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3.78 AVERAGE
3.78 AVERAGE
While this is not a well crafted novel, I did find myself enjoying Cypher's adventure. I found a lot of the language to be a little too repetitive, Goodkind goes so far as to repeat himself in the same paragraph. Luckily this made it very easy to skim through the book without the fear of having missed an important detail. If I missed it the first time, I had a chance of reading it again only a few sentences down, convenient.
That being said, I did personally enjoy the story told. I especially loved the portrayal of Denna's character as being far more complex and heartbreaking than even the forbidden love between Richard and Kahlan. The creatures and features of the Midlands were interesting and Zed was a great character all around. Strangely, I liked the side plots best as I found Richard kind of obnoxious and got really tired of hearing what a "rare" person he was, this is the same problem I had with the TV series after awhile.
So while this isn't great, it did give me a decent fantasy fix. I personally enjoyed reading the story (especially compared to the Tsoutsouvas narrated audio). But by no means is this the best example of fantasy writing or writing in general. It's a "I've been snowed in and I don't know when I'll get out" sort of a read. It will keep you busy, and it will keep you entertained, but you have to overlook a lot of the flaws in order to get there.
That being said, I did personally enjoy the story told. I especially loved the portrayal of Denna's character as being far more complex and heartbreaking than even the forbidden love between Richard and Kahlan. The creatures and features of the Midlands were interesting and Zed was a great character all around. Strangely, I liked the side plots best as I found Richard kind of obnoxious and got really tired of hearing what a "rare" person he was, this is the same problem I had with the TV series after awhile.
So while this isn't great, it did give me a decent fantasy fix. I personally enjoyed reading the story (especially compared to the Tsoutsouvas narrated audio). But by no means is this the best example of fantasy writing or writing in general. It's a "I've been snowed in and I don't know when I'll get out" sort of a read. It will keep you busy, and it will keep you entertained, but you have to overlook a lot of the flaws in order to get there.
I’m making more of an effort to give up on books that don’t do it for me. There are too many amazing books out there to stick with the ones that bore you to tears.
So, I’m giving up on this one after others told me to read it. I’ll go back to some indie fantasies now where stuff, you know, happens and characters aren’t bland.
So, I’m giving up on this one after others told me to read it. I’ll go back to some indie fantasies now where stuff, you know, happens and characters aren’t bland.
"Wizard's First Rule: people are stupid."
A classic rule that implies that people are gullible and will believe pretty much anything.
Richard Cypher, a woodsman decides to help a woman in the Upper Ven near the Boundary between the Midlands and Westland unravels a greater problem that is plaguing the land. The woman turns out to be Kahlan Amnell, who is seeking the help of the last known wizard who disappeared years earlier. With her comes dark news from the other side of the Boundary: Darken Rahl, Ruler of D'Hara, has brought down the Boundary between D'Hara and the Midlands. This menacing ruler continues his dead father's quest for control by pressing war on the now vulnerable Midlands.
A somewhat predictable story at least at the beginning but epic in scope. Vividly detailed writing to allow the mind's eye the opportunity to visualize clearly what is going on.
A classic rule that implies that people are gullible and will believe pretty much anything.
Richard Cypher, a woodsman decides to help a woman in the Upper Ven near the Boundary between the Midlands and Westland unravels a greater problem that is plaguing the land. The woman turns out to be Kahlan Amnell, who is seeking the help of the last known wizard who disappeared years earlier. With her comes dark news from the other side of the Boundary: Darken Rahl, Ruler of D'Hara, has brought down the Boundary between D'Hara and the Midlands. This menacing ruler continues his dead father's quest for control by pressing war on the now vulnerable Midlands.
A somewhat predictable story at least at the beginning but epic in scope. Vividly detailed writing to allow the mind's eye the opportunity to visualize clearly what is going on.
Като малък съм ревал на тая книга и макар сега да ми се струва идеализирано романтична, излишно сълзлива и като цяло двойно по-дълга, отколкото би трябвало да бъде, в сравнение с останалите фентъзита от периода е направо цвете. Да, за Реймънд Фийст и Робърт Джордан говоря.
The tv show has become an extremely guilty pleasure of mine so I thought I'd give the books a shot. Bad move. Simplistic, repetitive, dialog a 12 year old could've written and, bonus! like, a hundred pages of bdsm torture for absolutely no reason. Wow.
I read this book a number of years ago and remember falling in love with the universe. At that time, I read the first three or four books but got bored and moved on to something else. On a recent reread, of Wizard's First Rule, I reaffirmed my love for the Sword of Truth universe and committed myself, based on the strength of this book alone, to reading the entire original series. I may even do a rewatch of the TV show based on the series.
Wizard's First Rule introduces all of the main characters of the series in fantastic ways. Each of the characters has some secret that they're hiding and each reveal of each secret has a fantastic build-up. I won't spoil things for you, but each character is not what they initially seem to be. The book is pretty long but the action moves pretty well. There are only a couple of slow points, but those are necessary to build the universe that the author is creating. Just stick with it and you'll have a great time.
Wizard's First Rule introduces all of the main characters of the series in fantastic ways. Each of the characters has some secret that they're hiding and each reveal of each secret has a fantastic build-up. I won't spoil things for you, but each character is not what they initially seem to be. The book is pretty long but the action moves pretty well. There are only a couple of slow points, but those are necessary to build the universe that the author is creating. Just stick with it and you'll have a great time.
I did not like this one. The writing was shallow and the characters were uninteresting and predictable. It’s also a beast of a book that I only finished because it was so strongly recommended to me and by 1/3 the way in I was already hoping it would get better- but it never did.
I suppose if you like very classic fantasy with very traditional characters, this might be your jam.
I suppose if you like very classic fantasy with very traditional characters, this might be your jam.
Book is inconsistent in it's rythems. Felt like the mix reviews I wanted to give it a whirl before I read about the author to much as I'm sure there are many artists I wouldn't be found of if I took the time to study. However, in this case my review is based just on this book and for me it felt clunky and patch worked. Felt like threads were being sewed and then just stitched off and a whole new pattern kind of like a quilt but more amateur and less lovely. There are parts that are extremely shallow and then parts that I feel are deep while at both points being unnecessary.
It feels like this is a good read if you're new to fantasy and or don't dable in it often. If you have read anything from classic to modern fantasy recently I think you'll ha e a hard time with by the middle of it if not sooner. However, everyone's taste are different so who can say.
It feels like this is a good read if you're new to fantasy and or don't dable in it often. If you have read anything from classic to modern fantasy recently I think you'll ha e a hard time with by the middle of it if not sooner. However, everyone's taste are different so who can say.
A while back, I had myself a Legend of the Seeker marathon. The show was tastefully cheesy, fantasy fun and I enjoyed it enough to finally read its source material. Consequently, this will be as much a review of The Wizard’s First Rule, as it is a comparison to Legend of the Seeker.
Both book and show begin in much the same way, with a beautiful woman escaping the clutches of nasty soldiers. Woodsman Richard Cipher witnesses this and comes to her rescue, only to learn that she really isn’t a mere damsel in distress. Though he doesn’t know her true nature, when she touches one of her attackers and he turns on his companions, Richard realizes that Kahlan Amnell is no ordinary woman. From there, Richard takes her to see his old friend Zed, whom Richard believes can help Kahlan find the wizard she seeks. Low and behold, Zed has been that wizard all along, and as identities and destinies are partially unravelled, Richard accepts the Sword of Truth and becomes the Seeker, destined to join Kahlan and Zed to stop the evil Darken Rahl from taking over the world.
The TV interpretation of these three main characters is more or less the same, save for Richard, who is a little larger and prone to anger in the book, something the Sword feeds off of. The show didn’t go very deeply into the magic of the Sword of Truth and its connection to Richard, so this became a very interesting topic for me as I read on. The book, unsurprisingly, delves much deeper into the magic of Goodkind’s world, with each form, each type of user, and each use of the particular forms having very specific details.
One thing that I really loved about the show was the romance between Kahlan and Richard. Richard is the perfect gentleman who respects the fact that Kahlan cannot be with him in a full romantic capacity due to the nature of her powers. In the show, I appreciated that they didn’t drag out the reason behind her shying away from him, and when she does confess that she is a Confessor and why she can’t be with him physically, he simply accepts it and lets her know that simply being with her is enough. The bond they form along their journey becomes very real, and, while the final result is super lovey-dovey, gag-me-with-a-spoon, it makes sense.
The show lifted this aspect of their relationship straight from the book, with the only differences being that Goodkind did drag out the secret keeping, with Kahlan not telling Richard about her abilities until somewhere near the end.
When I first mentioned that I wanted to read this series, a fellow reviewer commented on the role women play in Goodkind’s world. Initially, I thought his negative assessment was wrong. Kahlan is a great character and stands as Richard’s equal. She’s more than just a love interest and she’s no damsel in distress, though I appreciate that the show places more emphasis on her fighting ability, showing that she can hold her own as a human being, and not just a person endowed with magic. Kahlan’s significant role in the story and her place as Richard’s apparent equal lulled me into a sense of acceptance over the role of women in general. But toward the end, I realized the error of my ways. When Kahlan goes full Mother Confessor, the evil queen and her spoiled kid are confronted, and the man-hating Mord Sith appear to work their dominatrix goodness over Richard. I realized that the females in Goodkind’s story, while seeming to be empowered, are really just an exercise in misogyny disguised as misandry.
The Confessor’s power can be used on anyone, yet the examples of its use are most often males, with emphasis on how it subjugates them, turning them into mindless slaves to the Confessor’s will. While Kahlan is at least developed as a character beyond her power, the only female whose purpose isn't to dominate males is Rachel, who, with a little encouragement, proves herself to be the bravest and strongest of all of them. But Rachel is only a little girl when we meet her. By the precedent set, she'll grow up to rule over men too. If she's really lucky, she'll be tortured and raped and made into a Mord Sith.
Kahlan’s return to full on Mother Confessor status seemed to be a major turning point in the book, not only in terms of plot, but in terms of where my rating started to fall and my feminist rage started to rise. It's good that I watched the show first because the creators clearly found the better aspects of the book and did a much better job of tempering the far more disgusting ones. The female aspect in particular was handled much better in the show, with Confessors shown to deal with both males and females equally. The Mord Sith still exist and are still a source of man-hating torture, but the show’s decision with the characters of Denna and the introduction of Cara softened the blow and made for much more interesting and justifiable reasons for Richard’s subsequent actions after meeting them. The show did continue on to introduce a group of witches and there were a few other dangerous sorceresses along the way, but at least it did a better job of leveling the playing field and making some of the women a bit more than just angry archetypes.
In the book, the Mord Sith and then a dragon and finally, the attempted rape of Kahlan were jarring additions to what had otherwise been a pretty good story. But these elements were kind of crammed into the end in a manner that made them feel like they were last minute decisions in order to get the characters to their final conflict through literal torture and pain.
Thankfully, Kahlan’s assault is not needed in the show for the purpose it serves in the book, and the show could take the time and liberty to make the introduction of other elements, such as the Mord Sith, much more organic and much less...ugh.
I’m not sure how much more story Goodkind tells of Kahlan and Richard in the Sword of Truth series, but I went from wanting to know more, to quickly shelving the rest. I’ll stick to my much more enjoyable TV memories.
2 stars for the book; 4 stars for the show.
See more reviews at The BiblioSanctum.
Both book and show begin in much the same way, with a beautiful woman escaping the clutches of nasty soldiers. Woodsman Richard Cipher witnesses this and comes to her rescue, only to learn that she really isn’t a mere damsel in distress. Though he doesn’t know her true nature, when she touches one of her attackers and he turns on his companions, Richard realizes that Kahlan Amnell is no ordinary woman. From there, Richard takes her to see his old friend Zed, whom Richard believes can help Kahlan find the wizard she seeks. Low and behold, Zed has been that wizard all along, and as identities and destinies are partially unravelled, Richard accepts the Sword of Truth and becomes the Seeker, destined to join Kahlan and Zed to stop the evil Darken Rahl from taking over the world.
The TV interpretation of these three main characters is more or less the same, save for Richard, who is a little larger and prone to anger in the book, something the Sword feeds off of. The show didn’t go very deeply into the magic of the Sword of Truth and its connection to Richard, so this became a very interesting topic for me as I read on. The book, unsurprisingly, delves much deeper into the magic of Goodkind’s world, with each form, each type of user, and each use of the particular forms having very specific details.
One thing that I really loved about the show was the romance between Kahlan and Richard. Richard is the perfect gentleman who respects the fact that Kahlan cannot be with him in a full romantic capacity due to the nature of her powers. In the show, I appreciated that they didn’t drag out the reason behind her shying away from him, and when she does confess that she is a Confessor and why she can’t be with him physically, he simply accepts it and lets her know that simply being with her is enough. The bond they form along their journey becomes very real, and, while the final result is super lovey-dovey, gag-me-with-a-spoon, it makes sense.
The show lifted this aspect of their relationship straight from the book, with the only differences being that Goodkind did drag out the secret keeping, with Kahlan not telling Richard about her abilities until somewhere near the end.
When I first mentioned that I wanted to read this series, a fellow reviewer commented on the role women play in Goodkind’s world. Initially, I thought his negative assessment was wrong. Kahlan is a great character and stands as Richard’s equal. She’s more than just a love interest and she’s no damsel in distress, though I appreciate that the show places more emphasis on her fighting ability, showing that she can hold her own as a human being, and not just a person endowed with magic. Kahlan’s significant role in the story and her place as Richard’s apparent equal lulled me into a sense of acceptance over the role of women in general. But toward the end, I realized the error of my ways. When Kahlan goes full Mother Confessor, the evil queen and her spoiled kid are confronted, and the man-hating Mord Sith appear to work their dominatrix goodness over Richard. I realized that the females in Goodkind’s story, while seeming to be empowered, are really just an exercise in misogyny disguised as misandry.
The Confessor’s power can be used on anyone, yet the examples of its use are most often males, with emphasis on how it subjugates them, turning them into mindless slaves to the Confessor’s will. While Kahlan is at least developed as a character beyond her power, the only female whose purpose isn't to dominate males is Rachel, who, with a little encouragement, proves herself to be the bravest and strongest of all of them. But Rachel is only a little girl when we meet her. By the precedent set, she'll grow up to rule over men too. If she's really lucky, she'll be tortured and raped and made into a Mord Sith.
Kahlan’s return to full on Mother Confessor status seemed to be a major turning point in the book, not only in terms of plot, but in terms of where my rating started to fall and my feminist rage started to rise. It's good that I watched the show first because the creators clearly found the better aspects of the book and did a much better job of tempering the far more disgusting ones. The female aspect in particular was handled much better in the show, with Confessors shown to deal with both males and females equally. The Mord Sith still exist and are still a source of man-hating torture, but the show’s decision with the characters of Denna and the introduction of Cara softened the blow and made for much more interesting and justifiable reasons for Richard’s subsequent actions after meeting them. The show did continue on to introduce a group of witches and there were a few other dangerous sorceresses along the way, but at least it did a better job of leveling the playing field and making some of the women a bit more than just angry archetypes.
In the book, the Mord Sith and then a dragon and finally, the attempted rape of Kahlan were jarring additions to what had otherwise been a pretty good story. But these elements were kind of crammed into the end in a manner that made them feel like they were last minute decisions in order to get the characters to their final conflict through literal torture and pain.
Thankfully, Kahlan’s assault is not needed in the show for the purpose it serves in the book, and the show could take the time and liberty to make the introduction of other elements, such as the Mord Sith, much more organic and much less...ugh.
I’m not sure how much more story Goodkind tells of Kahlan and Richard in the Sword of Truth series, but I went from wanting to know more, to quickly shelving the rest. I’ll stick to my much more enjoyable TV memories.
2 stars for the book; 4 stars for the show.
See more reviews at The BiblioSanctum.
all i wanted for 400 pages was for Richard and Kahlan to hold hands is that SO MUCH TO ASK FOR??
/
anywho, overall good story, even if it did take me a lot longer to read this than i thought it would. the characters were entertaining to read however im not sure i feel like reading the sequel... to be determined. 3.5/5
/
anywho, overall good story, even if it did take me a lot longer to read this than i thought it would. the characters were entertaining to read however im not sure i feel like reading the sequel... to be determined. 3.5/5