Reviews tagging 'Death'

Out by Natsuo Kirino

64 reviews

darkmattersoybean's review against another edition

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dark sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Flaws of characters a main focus? It's complicated

4.0


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charly_22x's review against another edition

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dark mysterious tense medium-paced

4.0

I wasn't really prepared for the brutality of some parts of the book but I still have to say that I enjoyed reading it. You can really feel with the characters of the story even if you kind of hate them. As so many others have already mentioned the ending was really a bit off but I still can figure where the author wanted to go there. 

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lilly_koonce's review

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challenging dark tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75

All the characters in this book are terrible people, but despite this, I found the book engaging up until the end, which was bizarre. Also, I'd really like an explanation for why all the male characters we get are misogynistic, ageist (towards women specifically), and pedophiles who all somehow have a thing for 43-year-old Masako.
Tw: Murder, Rape, Sexual Assault, Pedophiles, dismemberment, etc)…

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jazz03's review

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dark funny reflective slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

I support women’s rights AND wrongs 

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alexjhenry's review against another edition

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dark emotional mysterious sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75


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evaskov's review

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dark mysterious tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

4.0

really loved the way this book slowly builds to this extreme boiling point in the ending. it takes its time to get there but it truly is like the analogy of the frog and boiling water. the tension rises so slowly that you don’t even notice a change until you think back to where it started. 

for various reasons i didn’t appreciate the very very ending. like the last 10 pages basically. Masakos development takes a turn for the worst and I didn’t like a lot of the implications behind it

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jan_coco_day's review

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challenging dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Loveable characters? No
  • Flaws of characters a main focus? No

4.5

When I read Japanese literature, I somehow only pick the most quaint, cozy stories...or the most fucked up shit I've ever seen. This book is the latter. 

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cabrerajackey's review

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dark emotional mysterious reflective tense medium-paced

4.5


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erlassig's review

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dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0


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reading_for_the_dopamine's review

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challenging dark emotional mysterious tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

I agree that the best way to describe the book "Out" by Natsuo Kirino is "feminist noir."

 I read "Out" as part of a reading challenge with the prompt "A thriller or crime novel in translation." This book is outside my comfort zone, as I primarily read romance. However, reading it has inspired me to read more dark mysteries and thrillers. 

The author, Natsuo Kirino, is a Japanese novelist who started writing romance. However, she has been criticised for now writing crime novels with strong female protagonists. As a feminist romance reader, I found her emphasis on women, relationships, and psychology to be the most engaging elements. From the start, Kirino drew me in with her compelling portrayal of four ordinary, flawed, yet resilient women navigating the challenges of disenfranchised underclass women in Tokyo. Each woman's voice was distinct and benefited from Kirino's choice of multiple narratives. Despite these women being morally grey, I celebrated their efforts to support each other, even in particularly gruesome ways. 

This book was less compelling from the mid-section when the secondary male characters were introduced in the middle. These men, perhaps deliberately on Kirino's part, contrastingly feel flat and one-dimensional. The men's perspective slowed the pace and shifted me from the intense world she created. This may not be the experience of other readers who respond to the very explicit horror scenes that then occur. I appreciated that while the violence was frequent and described in explicit detail, it did not feel gratuitous. I enjoyed how Kirino wove the multiple characters' inner world perspectives around the plot's events. Startlingly, this approach reminded me of the plots for a favourite movie, "Love Actually." I would have liked this aspect of her writing to continue to the end.

Overall, I have likely underestimated the rating of this book. I would recommend this book, no matter what genre of books you usually read. It will appeal to readers who like books that focus on the psychological aspects of intense, gritty women and the intersectionality of the damage of patriarchal oppression.


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