I fully understood everything that was going on, but I enjoyed the ride.

In the end, I’m left feeling that I just saw an elephant disappear …. I know it was a trick, but I don’t know how he did it.

beastreader's review against another edition

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4.0

Confabulist is a magical, entertaining, illusion of a read! I dove right into this book. Right away I was memorized by Houdini. In this book I got to become more familiar with the man behind the illuisionist. I don't say magician as Jean-Eugene Robert-Houdin said it best when he quoted these words "A magician is an actor playing the role of a magician." I have never really spend much time on the thought of magicians only that I do find them fascinating. However if you think about this quote and what you love the most about this profession and some of the people in it like Houdini, Copperfield, Blaine, Angel, etc. then you will realize that they are all just men who know how to put on a really good show all thanks to the act of illusion. Not that I am bashing any of these guys as if it were not for people like this then I would not have anything to believe in regarding "magic".

Mr. Galloway intermingled Houdini and Strauss's lives perfectly. In fact, I was convinced for a long time that the author had done a "trick" of his own involving the two men. So when the true story was revealed in the end, I was a little surprised. Not all the way surprised because I did figure it out at teh same time that the reveal was happening. The story was good. Also, I liked the secrets that Houdini gave away with his acts. It was like getting an exclusive with Houdini himself if he was still alive into some of his acts. Even knowing how he did it was still impressive. I will be keeping my eye on Mr. Galloway and what he has up his sleeve next.

blodeuedd's review against another edition

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3.0

While reading this book I realised that I do not know anything about Harry Houdini, except for that for what he did. But fact and fiction goes into each other here. Just as the narrator does not really know fact from fiction either. He has memories that are not real.

This book is then about Harry Houdini and how he became the most famous performer in the world. From his humble beginnings to performing for royalty. Other than royalty he meets detectives from Scotland Yard, Arthur Conan Doyle and spiritualists. He may perform "magic" but he does not like those who pray on those who do not know better.

The other POV is of Martin Strauss, the man who killed Houdini twice. It all comes through flashback as he is visiting a doctor. He wonders about his fake memories, and about Alice who has come to him for answers.

I still wonder about what is really true, and what is not. I had to go check myths and theories about Houdini. But it was also interesting to learn more about those tricks. They seem so real, I know they are fake, but still, well that is magic.

lizaroo71's review against another edition

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2.0

This book connects the lives of Martin Strauss and Harry Houdini. Martin Strauss is a college student when he sees Houdini perform and then punches him in the stomach afterward. Houdini dies later from the injuries. But this is only the beginning of the story, because Strauss admits he kills Houdini twice. Oh the wonder.

The story is told in flashback, but the plot line is not linear, so the narrative jumps back and forth between plot points and it can be jarring. The bits about Houdini and his magic are engaging and interesting. How Strauss and Houdini's lives come together is a bit of a journey and one that seems to take a while even though this is a relatively short book.

I wasn't as taken with it as I thought I would be.

bahoulie's review against another edition

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4.0

A wonderful story and meditation on memory

100pagesaday's review against another edition

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4.0

Picture
Confabulation (definition): In psychology a confabulation is a memory disturbance, defined as the production of fabricated, distorted or misinterpreted memories about oneself or the world, without the conscious intention to deceive (Wikipedia).

The Confabulist is an intriguing story that combines the lives of Harry Houdini and Martin Strauss, a man who believes that he has killed Houdini-twice. The timeline skips between Martin in the present, where we learn that he has just been diagnosed with a disease of the memory, and the late 1890's through 1920's with both Martin's and Houdini's perspectives throughout the building and height of Houdini's career.

With a plot thick in illusion and suspense, I found this to be a compelling and quick read. Though we have somewhat of an unreliable narrator, I was still swept away in the culture of the magical acts in the 1920's, which was richly described. Learning how some of the illusions were performed was also a bonus for me. Also, seeing well known historical figures such as Sir Arthur Conan Doyle and the Romanov's involvement with Spiritualism added another layer of mystery to the many that are present within this novel.

" Substance and illusion. Knowing which is which is difficult, maybe impossible."

This Advanced Reading Copy was received for free in return for an honest review

amn028's review against another edition

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3.0

The story is interesting but gets bogged down in details at times. I did get bored a few times but I'm glad I stuck with it. The ending had a couple of nice twists to it.

amydieg's review against another edition

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3.0

More of a 2.5 maybe.

pagesofpins's review against another edition

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3.0

Galloway did a masterful job of blending the facts of Houdini's incredible life with fiction. We switch from the third person narrative of Houdini's career, affairs, and political intrigues to the first person narrative of the man who killed him (twice) and is now losing his memory in his old age (his memory is being replaced by confabulations, memories that never happened). Martin Strauss' narrative isn't nearly as strong as Houdini's throughout, and though the ending (that Martin has projected all the failures of his life onto Houdini's life, and his confabulated memories are the real ones) provides some food for thought, Martin's telling could have used a lot more depth, much more of why he cares so much about the people he has repressed because he can't handle his own failures. As it is, Strauss' life is conspicuously blank throughout the book, and I predicted the ending before the big reveal.

theoneandonlyredrose's review against another edition

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1.0

Nothing like 'The cellist'. Could have been written by a different author. Dull flat story. Houdini parts were vaguely interesting but the trouble with books such as this is that one is left wondering which bits are true and which bits are the authors invention. 4 of our 6 bookclub members gave less than 4 out of 10. Very disappointing.