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chefpeaches's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Graphic: Child death, Sexual assault, Sexism, and Violence
paulina_laukova's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.75
Graphic: Violence, Misogyny, Blood, Sexism, Child death, Death of parent, and Gore
Moderate: Fire/Fire injury
Minor: Vomit and Confinement
kaiyakaiyo's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
I liked this sequel, and I liked that we saw some failure from Vasya. She seemed to miraculously know most things last book, so seeing her have to put pieces together and realize that everything won’t be handed to her added more depth to her than she had before. She makes hasty choices and they have consequences, and seeing her deal with that made her feel much more real.
I was not into how much this book leaned on assault and objectification to strike fear into Vasya; bodily harm (because yknow, war & magic battles) without rape threat and violent misogyny would’ve been sufficient. Staying historically accurate doesn’t require focusing in on details like that. The Game of Thrones school of dealing with misogyny in history should be burned to the ground, but I digress
I was afraid this book would bore me because it verged on political intrigue, but honestly those parts were easy to gloss over to get to the magic bits. I love the balance the author found there. I don’t care about palace life beyond how it directly impacts our characters, and I don’t enjoy reading about political machinations. This book gave me just enough context to continue making its point about gender & power dynamics in this time period
Overall fun, but I’ll be honest in saying that I hope the next book is far from a palace. I also find myself ready for a conclusion, so I’m glad this is a trilogy.
Graphic: Sexual harassment, Sexual assault, Sexism, Misogyny, and War
Moderate: Sexual violence, Vomit, Violence, Child death, Child abuse, and Pregnancy
sorrel29's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Moderate: Child death and Violence
jessreadsandrambles's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
Graphic: Child death and Misogyny
Moderate: Sexual harassment and Religious bigotry
graceert's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Child death, Miscarriage, and Death
emtees's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
I enjoyed this one even more than the last book in the series, The Bear and the Nightingale. Like the first book, The Girl in the Tower is heavily based on Russian folklore and fairy tales. It’s not an area I’m very familiar with, but Arden sprinkles the plot with just enough background to understand the various mythological and archetypal figures and story arcs in play. The folklore isn’t just there for flavor or set dressing; Arden is speaking to the heart of these stories and questioning the truths they tell and the lessons they purport to teach. This book also expands the setting of the story from Vasya’s remote forest home to Moscow, bringing in the real history of the 14th century Rus. The rich but restrictive culture of Christian Moscow is set against the whimsy and danger of the pagan woods, which adds a lot of depth to Vasya’s story. Vasya has followed the path of many fairy tale heroines before her, but there is a lot about both their fate and the expected life of a proper Christian noblewoman that this independent and restless young woman doesn’t want, and the question of how much room she has to forge her own path is a big one.
Vasya continues to be a likeable heroine, but I appreciated that in this story we see her more out of her depth. She was comfortable and confident in her own terrain, but out on the road, and then among the court of Moscow, she is in over her head and that means mistakes and poor decisions. I liked that this wasn’t the kind of story where, because the young hero was strong and had done impressive things, she was able to accomplish just anything. In fact, Vasya’s confidence in her own abilities gets in her way at times; she gets complacent and makes mistakes that get her and the people around her in trouble. The story simultaneously understands Vasya’s desire for freedom and anger at the restrictions placed on her by her sexist society and questions the cost of her freedom to the people around her. Vasya’s relationships with her siblings were great: messy and full of misunderstandings and resentments, but also deeply loyal and loving.
The fantasy elements of this world continue to be intriguing. The main plot of this book is a largely stand-alone adventure, but there is a lot of background building up, presumably to be explored in the last book of the trilogy. Both the mysteries of Vasya’s family heritage and her complex relationship with the Winter King Morozko get a lot of page time. After not caring very much about Morozko in the first book, I enjoyed his relationship with Vasya in this one a lot more. Arden humanized him and therefore his interactions with Vasya in a way that made me feel for him.
Graphic: Pregnancy, Miscarriage, and Child death
Moderate: Sexism and Sexual harassment
Sexism, misogyny, and the threat of forced marriages or other restrictions on women are a major theme. There is a graphic birth scene in whichaunessa's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Child death
Moderate: Fire/Fire injury
Minor: Violence
simp_librarian's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Fire/Fire injury, Outing, Sexism, and Child death
Moderate: Kidnapping
bethlynch's review against another edition
5.0
Graphic: Pregnancy, Child death, Sexism, Fire/Fire injury, Animal death, and Grief