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Dracula is very much a novel of its time: the attitudes towards women and religion and people from countries other than Britain are entirely 19th-century, as are the long speeches. Some of Bram Stoker’s long passages of description work really well as scene setting for a horror novel, but others are a little tedious if you’re reading purely for enjoyment and with 21st-century eyes.
That said, it’s not completely possible to read Dracula purely as a horror novel; there are too many things that don’t really make any sense. Why are all Dracula’s victims women, when he does away with plenty of men and has Jonathan Harker at his mercy? What, exactly, does Dracula want in coming to London? Not to mention, there are some pretty huge coincidences which stretch credulity if you’re not looking at Dracula as a metaphor for something.
The essays in the Norton Critical Edition did a good job exploring the many, many different fin-de-siècle fears that Dracula could be read to represent. These are somewhat long and dry if you’re not actually studying Dracula, but still worthwhile in the long-run. (That said, the ones relating to the various cinematic and theatrical adaptations of Dracula aren’t particularly necessary as background information on the novel.)
Bram Stoker’s characters fall into two camps: vampires (and Renfield) vs non-vampires. As there’s plenty of conflict between the two groups, it doesn’t really feel as though conflict between the non-vampires is missing, but it is a little unlikely that fully fleshed-out people would agree quite so completely about everything. Nonetheless, the characters are distinct with very little chance of muddling them up with one another, which is definitely an achievement.
Overall, it was fun to read a horror novel which really felt like a horror novel, and the Norton Critical Edition has hopefully prepared me for interesting discussions on my holiday!
Graphic: Death, Blood, Death of parent, Murder
Moderate: Gun violence, Mental illness
Minor: Child death, Suicidal thoughts, Antisemitism, Medical content
- Fans of classic fiction and gothic literature
- Those looking to appreciate a slow read
- Misogyny, sexism, classism, death of a parent, death, illness, toxic relationships, blood, gore, death of a child, murder
Graphic: Animal death, Body horror, Child death, Death, Drug use, Emotional abuse, Misogyny, Physical abuse, Sexism, Suicidal thoughts, Terminal illness, Toxic relationship, Violence, Blood, Medical content, Grief, Medical trauma, Death of parent, Murder, Injury/Injury detail
Moderate: Animal death, Body horror, Child death, Confinement, Death, Gore, Racial slurs, Forced institutionalization, Blood, Medical content, Death of parent, Murder, Injury/Injury detail
Graphic: Blood
Moderate: Animal death, Violence, Xenophobia, Antisemitism
Minor: Child death
Moderate: Body horror, Child death, Death, Blood
Minor: Antisemitism
Dracula offers a haunting monster tale, especially for those willing to wade through hefty chunks of description between the action.
Moderate: Child death, Death, Sexism, Blood
Graphic: Child death, Chronic illness, Confinement, Death, Forced institutionalization, Blood, Medical content, Kidnapping, Grief, Death of parent, Murder
Moderate: Animal cruelty, Animal death, Gun violence, Suicidal thoughts, Violence, Religious bigotry
Graphic: Confinement, Death, Mental illness, Violence, Forced institutionalization, Blood, Medical content
Moderate: Child death, Sexism, Xenophobia, Grief, Death of parent
Graphic: Child death, Death, Gore, Hate crime, Misogyny, Physical abuse, Racial slurs, Racism, Grief, Murder, Cultural appropriation, Gaslighting, Injury/Injury detail
Graphic: Animal cruelty, Animal death, Body horror, Child death, Confinement, Death, Forced institutionalization, Medical content, Kidnapping, Grief, Stalking, Murder, Injury/Injury detail