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3.88 AVERAGE
3.88 AVERAGE
"Please God, let there be a little sunlight tomorrow."
Aww, I'm emotional. That ending was so intense - Keun sure knows how to make her endings very action packed and emotional. This one was much darker than Gilgi... but I'm not sure I liked it as much mainly due to the crazy amount of characters - there were so many small plot lines that I couldn't really seem to get invested in any of them until the ending.
Aww, I'm emotional. That ending was so intense - Keun sure knows how to make her endings very action packed and emotional. This one was much darker than Gilgi... but I'm not sure I liked it as much mainly due to the crazy amount of characters - there were so many small plot lines that I couldn't really seem to get invested in any of them until the ending.
dark
inspiring
sad
slow-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Complicated
Keun wrote this as an expose of the German Nazi government, published in 1937 and told through the voice of Sanna. It is not unusual for an author to create a narrator who is young and innocent thereby engaging us emotionally through the sad loss of their innocence. Keun has created a compelling voice in her narrator; engaging, charming and able to provoke sympathy in the reader. Sanna speaks in the voice of the newly ‘streetwise’, not long arrived in the city to live with her brother. She explains to us in a half excited and amused voice about the role she must play in the relationships of those around her. <As the dangers of arrest, violence and death increase so begins a form of breakdown.> I had not heard of this writer before but will certainly read more of her books.
Another book chosen by author. My BA dissertation was about [a:Irmgard Keun|176408|Irmgard Keun|http://www.goodreads.com/assets/nophoto/nophoto-F-50x66-2a9d702c2a0f483c9f7dd119cc28a9a7.jpg]'s [b:The Artificial Silk Girl]. I'm also familiar with [b:Gilgi eine von uns.|1132529|Gilgi, eine von uns|Irmgard Keun|http://d.gr-assets.com/books/1327230528s/1132529.jpg|1119742], which was similar in style. However, [a:Irmgard Keun|176408|Irmgard Keun|http://www.goodreads.com/assets/nophoto/nophoto-F-50x66-2a9d702c2a0f483c9f7dd119cc28a9a7.jpg] is most well known for her books about World War II, and this one in particular. Her main character was once again a naive but observant young woman living in the big city, trying to make it big any way she can think of and reconcile with her idea of what's right and wrong. The book is in the first person, though and in her observations of the world around her, though, you see that things are going terribly wrong in Germany.
Keun's books are important because they remind us that the experience of war or any other kind of large-scale tragedy (of national or international proportions) is often normalized. The reasons and the politics are lost in the need to live a life from one day to the next.
Keun's books are important because they remind us that the experience of war or any other kind of large-scale tragedy (of national or international proportions) is often normalized. The reasons and the politics are lost in the need to live a life from one day to the next.
adventurous
dark
funny
reflective
sad
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
This is a fascinating text, and one which rightfully deserves its place on my university syllabus. The deductions of the main character, Susanne, about her social and political world combine a feel of empirical observation with genuinely moving emotional engagement. Admittedly, Susanne's inner monologue about her own appearance becomes, at times, a little wearing, but this seems a deliberate choice on Keun's part to write a realistic young protagonist attempting to separate herself, with superficial concerns, from the terrifying world of increasing evil in which she lives. A clever text, layered with irony, and far more multi-faceted in tone than the first read, or even the second, might hint at.
adventurous
challenging
dark
reflective
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Complicated
Content Warnings
Moderate: Antisemitism, Murder
Irmgard Keun's After Midnight, written in 1937 when she was in exile from Nazi Germany, shows the impact of the normalization of hate on young people who yearn for what all young people do: love, passion, and joy. The protagonist, Sanna, tries to live a normal life as the world around her crumbles. Her friends must hide their racial backgrounds and/or their relationships with "radicals." She must watch what she says and writes for fear of being the victim of informants, who can spread malicious lies at will. She must navigate a perilous social scene that includes Stormtroopers and party members, some of whom have romantic notions for Sanna and her friends. As a result, the things that we might take for granted -- from an evening out to dinner with friends to a simple stroll down the street -- could turn dangerous very quickly, and sometimes do.
Throughout all this insanity, Sanna's voice provides a subversive commentary on Germany under the Nazis, from their bizarre insistence on a (disordered) social order to the insecurity of their own position in society as they bicker among themselves and take out their aggression on others. Keun's novel shows pretty clearly why her previous works were burned by the Nazis and why she had to flee into exile. (Amazingly, she faked her own suicide and changed her name to return to live in Germany for many years after the publication of After Midnight.)
As a result, Keun provides the perspective of both an insider and an exile, one who lives with the constant anxiety of having no settled home, where at any time friends or lovers might disappear, never to be seen again. One passage in particular, spoken by a friend of Sanna's who will soon succumb to the pressure of persecution, is so striking that I must quote it in full:
"There have been too many atrocities. One dreadful day revenge will come, and it won't be divine revenge, it will be even more atrocious, more human, more inhuman. And that atrocious revenge which I both desire and fear will necessarily be followed by another atrocious revenge, because the thing that has begun in Germany looks like going on without any hope for an end. Germany is turning on her own axis, a great wheel dripping blood, Germany will go on turning and turning through the years to come -- it hardly makes any difference which part of the wheel is uppermost ay any given time. Over a hundred years ago, Platen complained of being sick unto death of his fatherland. Well, in those days you could still live in exile all right. It's different today. You're a poor emigrant. You'll find any other country is smooth and hard as a chestnut shell. You become a trial to yourself and a burden to others. For the roofs that you see are not built for you. The bread that you smell is not baked for you. And the language that you hear is not spoken for you."
Those words describe not only the life of the exile, but also the life of all of those who are forced to live and try to survive in a country that is no longer their own -- one in which citizens are ostracized, alienated, and persecuted for no other reason than being themselves. Sanna will remember and repeat those last lines as she faces a final decision on her own fate -- and that of her lover, Franz -- at the end of the novel. It is a choice that too many young people had to make at the time, only if they were lucky enough to survive the Gestapo sweeps. After Midnight is a short and harrowing glimpse into a time when the abnormal became the new norm, and those who had to put on a brave face in the daily struggle just to survive.
Throughout all this insanity, Sanna's voice provides a subversive commentary on Germany under the Nazis, from their bizarre insistence on a (disordered) social order to the insecurity of their own position in society as they bicker among themselves and take out their aggression on others. Keun's novel shows pretty clearly why her previous works were burned by the Nazis and why she had to flee into exile. (Amazingly, she faked her own suicide and changed her name to return to live in Germany for many years after the publication of After Midnight.)
As a result, Keun provides the perspective of both an insider and an exile, one who lives with the constant anxiety of having no settled home, where at any time friends or lovers might disappear, never to be seen again. One passage in particular, spoken by a friend of Sanna's who will soon succumb to the pressure of persecution, is so striking that I must quote it in full:
"There have been too many atrocities. One dreadful day revenge will come, and it won't be divine revenge, it will be even more atrocious, more human, more inhuman. And that atrocious revenge which I both desire and fear will necessarily be followed by another atrocious revenge, because the thing that has begun in Germany looks like going on without any hope for an end. Germany is turning on her own axis, a great wheel dripping blood, Germany will go on turning and turning through the years to come -- it hardly makes any difference which part of the wheel is uppermost ay any given time. Over a hundred years ago, Platen complained of being sick unto death of his fatherland. Well, in those days you could still live in exile all right. It's different today. You're a poor emigrant. You'll find any other country is smooth and hard as a chestnut shell. You become a trial to yourself and a burden to others. For the roofs that you see are not built for you. The bread that you smell is not baked for you. And the language that you hear is not spoken for you."
Those words describe not only the life of the exile, but also the life of all of those who are forced to live and try to survive in a country that is no longer their own -- one in which citizens are ostracized, alienated, and persecuted for no other reason than being themselves. Sanna will remember and repeat those last lines as she faces a final decision on her own fate -- and that of her lover, Franz -- at the end of the novel. It is a choice that too many young people had to make at the time, only if they were lucky enough to survive the Gestapo sweeps. After Midnight is a short and harrowing glimpse into a time when the abnormal became the new norm, and those who had to put on a brave face in the daily struggle just to survive.
fast-paced
Paced through this book - a feverish account of a day in Nazi Germany. I can’t believe it’s taken me so long to discover this author - i can’t wait to read more