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star_charter152's review against another edition
challenging
emotional
hopeful
reflective
sad
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Classism, Alcohol, Domestic abuse, and Racism
Moderate: Hate crime
Minor: Pregnancy, Racial slurs, Abortion, and Slavery
ada_elisabeth's review against another edition
dark
emotional
hopeful
informative
reflective
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
What happens to a dream deferred?
Does it dry up
like a raisin in the sun?
Or fester like a sore--
and then run?
Does it stink like rotten meat?
Or crust and sugar over--
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?
-Langston Hughes
I'm still chugging my way through Jude the Obscure and some Shakespearean love sonnets, but I thought I'd take a quick break from reading to review something we read for school. The diversity of the books for my English class this year has been somewhat surprising- a novella, a novel, a novel in verse, and now a play, soon to be followed by another novel and then a book of poetry? Whoever designed the curriculum certainly wanted students to be exposed to all sorts of writing. And I applaud them, because hardly do a I read a play, and this was a lovely excuse to do it.
I hate to say that Lorraine Hansberry's talent was 'wasted' on a play, because her play writing skills are incredible. But her descriptive, beautiful flowy writing is almost even better, and it's only visible in tiny snippets of stage directions. I'm not sure if she wrote it any other forms, but I would absolutely love to read it if she had. (From a quick Wikipedia search it seems like she does have some essays and more personal works, so maybe I'll check them out at some point-- her writing is simply beautiful.)
The quality of the writing is what really takes this book to the next level; while the complexities of the American dream lead to a complicated, layered story, the superb writing makes for many emotionally-charged scenes. A Raisin in the Sun is one of the rare pieces of writing that made me genuinely angry-- I found Walter Lee to be completely unbearable and just very misogynistic in general. His comments to Ruth and Beneatha (for not supporting him enough and for aiming too high respectively) in the first scene alone angered me enough to go off on a twenty-minute-long tangent about feminism in a discussion about Walter's character. I also (much to the confusion of my peers) found Mama to be just as frustrating. I can't put my finger on exactly what I disliked about her, but there was something that I found to be incredibly off-putting. Her endless love for Walter despite his mistakes but her attitude towards Beneatha's dreams and opinions felt so sexist and controlling to me. Although Walter was undeniably the crowning jewel in this crown of self-centeredness, hypocrisy, and annoying personalities, Mama was a close second. Luckily, I found Ruth an absolute joy to read about, so it was a little balanced out.
I also do have to say that I started to feel for Walter a bit towards the end. I think the fact that we were watching the 1961 movie starring Sidney Poitier as we read helped; his performance brought a new level of depth and emotion to the character that was not nearly as palpable on the page. I also really enjoyed the last scene, even in its written form. It was dramatic, powerful, and extremely emotionally-charged, making it the perfect conclusion to this quintessential American play. I found myself becoming moved by Beneatha's speech to Asagai in the final scene, and the fractured hope of the plant symbolism on the final page. Although I'm not yet sure what this play is trying to explain about American life beyond the obvious, I thoroughly enjoyed reading it and I hope this will open up the opportunity to read more classic American (and international) plays in the future. 4.25/5 stars simply because of how annoying I found Walter.
Does it dry up
like a raisin in the sun?
Or fester like a sore--
and then run?
Does it stink like rotten meat?
Or crust and sugar over--
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?
-Langston Hughes
I'm still chugging my way through Jude the Obscure and some Shakespearean love sonnets, but I thought I'd take a quick break from reading to review something we read for school. The diversity of the books for my English class this year has been somewhat surprising- a novella, a novel, a novel in verse, and now a play, soon to be followed by another novel and then a book of poetry? Whoever designed the curriculum certainly wanted students to be exposed to all sorts of writing. And I applaud them, because hardly do a I read a play, and this was a lovely excuse to do it.
I hate to say that Lorraine Hansberry's talent was 'wasted' on a play, because her play writing skills are incredible. But her descriptive, beautiful flowy writing is almost even better, and it's only visible in tiny snippets of stage directions. I'm not sure if she wrote it any other forms, but I would absolutely love to read it if she had. (From a quick Wikipedia search it seems like she does have some essays and more personal works, so maybe I'll check them out at some point-- her writing is simply beautiful.)
The quality of the writing is what really takes this book to the next level; while the complexities of the American dream lead to a complicated, layered story, the superb writing makes for many emotionally-charged scenes. A Raisin in the Sun is one of the rare pieces of writing that made me genuinely angry-- I found Walter Lee to be completely unbearable and just very misogynistic in general. His comments to Ruth and Beneatha (for not supporting him enough and for aiming too high respectively) in the first scene alone angered me enough to go off on a twenty-minute-long tangent about feminism in a discussion about Walter's character. I also (much to the confusion of my peers) found Mama to be just as frustrating. I can't put my finger on exactly what I disliked about her, but there was something that I found to be incredibly off-putting. Her endless love for Walter despite his mistakes but her attitude towards Beneatha's dreams and opinions felt so sexist and controlling to me. Although Walter was undeniably the crowning jewel in this crown of self-centeredness, hypocrisy, and annoying personalities, Mama was a close second. Luckily, I found Ruth an absolute joy to read about, so it was a little balanced out.
I also do have to say that I started to feel for Walter a bit towards the end. I think the fact that we were watching the 1961 movie starring Sidney Poitier as we read helped; his performance brought a new level of depth and emotion to the character that was not nearly as palpable on the page. I also really enjoyed the last scene, even in its written form. It was dramatic, powerful, and extremely emotionally-charged, making it the perfect conclusion to this quintessential American play. I found myself becoming moved by Beneatha's speech to Asagai in the final scene, and the fractured hope of the plant symbolism on the final page. Although I'm not yet sure what this play is trying to explain about American life beyond the obvious, I thoroughly enjoyed reading it and I hope this will open up the opportunity to read more classic American (and international) plays in the future. 4.25/5 stars simply because of how annoying I found Walter.
Content Warnings
Graphic: Racism and Racial slurs
Minor: Violence, Abortion, and Domestic abuse
toffishay's review
emotional
funny
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I don't read a lot of plays, but I really enjoyed this way. It is really intense and emotional and sad, but also really funny! Funny in that dark way, in that self-reflective way. Walter pissed me off, and as a black woman, it was interesting and all too real to read into the race and gender politics at play between him and the women in his life, Mama, Ruth, and Beneatha.
Content Warnings
Graphic: Domestic abuse, Racism, Misogyny, Sexism, Toxic relationship, Emotional abuse, Violence, Classism, Alcoholism, Grief, and Hate crime
Moderate: Sexual harassment, Death of parent, Homophobia, and Abortion
Minor: Slavery
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