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oceanwriter's review against another edition
challenging
dark
emotional
hopeful
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
This is the second book I've read recently that I was made aware of from the movie adaptation. Though this book is a rare case where I like the movie better, I still enjoyed the book immensely.
There are a few plot lines that make up the book. First and foremost is the disappearance of Stephen's daughter years prior. He's haunted by her memory, certain that one day he will find her. With this comes the separation from his wife, Julie, who has moved into seclusion to grieve in her own way. Stephen misses her and wants to reconcile though finds it a lost cause. Meanwhile, he carries on in his professional life the best he can. On this end, he must deal with the mental decline of his friend and publisher, Charles.
As the title suggests, the book ponders the perceptions of childhood and time and how those two things intermingle. Ian McEwan writes solely from Stephen's POV allowing a deeply introspective narrative. To a modern audience, the prose may border on cliche or is an outdated style. I personally enjoyed this, especially because Stephen is blunt in his selfishness and observations. Above else, I enjoyed the psychology behind the characters and the emphasis on how people experience grief in different ways — even between people with a shared trauma.
There are a few plot lines that make up the book. First and foremost is the disappearance of Stephen's daughter years prior. He's haunted by her memory, certain that one day he will find her. With this comes the separation from his wife, Julie, who has moved into seclusion to grieve in her own way. Stephen misses her and wants to reconcile though finds it a lost cause. Meanwhile, he carries on in his professional life the best he can. On this end, he must deal with the mental decline of his friend and publisher, Charles.
As the title suggests, the book ponders the perceptions of childhood and time and how those two things intermingle. Ian McEwan writes solely from Stephen's POV allowing a deeply introspective narrative. To a modern audience, the prose may border on cliche or is an outdated style. I personally enjoyed this, especially because Stephen is blunt in his selfishness and observations. Above else, I enjoyed the psychology behind the characters and the emphasis on how people experience grief in different ways — even between people with a shared trauma.
Content Warnings
Graphic: Mental illness, Death, Grief, Kidnapping, Car accident, and Suicide
Moderate: Stalking and Child death
Minor: Abortion
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