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Graphic: Animal death, Death, Gore, Violence, Blood
- Eamon's Fickle Survival Instincts: Being an unwilling survivalist, I would've liked to have seen his "training" kick into place more thoroughly. Caught in several near-death instances, he was always a bit too willing to leave his mortal coil behind. One of the best parts of "final girls" is the transformation from vulnerable to powerful, and while Eamon does have some growth in this direction, it wasn't as fully-fledged as I would prefer.
- Deus Ex Machina (Kind Of): Speaking of near-death instances, Eamon was often saved just in time by one entity or another. And when I say "often", I mean about half a dozen times. This feels like an issue that could've been better resolved if his development arc had been more complete.
- Crying War: There was one specific description that was used over and over. When one character bellows a war cry, it invariably described as "cries war". It's a great description— once. After that it's just repetitive.
- Failed Bechtel: Not unusual, but still a little frustrating that the characters were overwhelmingly male. Of the female characters, only two had real roles in the story vs. the six primary male characters.
Graphic: Death, Self harm, Violence, Grief, Murder, Fire/Fire injury, Injury/Injury detail
Moderate: Animal cruelty, Animal death, Confinement, Genocide, Gun violence, Slavery, Torture, Death of parent, Abandonment, Colonisation, Injury/Injury detail
The three main characters are not really likable. The main character Eamon wanted to have depth but I just didn’t jive with the writing so it was hard for me to accept.
Mark is the typical “jock who doesn’t know any better but to antagonize” and is obnoxious for it. His best pages are at the end.
Caroline is a token POC woman who yells the most out of everyone and is the only one who uses slang. I’ll note that none of the other characters had very distinct voices. Whenever you read a line of dialogue without context you have little idea on who’s speaking. Notably, though, none of the other characters use terms like “gotta”, “outta”, and “gonna” but Caroline. And even when shit starts going down and people start yelling at each other periodically, she is the only one who is constantly yelling. Nearly ervery sentence of hers is ended with either “!” Or “?!” in the last half of the book. It read like a caricature to me.
Graphic: Body horror, Death, Violence
Moderate: Animal cruelty, Torture, Abandonment
Graphic: Gun violence, Violence, Injury/Injury detail
Moderate: Gore, Self harm
Minor: Suicidal thoughts, Death of parent
Graphic: Animal death, Death, Gore, Self harm, Suicidal thoughts, Torture, Violence, Blood, Death of parent, Murder, Fire/Fire injury
Moderate: Abandonment, Alcohol, Injury/Injury detail
Minor: Schizophrenia/Psychosis
Graphic: Animal cruelty, Animal death, Body horror, Death, Slavery, Violence, Murder
Graphic: Animal cruelty, Animal death, Violence
Moderate: Gore
I saw one review that said it had too much “unnecessary flowery language,” but that’s exactly what I loved most about it. All this horrible stuff is happening, but it’s written in such an oddly poetic way, I couldn’t stop reading it. I made countless highlights simply because I loved how a certain sentence was worded, and I’m actually tempted to get the audiobook to see how it would sound read aloud. Not to mention that a lot of the banter was downright funny.
Overall, it was a great book, and the ONLY reason I didn’t rate it higher is because everything that happened WAS so expected. If the story had been more surprising or the twist been less alluded so that it would’ve been truly shocking, it would’ve scored higher, but it was still a fantastically flowery massacre.
Graphic: Gore, Violence
Graphic: Violence
Moderate: Animal cruelty, Slavery
Graphic: Violence, Murder
Moderate: Self harm