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mondovertigo's review
dark
funny
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Sexual assault, Infertility, Alcoholism, Sexual violence, Murder, Domestic abuse, Classism, Toxic relationship, Toxic friendship, Pedophilia, Emotional abuse, Misogyny, Rape, and Physical abuse
Moderate: Gun violence, Animal cruelty, and Child abuse
itsbecca's review against another edition
challenging
dark
funny
fast-paced
4.5
Content Warnings
Graphic: Sexual assault and Domestic abuse
Moderate: Pedophilia, Sexism, Classism, Misogyny, and Racism
Minor: Body shaming
differentsisters's review
adventurous
challenging
dark
funny
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
A book that deals with so many triggering topics should not be this funny. It’s been a really long time since a book has made me laugh out loud this many times.
This book deals with many things, domestic abuse, the caste system, the treatment of women being the main ones. But they are handled with a biting dark humour that can only thrust through the grittiness of the lives of women living in these villages and circumstances.
The plot of murdering husbands is quite absurd but the characters also know this, so they are also looking at the situation as ridiculous.
One of the main features of this book is the female relationships; the complexity, the envy, the loyalty, the ups and downs that come with life. They are not all perfect women, but they bite harder than any dog (wink wink). But it’s so good. They’re are so funny together.
Greta is a perfect protagonist for the Western reader to enter this world vastly different from our own. She has quite Western and liberal ideas, but she’s also a cranky grumpy middle-aged woman. She always has something to mutter and groan about. However as our plot goes on and she’s forced into action but never loses her quips.
(it really should be 5, maybe at another time)
This book deals with many things, domestic abuse, the caste system, the treatment of women being the main ones. But they are handled with a biting dark humour that can only thrust through the grittiness of the lives of women living in these villages and circumstances.
The plot of murdering husbands is quite absurd but the characters also know this, so they are also looking at the situation as ridiculous.
One of the main features of this book is the female relationships; the complexity, the envy, the loyalty, the ups and downs that come with life. They are not all perfect women, but they bite harder than any dog (wink wink). But it’s so good. They’re are so funny together.
Greta is a perfect protagonist for the Western reader to enter this world vastly different from our own. She has quite Western and liberal ideas, but she’s also a cranky grumpy middle-aged woman. She always has something to mutter and groan about. However as our plot goes on and she’s forced into action but never loses her quips.
(it really should be 5, maybe at another time)
Content Warnings
Moderate: Rape, Sexual assault, Violence, Physical abuse, Murder, Misogyny, Gun violence, Death, and Classism
Minor: Animal cruelty and Body shaming
siria's review against another edition
2.75
Five years ago, Geeta's no-good husband disappeared, and most other people in their rural Indian village think she killed him. She didn't. But her reputation gets around, and some other women with terrible husbands start seeking her help with offing them, and shenanigans ensue.
There are things to like about Parini Shroff's The Bandit Queens—mostly the moments of somewhat dark humour, and the complicated and prickly female friendships—but this was a debut novel that needed not just one but probably at least two more drafts before it was published. The tone is wildly uneven and the dialogue often stilted.
I get there are always compromises to be made when you're writing a book in English but the characters are really "speaking" in another language (in this case, Gujarati). Not every concept will translate, capturing particular cadences might be difficult, and so on. But here Shroff repeatedly indulges in one of my pet hates, where a word that does have an equivalent in English is left in the "original" language for... coyness? Humour? Colour? I don't know. But I do know that every time a character goes to "make su-su" in this book (and it's a lot), I was gritting my teeth and saying "just say 'pee'!" Shroff's linguistic register is also all over the map—characters sprinkle their dialogue with as many "likes" as an American millennial and much of the prose is fairly informal, but occasionally we're told that a character has a "falcate back" or that one of the women has made an "aperçu". At one point, one woman refers to another as "zaftig." Encountering Yiddish slang in a rural west Indian context does break suspension of disbelief a little.
And that ties into the other major issue that I had with The Bandit Queens, which is that there was a lot about the framing and subtlety of approach (or lack thereof) which made it clear that Shroff is an American of Indian heritage rather than being born and raised in India. I had the sense that for an Indian to read this would probably be what it's like for me most of the time when I read a book by an Irish-American set in Ireland.
I think Shroff has potential as a writer and I wouldn't swear off her future work, but this was a bit of a disappointment.
There are things to like about Parini Shroff's The Bandit Queens—mostly the moments of somewhat dark humour, and the complicated and prickly female friendships—but this was a debut novel that needed not just one but probably at least two more drafts before it was published. The tone is wildly uneven and the dialogue often stilted.
I get there are always compromises to be made when you're writing a book in English but the characters are really "speaking" in another language (in this case, Gujarati). Not every concept will translate, capturing particular cadences might be difficult, and so on. But here Shroff repeatedly indulges in one of my pet hates, where a word that does have an equivalent in English is left in the "original" language for... coyness? Humour? Colour? I don't know. But I do know that every time a character goes to "make su-su" in this book (and it's a lot), I was gritting my teeth and saying "just say 'pee'!" Shroff's linguistic register is also all over the map—characters sprinkle their dialogue with as many "likes" as an American millennial and much of the prose is fairly informal, but occasionally we're told that a character has a "falcate back" or that one of the women has made an "aperçu". At one point, one woman refers to another as "zaftig." Encountering Yiddish slang in a rural west Indian context does break suspension of disbelief a little.
And that ties into the other major issue that I had with The Bandit Queens, which is that there was a lot about the framing and subtlety of approach (or lack thereof) which made it clear that Shroff is an American of Indian heritage rather than being born and raised in India. I had the sense that for an Indian to read this would probably be what it's like for me most of the time when I read a book by an Irish-American set in Ireland.
I think Shroff has potential as a writer and I wouldn't swear off her future work, but this was a bit of a disappointment.
Content Warnings
Graphic: Classism, Alcoholism, Murder, Rape, Sexual assault, Toxic relationship, Animal cruelty, and Misogyny
Moderate: Fatphobia and Islamophobia
marissas_reads's review
dark
emotional
funny
hopeful
informative
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
This is one of those books that once you are in, you are so in and can’t stop reading! I loved my time with these women, cheering them on and fuming with outrage on their behalf! Brilliantly written, full of twists, some heavy subject matter, and the exact right amount of humor (a lot of it dark) to add some levity and truly had me laughing out loud!
Content Warnings
Moderate: Domestic abuse, Alcoholism, Sexual assault, and Classism
Minor: Child abuse
legs_n_chins's review
adventurous
dark
funny
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
I fluctuated a lot while reading in the first half, oscillating between deep appreciation for the commentary being made, and exhaustion with what I found to be a bit over the top situations. But I realized at some point that I just wasn’t taking it with the right mindset — having read a thriller most recently and some other more straightforward books before that — and once I let myself just enjoy the sort of soapy nature of the humor it was just a fantastic ride to the end. The author, I think, balanced the humor very well with the heavy subject matter, and it offered the right amount of levity in the right places in my opinion. The tone was consistent throughout and the author even made that seem easy. It dragged a bit in some places for me, taking it down a peg or two, and I know some of the characters were written to be rather dislikable but for me that just made them hard to read sometimes.
I thought the subject matter was handled very well. The author addresses intersectionality, female oppression, rape culture, and domestic violence and its associated trauma with definite care. Over the past several years I’ve grown extremely critical of media that uses the abuse of women as some sort of plot device to push the narrative along, but then just sort of forgotten a little later when it stopped being useful to the plot. I never felt like that was happening in this book. Any instance of abuse that was discussed or depicted did not just get set aside or ignored completely once the next action was set in motion. It lingered and it was present throughout the rest of the story and it mattered to the character development. It lended a lot of the necessary seriousness to these situations despite the humor that the author included throughout the book. And it was difficult to read in some places, yet not exploitative or voyeuristic.
I was very impressed with how the author wrote from the main character’s point of view, too. Geeta wasn’t the most pleasant protagonist, yet I was rooting for her the whole time. Even in moments when she was really unlikable, the sort of exasperation and irritation I felt didn’t last long. She had very obvious flaws, but I liked seeing which ones she worked out and which just sort of were part of her personality that she had to work around rather than just grow past. It was also very cool how Geeta was unreliable in certain aspects concerning her perception of self and her relationships, but the author made it clear she was reliable regarding the actual plot related events occurring throughout the story. It’s just really good characterization in my opinion.
And on a somewhat more background note, I really appreciated learning more about Indian culture through this book. Some of the Hindi beliefs and the depiction of the caste structure and general portrayal of day to day life in a village like this one, it was all woven in organically without feeling like an infodump that took me out of the narrative. I’m not always great with the classroom sort of learning, all strict informational teaching, but this not only educated me in a lot of things I didn’t know, it did it in a way that I’m more likely to actually remember some of it because it’s been presented in a more real world context. I just find that quite cool.
I thought the subject matter was handled very well. The author addresses intersectionality, female oppression, rape culture, and domestic violence and its associated trauma with definite care. Over the past several years I’ve grown extremely critical of media that uses the abuse of women as some sort of plot device to push the narrative along, but then just sort of forgotten a little later when it stopped being useful to the plot. I never felt like that was happening in this book. Any instance of abuse that was discussed or depicted did not just get set aside or ignored completely once the next action was set in motion. It lingered and it was present throughout the rest of the story and it mattered to the character development. It lended a lot of the necessary seriousness to these situations despite the humor that the author included throughout the book. And it was difficult to read in some places, yet not exploitative or voyeuristic.
I was very impressed with how the author wrote from the main character’s point of view, too. Geeta wasn’t the most pleasant protagonist, yet I was rooting for her the whole time. Even in moments when she was really unlikable, the sort of exasperation and irritation I felt didn’t last long. She had very obvious flaws, but I liked seeing which ones she worked out and which just sort of were part of her personality that she had to work around rather than just grow past. It was also very cool how Geeta was unreliable in certain aspects concerning her perception of self and her relationships, but the author made it clear she was reliable regarding the actual plot related events occurring throughout the story. It’s just really good characterization in my opinion.
And on a somewhat more background note, I really appreciated learning more about Indian culture through this book. Some of the Hindi beliefs and the depiction of the caste structure and general portrayal of day to day life in a village like this one, it was all woven in organically without feeling like an infodump that took me out of the narrative. I’m not always great with the classroom sort of learning, all strict informational teaching, but this not only educated me in a lot of things I didn’t know, it did it in a way that I’m more likely to actually remember some of it because it’s been presented in a more real world context. I just find that quite cool.
Content Warnings
Graphic: Misogyny, Sexual violence, Domestic abuse, Violence, Rape, Physical abuse, Sexual assault, Murder, Gun violence, Gaslighting, Emotional abuse, Alcoholism, Animal cruelty, and Classism
thetearex's review
adventurous
dark
emotional
funny
inspiring
mysterious
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Moderate: Addiction, Adult/minor relationship, Classism, Gaslighting, Gun violence, Police brutality, Religious bigotry, Sexual assault, Sexual harassment, Toxic relationship, Alcoholism, Animal cruelty, Body shaming, Mental illness, Rape, Alcohol, Blood, Bullying, Cancer, Child abuse, Child death, Death of parent, Domestic abuse, Grief, Infidelity, Infertility, Islamophobia, Miscarriage, Pedophilia, Physical abuse, Sexism, Sexual violence, Death, Emotional abuse, Injury/Injury detail, Murder, Panic attacks/disorders, Suicide, and Violence
erinngus's review
dark
funny
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
This book was and wasn't what I expected. It was terribly funny, focusing on female friendship, and- at points- very dark and reflective of women's place in patriarchy and caste systems. Characters felt relatable and realistic, rounded out with equal flaws and endearing qualities. The many twists and chapter cliffhangers made it feel like a soap opera in the best way. However, I do feel like the final villain and ending climax scene was too cartoonish.
Content Warnings
Moderate: Domestic abuse, Alcoholism, Rape, Misogyny, Murder, and Violence
Minor: Bullying, Infertility, Classism, Fatphobia, and Gaslighting
nedermg's review
adventurous
funny
inspiring
mysterious
reflective
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Moderate: Alcoholism, Gun violence, Animal cruelty, Classism, Misogyny, Sexual violence, Sexism, Body shaming, Domestic abuse, Toxic relationship, Infertility, Rape, Violence, and Pedophilia
jammons's review against another edition
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.5
Content Warnings
Graphic: Murder, Classism, and Misogyny
Moderate: Blood, Rape, Alcoholism, Emotional abuse, Domestic abuse, and Gaslighting
Minor: Animal cruelty, Pedophilia, Sexual assault, and Sexual violence