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Moderate: Racism, Sexual content, Violence
Minor: Homophobia, Suicide, Cannibalism, Murder
Moderate: Death, Gun violence, Racial slurs, Forced institutionalization, Grief, Cannibalism, Murder, Colonisation, War, Injury/Injury detail
Graphic: Death, Gore, Gun violence, Homophobia, Misogyny, Racial slurs, Racism, Sexual content, Slavery, Violence, Forced institutionalization, Trafficking, Kidnapping, Murder, Injury/Injury detail
Moderate: Animal cruelty, Animal death, Body horror, Confinement, Blood, Cannibalism, Alcohol, Colonisation, Classism
Moderate: Death, Sexual content, Torture, Stalking
Minor: Cannibalism
Graphic: Death, Gun violence, Murder
Minor: Cannibalism
Graphic: Violence
Moderate: Cannibalism
Maybe it's just because I don't read this genre often, but I found the first two-thirds so hard to get into. There are only 10 chapters (plus a few pages before each that give an account from Graham's perspective), and they're LONG, which made it feel like it was taking forever to get through. Sometimes it got hard to follow plot-wise, but that's only partly because of the long chapters and mostly because I'm not a sci-fi girlie.
That being said, I really liked the characters--especially Graham and Maggie--though I found the narrator kind of felt a bit like an unreliable narrator at times (though maybe that was the point?). And I was genuinely surprised by a few of the plot twists at the end!
TLDR: I didn't dislike it, but it's not something I'll reread. Chapters were too long, but really liked the characters.
Graphic: Death, Gun violence, Sexual content, Violence
Moderate: Racism, Grief, Cannibalism
Minor: Misogyny, War, Injury/Injury detail
There are some very well-presented insights into culture and cultural transition. Some of my favourite parts of this book were when past and present attitudes were compared.
The pace was a bit off in the middle - lots of rehashing the same ground. But the end made up for it. A solid 4/5.
Moderate: Confinement, Death, Xenophobia, Cannibalism, Murder, War
Some people have compared this to Outlander. It's really not- while Outlander tells the story of a woman from 1940s Britain adapting to 18th century Scotland and falling in love with someone who refuses to budge on his 18th century worldview, The Ministry of Time follows a woman from the near future helping a man from 19th century Britain adapt to modern life and challenge and change his 19th century worldview as they fall in love. Outlander is a historical romance with a dash of fantasy. This is literary science fiction with a dash of romance, and it is extremely political. It's a commentary on the consequences of rationalizing and blindly following orders and who has the privilege to be treated as a human. It's about the unparalleled power of hope to better the future. It is not lighthearted.
The book improves as it goes. The first half meanders around, a mess from a tonal perspective, jumping between silly scenes with characters from the past in the modern world to reflections about the generational trauma of the Cambodian Genocide. I wasn't sure Bradley would be able to tie it together successfully by the end, but she absolutely did.
If you enjoy character-driven sci-fi, political commentary, time-travel-adjacent storylines, and history and don't mind a story that takes a while to find its footing, give it a try.
Moderate: Cannibalism
I enjoyed the I book so much I consumed it in a single sitting however it wasn’t quite a 5 star read for me. It felt like it was trying to do too many things- fish out of water comedy, thriller, time travel paradox. forbidden romance- and as a result I felt like I didn’t get enough of any of them.
I am interested to see what Bradley writes next
4/5
Minor: Drug use, Misogyny, Racial slurs, Racism, Slavery, Forced institutionalization, Blood, Cannibalism, Death of parent, Colonisation