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jehansen127's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Sexual content
Moderate: Colonisation, Sexual harassment, Sexism, Death of parent, Injury/Injury detail, Cursing, Body shaming, Death, Grief, and Child death
arlaubscher's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Cancer, Sexual content, Cursing, and Sexism
Moderate: Alcohol
Minor: Colonisation, Adult/minor relationship, and Blood
garbage_mcsmutly's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.5
Graphic: Sexual content
Moderate: Injury/Injury detail, Sexism, Cancer, Grief, and Violence
Minor: Death of parent, Alcohol, Blood, Bullying, Colonisation, and War
3readingcircus's review against another edition
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
Graphic: Sexual content
Moderate: Colonisation, Cancer, and Terminal illness
Minor: Suicide, Child death, and Death of parent
librarystan's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Diverse cast of characters? Yes
3.0
Moderate: Colonisation
Minor: Cancer, Death of parent, and Violence
emily_journals's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
Alright, so my biggest issue with this book is I personally think from Ford's inner monologue that he does not respect women in general and only respects very specific women after they've proven themselves to him, which is not a man that should end this story in a relationship. In the first quarter-ish of this book, Ford questions literally everything Corrie says to him even though he manipulated her into coming to this dig because HE KNOWS she's the most renowned expert on this particular artifact and it's story in the whole world. Also, I find the disrespect he has for the way Corrie does her job and practices archaeology as a woman of color unforgivable, and he does nothing to redeem himself and does not change his mind or say anything good about it by the end of the book. I think this book would have been infinitely more tolerable/better for me if we stayed only focused on Corrie and her inner monologue for the whole book and cut all of Ford's focused chapters because from Corrie's POV and inner monologue, Ford is a fine MMC who isn't full of internalized misogyny and bigotry.
My big issue with this book is the writing and plot outline. The writing is pretty cheesy through the whole thing (and I'm fine with a good amount of cheesy writing in my romance books, but this is over the top cheesy and always veering into straight up cringe worthy). There were so many times that I highlighted a passage in my e-book just because I couldn't believe that actually got written. And then the plot of the story was kind of a complete mess at the end; there were so many plot points that just got thrown straight into the reader's face out of no where instead of being integrated into the story and woven in until the reveals happened.
I did really like the archaeological aspects of this, I just wish there was more of that as it felt more like a plot device to get the characters together than its own story element. I also like the FMC most of the time although there were times that there seemed like a little internalized misogyny creeping through and some of the stuff she thought in her inner monologue was really cringe.
Graphic: Injury/Injury detail and Alcohol
Moderate: Death of parent, Misogyny, Blood, Colonisation, Sexual content, and Cancer
Minor: Bullying, Body shaming, and Kidnapping