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quillify_'s review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
CHLOE GONG NEEDS TO PAY FOR MY THERAPY BILLS BECAUSE WHAT WAS THAT ENDING!?!? WHY AM I IN LOVE WITH BOOKS THAT HAVE AN AMBIGUOUS ENDING???
*deep breath* *inhale* *exhale* POTENTIAL SPOILERS AHEAD!!!
Okay. Alright. I'm fine. I survived reading this book. I had the excuse of exams to hold off because I was scared but in the end my curiosity caught up to the trick. So here I am, wondering what the hell happened.
The characters, as always are *chef's kiss*. Alisa Montagova has become my new favourite kid. That girl deserves so much more than being kidnapped at every turn, oh my god ;-;
Ben and Mars deserve all the happiness in the world. I was having a headache because of Ben's sadness, and every time they both were close to meeting, something would happen. It felt like watching a Hindi TV serial drama in the best way, of course. Because their reunion was so satisfying. And Marshall and Juliette really did have the cutest friendship ever. Appreciate the m/f platonic relationship without any cumbersome romance.
I really, really, really loved Kathleen's
In addition, the angst and tension between Roma and Juliette was done really well. They ripped my heart out and then stitched it together and then repeated the process. The only iffy thing was when the truth of Juliette's actions was revealed, they zoomed a bit too fast into kissing and whispering I-love-yous when Juliette had
The book dragged just a little bit at around the 75% mark but that's probably because I figured out who was up to those shenanigans in the city and was waiting for the mains to come to the realization. The rest of it though: the references from the Shakespeare play, the climax, Roma and Juliette and their struggle with their parents, all of it was amazing. Really appreciated the talk on colonization and the white people jokes (thank you Miss Cai <3)
Graphic: Death, Gore, Gun violence, Violence, Blood, Kidnapping, Grief, and Fire/Fire injury
Moderate: Cursing, Sexism, Police brutality, Grief, Suicide attempt, Colonisation, War, and Injury/Injury detail
nicamooch's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Death, Genocide, Gun violence, Self harm, Violence, Blood, Murder, Colonisation, War, and Injury/Injury detail
Moderate: Suicide attempt
sunsetcity's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Cursing, Death, Drug use, Gun violence, Racism, Violence, Blood, Kidnapping, Grief, Death of parent, Murder, Fire/Fire injury, Gaslighting, Colonisation, War, and Injury/Injury detail
nightfell's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I honestly have no complaints for this book, it was perfect, a masterpiece, so interesting and engaging....just not fun because of all the angst (I'll keep saying angst get used to it). I honestly thought I wouldn't be able to make it through because the way these characters were yearning for each other for so long was immaculate, and very intense. I really liked how the author switched from plot driven to character driven in this book compared to the first one. These violent delights needed to be more plot centred because it covers what the duology is mainly about, with the imperialism and the monsters. And in this one, that is still a focus, but the characters were developed over the course of this book, as well as their relationships with each other, and that's why I loved this book so much.
Benedikt is distraught mourning Marshall's death, and confronts Roma, reminding him that Juliette basically killed his mum. And this man thinks it over, and comes to the conclusion that killing is best FRIEND is worse that killing his MOTHER. EXCUSE ME? WHAT? WHO IS THIS MAN? And I may have made this up but I swear at one point Roma mentions how he loved his mum and was close to her. And he's really holding more of a grudge over his street rat of a friend? (No hate to Marshall, I love him. He is a rat tho).
Anyway, I just felt terrible for Roma, he literally suffered for the entire duology, and after all the horrendous things Juliette has inflicted on him, he still can't help but love her and it's was so devastating to see him almost rip himself apart angsting about it. Meanwhile Juliette is just as torn up, and I'm still in pain. I really liked how their relationship evolved from the first book, and I ship them even more.
The role reversal in their relationship dynamic made me love Juliette, as I didn't really like her in the first book, but it really helped to see her more vulnerable side which really came out in this book more often, as well as her soft side, which was what warmed me to her. She was so silly and goofy in this book Chloe Gong MADE me love her. And I loved all of Juliette's relationships with other characters, such as Marshall. I love how their friendship bloomed from the fake death hide out situation they were so cute, and I'm still sad that they never got to say goodbye. I like how Benedikt slowly warmed to her, and her and Alisa relationship over the course of the duology.
My favourite parts of the book have to be:
- The first chapter (THAT IS HOW YOU START A SEQUAL)
- The entirety of Roma and Juliette's trip to Zhouzhuang, it was so comforting despite the angst, and the fact that the book ends with Alisa in Zhouzhuang seeing a mysterious couple across the lake who are hinted to being Roma and Juliette's souls reunited there after they died is beautiful.
- Every Marshall and Benedikt scene, their angry love confession scene was perfection, I'm still not over the fact that Marshall was (secretly) simping the entire duology.
- The duel/shoot out scene with Tyler and Roma, it was so tense and one of my favourite Juliette moments, she was so vulnerable I loved it.
- The entire ending battle sequence (basically the last 100-150 pages) it was such as good ending. The way you see Kathleen slowly believing in the communists' cause to fully joining them and becoming Celia was such a good progression of her character, I wish we saw more of her in our violent ends but the book didn't need to be longer at the same time. I wish Kathleen and Juliette's goodbye wasn't so sad, I loved their relationship. (Also I knew Rosalind was a spy, but the fact that she was dating Dimitri, was the blackmailer and was helping the rise of the monsters was a twist I wasn't expecting, it was good, I just don't care about her).
Roma and Juliette's end was perfectly done. I liked how it empowered them as opposed to Romeo and Juliet. I liked how they were death trope because it would have been anticlimactic otherwise, even though it hurts. The more I think about it, the more destined it seems. Like how Juliette told Roma she could never be his lover, only his killer in the first book, and she was the one to throw the lighter, killing them. How Benedikt says he wished Roma and Juliette wouldn't burn the world down every time they chose each other, and they probably burned a lot of Shanghai with the vaccine, included each other. And so many other times throughout the duology where she knows they won't survive loving each other. I just know they're living their best lives in heaven or Zhouzhuang, as are Benedikt and Marshall. And Alisa and Celia.
Overall, Our Violent Ends was an incredible book, and so deserving the five stars I gave it. The duology stands so strong, and everyone who wants a Romeo and Juliette retelling that is better than the source material should read it, along with anyone who like historical fiction, and wants to learn about Shanghai in the 1920s, as it was depicted so well and in a way that is understandable and enjoyable. Someone needs to start a gofundme so Chloe Gong can pay all of our therapy bills, she can't keep getting away with this.
(ALSO I WAS RIGHT, ROMA AND JULIETTE MENTIONING STABBING EACH OTHER DURING THEIR SEX SCENE, KNIFE KINK CONFIRMED).
Graphic: Violence, Grief, Colonisation, and War
Moderate: Body horror, Confinement, Death, Gun violence, Blood, Kidnapping, Stalking, and Injury/Injury detail
Minor: Genocide, Gore, Misogyny, Racism, Suicide, Mass/school shootings, Suicide attempt, Death of parent, Murder, Fire/Fire injury, Gaslighting, and Alcohol
lindseyhall44's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
5.0
Graphic: Body horror, Death, Gun violence, Grief, Murder, Fire/Fire injury, and Colonisation
Moderate: Child death, Suicidal thoughts, Suicide attempt, Death of parent, and Abandonment
Minor: Sexual content
olivialandryxo's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
There’s not much I can say that’s spoiler-free, and honestly, I don’t have either the physical or emotional energy right now for an in-depth review. Just know that as much as I loved the first book, somehow I love this one even more. Juliette, Roma, Marshall, Benedikt, and Alisa stole my heart; Juliette and Roma in particular own my soul. I’m legit reevaluating my mental list of favorite series of all time to make room for this duology in the top five. Anything that affects me as much as this did sure as hell deserves it.
So yeah. My heart is a pulp and my brain is mush and I don’t really know what to do with my life right now. If these books weren’t already one of my main personality traits, they are now. I’ll definitely reread them at some point, but I need to prepare myself for that first. I’m eagerly (and nervously) awaiting Chloe Gong’s next book.
Representation
- Chinese protagonist and side characters
- Chinese trans girl side character
- Korean queer side character
- queer side character with OCD
Graphic: Body horror, Death, Gore, Gun violence, Racism, Violence, Blood, Murder, and Colonisation
Moderate: Police brutality, Kidnapping, Fire/Fire injury, and Injury/Injury detail
Minor: Child abuse, Child death, and Death of parent
jenny_librarian's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
5.0
Why is it that every time I read a Romeo & Juliet retelling, I end up bawling my eyes out despite knowing the original story was never intended to be a romantic ideal?
It took me a solid week to get through this because it's a lot of politics crammed into 500 pages. You have to pay attention to every detail, otherwise you'll be lost further down the story. It would also help to have (re)read the first book recently. I couldn't for the life of me remember which sister was Kathleen and which was Rosalind, and the mention of Celia didn't help. I haven't picked These Violent Delights since I read the eARC last year, so I definitely wasn't in the loop anymore.
You get attached to all the characters, so every chapter is a knife in the gut where you wonder who will suffer this time around. Spoiler (not really): they all get their turn.
Chloe Gong managed to flawlessly include dialogue from the original play (eg "A rose by any other name would smell as sweet") and set it in this rich historical Shangai setting that will make you feel like you're really there. Her worldbuilding is a masterpiece, and the author's note at the very end speaks to the amount of research put into her work.
Speaking about the author's note, though, I need to know what the hell she meant by setting the set for the 1930s... Is there another book set in that era brewing? Because I will buy this thing the day it comes out!
Graphic: Gun violence, Torture, Violence, Blood, Murder, and War
Moderate: Body horror, Death, Gore, Racism, Grief, and Colonisation
Minor: Homophobia, Suicidal thoughts, Suicide, Kidnapping, Suicide attempt, Fire/Fire injury, and Injury/Injury detail