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gvstyris's review
dark
emotional
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
For the first time in his life, he is unremarkable, and this feels like power.
Our Missing Hearts is quite a different read to Ng's first two novels, both of which I loved as a middle schooler for their slow pacing and rich character studies. Alternatively, Ng presents us here with a dystopian United States defined by anti-Asian legislation and discrimination -- which is to say, not particularly dystopian at all.
I struggled quite a bit for the first third of this book. Bird's perspective, although echoing a child's limited emotional intelligence, is a bit of a slog to read at times. I found Margaret's story much more compelling, but would ultimately argue that she suffers from a similar lack of development.
This novel is largely redeemed by its social commentary, which I'm excited to hear about from Ng herself at the Auckland Writers Festival in a few weeks.
Content Warnings
Graphic: Physical abuse, Hate crime, and Racism
Moderate: Racial slurs
Minor: Child abuse and Animal cruelty
axel_p's review
challenging
dark
emotional
informative
inspiring
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
This should be an A24 movie
Content Warnings
Minor: Bullying, Kidnapping, Xenophobia, Classism, Violence, Death of parent, Deadnaming, Gaslighting, Police brutality, Abandonment, Child abuse, Death, Forced institutionalization, Hate crime, Racism, Racial slurs, War, Confinement, and Panic attacks/disorders
linatheteafairy's review against another edition
adventurous
challenging
emotional
reflective
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Content Warnings
Graphic: Racial slurs, Kidnapping, Racism, Physical abuse, and Hate crime
Moderate: Confinement, Bullying, and Child abuse
zosiablue's review
hopeful
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
This was a near-future novel, with a VERY possible future, featuring an economic crisis that's blamed on China and in turn, brutalizes the AAPI community and their children. It's a lyrical book and a devastating subject matter. Some parts leaned too far into direct moralizing which got a little corny and took me out of the story, but it's such an important moral, anyway, and I hope people read this. It really hits home that children for ages have been forcefully taken from their loving families. Which I know but now I KNOW.
Content Warnings
Graphic: Police brutality, Classism, Deportation, Child abuse, Racial slurs, and Racism
Moderate: Bullying
kappafrog's review against another edition
dark
emotional
mysterious
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
How eerie reading this in between seeing headlines about book bans in Florida. This was a compelling dystopian novel. I agree with other reviewers that the second half struggled at times compared to the first half. The conceit of Margaret narrating her whole life to Bird didn't always work when she was going into intimate details which were great for the reader but made less sense as dialogue with her son. I was also disappointed in the lack of information about the aftermath of Margaret's plan. We got a few flashforward glimpses but no information on the political fallout.
The writing was really beautiful. I liked seeing the world through Bird's eyes, a child's perspective in a novel aimed at adults. I enjoyed the use of folktales, etymology, and gardening through out. There were many horrifying bits in the book. I can tell it will stay with me for a long time.
The writing was really beautiful. I liked seeing the world through Bird's eyes, a child's perspective in a novel aimed at adults. I enjoyed the use of folktales, etymology, and gardening through out. There were many horrifying bits in the book. I can tell it will stay with me for a long time.
Content Warnings
Graphic: Pregnancy, Racial slurs, Racism, Xenophobia, Animal cruelty, Blood, Hate crime, Injury/Injury detail, Kidnapping, Animal death, Classism, Death, Death of parent, Grief, Murder, Physical abuse, Police brutality, Violence, and Abandonment
Moderate: Bullying, Forced institutionalization, Genocide, Trafficking, Fire/Fire injury, Gun violence, Child abuse, Child death, Colonisation, Cursing, and Deportation
Minor: Alcohol, Chronic illness, Medical content, Rape, Sexual content, Panic attacks/disorders, Pedophilia, Sexual violence, Islamophobia, and Slavery
katrinky's review
challenging
dark
emotional
hopeful
mysterious
reflective
sad
tense
fast-paced
4.0
not an easy book to read. imagine the handmaid's tale, but about anti-asian racism and xenophobia. the book touches on linguistics, guerilla art, including yarn bombs, and folklore, so of course I was compelled from start to finish. read it in 1.5 days, both of them work days, so that tells you something about the pace and the ease with which I got invested in bird, his mom, margaret, and their lives under PACT ACT America. chilling, maybe hopeful? mostly wary, and clear-eyed about America's worst propensities.
Content Warnings
Graphic: Bullying, Colonisation, Deportation, Emotional abuse, Kidnapping, Police brutality, Racial slurs, Child abuse, Grief, Racism, Xenophobia, Gaslighting, and Hate crime
Moderate: Blood, Death of parent, Death, and Abandonment
cocacolor's review
emotional
inspiring
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
This is a difficult book to review; I was unbelievably excited for it as soon as I heard of it, and certainly part of the disappointment comes from how high my expectations were. It's not Ng's best effort. It's almost too timely; I don't think it'll hold up as well 25 or even 5 years from now (depending on how the political climate goes). And it's a book whose reception depends on the reader being exactly as far left as Ng, and no more. This novel's audience seems to be speaking to a particular demographic, the comfortable "moderate, don't-do-politics" upper middle class, particularly Asian American members; there's an almost cloying expectation that you empathize with Margaret and Bird's discoveries of all that's wrong in the world, because you've gone through a similar wake-up call yourself recently.
Personally, as a Chinese American reader who's probably farther left than Ng, I found it embarrassing. Part of the novel still feels, to me, like an attempt to co-opt the suffering of Black and Indigenous communities, an almost childish, cynical attempt to insist, "Hey, Asian Americans have it bad, too, where's our solidarity?" Eventually my attitude toward the premise mellowed; Ng does make a good-faith effort to acknowledge that if the state using family separation as a tactic is news to you, that's willful blindness on your part, and to include the history of how this violence has been and is still being used against Black and Indigenous families, even if I don't think she goes far enough in that respect to really acknowledge who is actually being subjected to this tactic today.
Beyond the somewhat disrespectful nature of the premise, I found that Ng's writing suffered as well from its clumsy politics. There's none of the complexity of character from LITTLE FIRES EVERYWHERE or EVERYTHING I NEVER TOLD YOU here;Bird and Margaret and Ethan are almost saintly, the resentments disappearing easily, seeming betrayals turning out to be partnership and devotion after all. The sexual violence Margaret experiences at the hands of a cop comes out of nowhere and feels like a cynical, clumsy shortcut to convey how bad the world has gotten--again, de-centering the Black and Indigenous women overwhelmingly affected by this kind of violence.
Still, Ng's half-hearted effort is beyond what most writers could achieve on their best day, and I don't want to hold Ng to a higher standard than I do her contemporaries; if I found OUR MISSING HEARTS to be clumsy or self-centered at times, I'd definitely feel the same and more of the vast majority of writers if they'd tried to write this novel. Her prose is as beautiful as ever, and understanding this novel is meant to be read as a fable about the power of art and narrative turns issues I'd had with the early parts of the book into unexpected joys. Overall, not as good as I hoped but not as bad as I feared. Still eagerly looking forward to Ng's next project.
Personally, as a Chinese American reader who's probably farther left than Ng, I found it embarrassing. Part of the novel still feels, to me, like an attempt to co-opt the suffering of Black and Indigenous communities, an almost childish, cynical attempt to insist, "Hey, Asian Americans have it bad, too, where's our solidarity?" Eventually my attitude toward the premise mellowed; Ng does make a good-faith effort to acknowledge that if the state using family separation as a tactic is news to you, that's willful blindness on your part, and to include the history of how this violence has been and is still being used against Black and Indigenous families, even if I don't think she goes far enough in that respect to really acknowledge who is actually being subjected to this tactic today.
Beyond the somewhat disrespectful nature of the premise, I found that Ng's writing suffered as well from its clumsy politics. There's none of the complexity of character from LITTLE FIRES EVERYWHERE or EVERYTHING I NEVER TOLD YOU here;
Still, Ng's half-hearted effort is beyond what most writers could achieve on their best day, and I don't want to hold Ng to a higher standard than I do her contemporaries; if I found OUR MISSING HEARTS to be clumsy or self-centered at times, I'd definitely feel the same and more of the vast majority of writers if they'd tried to write this novel. Her prose is as beautiful as ever, and understanding this novel is meant to be read as a fable about the power of art and narrative turns issues I'd had with the early parts of the book into unexpected joys. Overall, not as good as I hoped but not as bad as I feared. Still eagerly looking forward to Ng's next project.
Content Warnings
Graphic: Hate crime, Sexual violence, Animal cruelty, Racism, Racial slurs, Abandonment, Police brutality, and Rape
Moderate: Injury/Injury detail, Pregnancy, Death of parent, and Misogyny
Minor: Child abuse and Bullying
Rape/sexual violence warning:kelly_e's review against another edition
challenging
emotional
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.75
Title: Our Missing Hearts
Author: Celeste Ng
Genre: Dystopian
Rating: 3.75
Pub Date: October 4, 2022
T H R E E • W O R D S
Contemplative • Forceful • Moving
📖 S Y N O P S I S
Twelve-year-old Bird Gardner lives a quiet existence with his loving but broken father, a former linguist who now shelves books in Harvard University's library. Bird knows to not ask too many questions, stand out too much, or stray too far. For a decade, their lives have been governed by laws written to preserve "American culture" in the wake of years of economic instability and violence. To keep the peace and restore prosperity, the authorities are now allowed to relocate children of dissidents, especially those of Asian origin, and libraries have been forced to remove books seen as unpatriotic-including the work of Bird's mother, Margaret, a Chinese American poet who left the family when he was nine years old.
Bird has grown up disavowing his mother and her poems; he doesn't know her work or what happened to her, and he knows he shouldn't wonder. But when he receives a mysterious letter containing only a cryptic drawing, he is drawn into a quest to find her. His journey will take him back to the many folktales she poured into his head as a child, through the ranks of an underground network of librarians, into the lives of the children who have been taken, and finally to New York City, where a new act of defiance may be the beginning of much-needed change.
💭 T H O U G H T S
I had been hesitating on picking up Our Missing Hearts since it's release last fall, mostly because dystopian novels aren't ones I typically gravitate towards. And while, I don't regret reading it, it is certainly my least favourite of Celeste Ng's books.
I must start off by saying, as always, Celeste's writing is absolutely beautiful! It's complex, layered and deeply evocative. And while, this book tackles a lot - including themes of family and sacrifice, as well as library resistance, racially motivated injustice, and the removal of children as a means of political powers - this dystopian novel tis an ode to motherhood.
When it comes to the characters, I'd have liked significantly more character development. Each of the characters felt very one dimensional, verging on young adult. Additionally, I didn't necessarily connect with the mother at all, even though I found her sacrifice to be selfless. I did have a soft spot for Bird as he'd gone through so much at such a young age.
When it comes to style, one of my biggest pet peeves is when no quotation marks are used, which was the case here. I know this is a stylistic tool used by authors, but it's just one I cannot get behind as I find it disrupts the flow of my reading. For this reason, I had to switch to mainly the audio (where you don't notice this fact), and the audio is very well done.
At the end of the day, Our Missing Hearts verged on being a little too political for me at this point in time. It is a beautiful reflection on motherhood, and a book to spark discussion and shift perspectives. Overall, the premise was certainly intriguing, but the execution was lacking. And yet, I'll continue to read everything Celeste Ng writes simply because her writing is a gift.
📚 R E C O M M E N D • T O
• readers who enjoy stories of motherhood
• Celeste Ng fans
• bookclubs
🔖 F A V O U R I T E • Q U O T E S
"If we fear something, it is all the more imperative we study it thoroughly."
"Who ever thinks, recalling the face of the one they loved who is gone: yes, I looked at you enough, I loved you enough, we had enough time, any of this was enough?"
Author: Celeste Ng
Genre: Dystopian
Rating: 3.75
Pub Date: October 4, 2022
T H R E E • W O R D S
Contemplative • Forceful • Moving
📖 S Y N O P S I S
Twelve-year-old Bird Gardner lives a quiet existence with his loving but broken father, a former linguist who now shelves books in Harvard University's library. Bird knows to not ask too many questions, stand out too much, or stray too far. For a decade, their lives have been governed by laws written to preserve "American culture" in the wake of years of economic instability and violence. To keep the peace and restore prosperity, the authorities are now allowed to relocate children of dissidents, especially those of Asian origin, and libraries have been forced to remove books seen as unpatriotic-including the work of Bird's mother, Margaret, a Chinese American poet who left the family when he was nine years old.
Bird has grown up disavowing his mother and her poems; he doesn't know her work or what happened to her, and he knows he shouldn't wonder. But when he receives a mysterious letter containing only a cryptic drawing, he is drawn into a quest to find her. His journey will take him back to the many folktales she poured into his head as a child, through the ranks of an underground network of librarians, into the lives of the children who have been taken, and finally to New York City, where a new act of defiance may be the beginning of much-needed change.
💭 T H O U G H T S
I had been hesitating on picking up Our Missing Hearts since it's release last fall, mostly because dystopian novels aren't ones I typically gravitate towards. And while, I don't regret reading it, it is certainly my least favourite of Celeste Ng's books.
I must start off by saying, as always, Celeste's writing is absolutely beautiful! It's complex, layered and deeply evocative. And while, this book tackles a lot - including themes of family and sacrifice, as well as library resistance, racially motivated injustice, and the removal of children as a means of political powers - this dystopian novel tis an ode to motherhood.
When it comes to the characters, I'd have liked significantly more character development. Each of the characters felt very one dimensional, verging on young adult. Additionally, I didn't necessarily connect with the mother at all, even though I found her sacrifice to be selfless. I did have a soft spot for Bird as he'd gone through so much at such a young age.
When it comes to style, one of my biggest pet peeves is when no quotation marks are used, which was the case here. I know this is a stylistic tool used by authors, but it's just one I cannot get behind as I find it disrupts the flow of my reading. For this reason, I had to switch to mainly the audio (where you don't notice this fact), and the audio is very well done.
At the end of the day, Our Missing Hearts verged on being a little too political for me at this point in time. It is a beautiful reflection on motherhood, and a book to spark discussion and shift perspectives. Overall, the premise was certainly intriguing, but the execution was lacking. And yet, I'll continue to read everything Celeste Ng writes simply because her writing is a gift.
📚 R E C O M M E N D • T O
• readers who enjoy stories of motherhood
• Celeste Ng fans
• bookclubs
🔖 F A V O U R I T E • Q U O T E S
"If we fear something, it is all the more imperative we study it thoroughly."
"Who ever thinks, recalling the face of the one they loved who is gone: yes, I looked at you enough, I loved you enough, we had enough time, any of this was enough?"
Content Warnings
Graphic: Xenophobia, Bullying, Violence, Police brutality, Racial slurs, Racism, and Hate crime
Moderate: Animal cruelty, Animal death, Abandonment, Classism, Child abuse, and Kidnapping
Minor: Death, Death of parent, Grief, and Sexual assault
write2run's review
dark
emotional
hopeful
informative
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Grief, Hate crime, Xenophobia, Police brutality, Racism, Kidnapping, Violence, and Racial slurs
Moderate: Child abuse, Sexual assault, Pregnancy, Cursing, Gaslighting, Injury/Injury detail, Sexual harassment, Colonisation, and Confinement
marigold82's review against another edition
adventurous
challenging
dark
emotional
hopeful
informative
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
I felt this book. It is a dystopia that feels like it could have been or could be. There is a lot of discussions this book could being out. Especially with how if you wait to act until it happens to you there will likely be no one to take a stand anymore.
Content Warnings
Graphic: Racial slurs, Racism, Xenophobia, and Violence
Moderate: Sexual assault, Child abuse, Confinement, and Police brutality