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michaeljmccann's review
5.0
Having previously reviewed UNDER THE EYE OF GOD by Jerome Charyn, I was already aware of the intense hold that the Bronx of his childhood has on his imagination. As he writes in the "Author's Note" to BITTER BRONX:
I realized that I had been shaped as a writer not with the words I didn’t have, not with lavish pencil cases, not with library books I had never borrowed, but with some ghost’s vocabulary. I’d filled that amorphous void of the South Bronx with my own imagination.
There is both nostalgia and comedy in BITTER BRONX, and it is written in Charyn's lyrical prose that speaks of eyes bleeding “the viscous color of tears” and of Jackson Pollock's paintings “with their lashing rhythm, as if colors could cry out," to give only two examples of his lyricism.
The thirteen stories in this book are populated by an exotic blend of characters who surprise us with their eccentricities at the same time as they touch us with their unrequited love, losses, and thwarted dreams. There is Lorelei, who lives with her father in a Bronx apartment, never able to move beyond its sad confines. There is the story of Adonis, which is particularly poignant in its depiction of the lonely mob widows who are never able to feel loved once again. There are three stories of the Silks, reminiscent of Salinger's fictional and dysfunctional families. In “The Major Leaguer,” we are reminded of Charyn's abiding interest in the players of a lost era of greatness who emerged from the Bronx such as Joe DiMaggio, the subject of Charyn's book, Joe Dimaggio: The Long Vigil. And, in the background, as in Under the Eye of God, outside forces conspire to destroy the author's beloved Bronx through development and land grabs. The shadow of Robert Moses is felt in each of these stories, a man who created a highway that irrevocably divided the Bronx into north and south.
BITTER BRONX will appeal to fans of Charyn's Isaac Sidel series, short story lovers in general, and those readers seeking a refreshing book with unconventional prose and colorful characters brought lovingly to life.
I realized that I had been shaped as a writer not with the words I didn’t have, not with lavish pencil cases, not with library books I had never borrowed, but with some ghost’s vocabulary. I’d filled that amorphous void of the South Bronx with my own imagination.
There is both nostalgia and comedy in BITTER BRONX, and it is written in Charyn's lyrical prose that speaks of eyes bleeding “the viscous color of tears” and of Jackson Pollock's paintings “with their lashing rhythm, as if colors could cry out," to give only two examples of his lyricism.
The thirteen stories in this book are populated by an exotic blend of characters who surprise us with their eccentricities at the same time as they touch us with their unrequited love, losses, and thwarted dreams. There is Lorelei, who lives with her father in a Bronx apartment, never able to move beyond its sad confines. There is the story of Adonis, which is particularly poignant in its depiction of the lonely mob widows who are never able to feel loved once again. There are three stories of the Silks, reminiscent of Salinger's fictional and dysfunctional families. In “The Major Leaguer,” we are reminded of Charyn's abiding interest in the players of a lost era of greatness who emerged from the Bronx such as Joe DiMaggio, the subject of Charyn's book, Joe Dimaggio: The Long Vigil. And, in the background, as in Under the Eye of God, outside forces conspire to destroy the author's beloved Bronx through development and land grabs. The shadow of Robert Moses is felt in each of these stories, a man who created a highway that irrevocably divided the Bronx into north and south.
BITTER BRONX will appeal to fans of Charyn's Isaac Sidel series, short story lovers in general, and those readers seeking a refreshing book with unconventional prose and colorful characters brought lovingly to life.
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