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rae_bookmarkchronicles's review against another edition
adventurous
challenging
dark
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
I've heard nothing but good things about this book, and it absolutely deserves the hype! I love dual perspectives and while I loved Nahri's perspective, I didn't enjoy Ali's. Nahri has a really interesting storyline but it felt like Ali wasn't the main character of his own POV.
I also felt that the romance was unnecessary and even though this is adult it felt like YA - maybe because of some of the tropes used. But overall I did enjoy it and I can't wait to read Kingdom of Copper
I also felt that the romance was unnecessary and even though this is adult it felt like YA - maybe because of some of the tropes used. But overall I did enjoy it and I can't wait to read Kingdom of Copper
Content Warnings
Graphic: Genocide, Racism, Violence, and Murder
Minor: Rape
dracorum's review against another edition
adventurous
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Graphic: Panic attacks/disorders, Slavery, Murder, and Abandonment
Moderate: Racial slurs, Blood, Medical content, Religious bigotry, Abandonment, and Alcohol
Minor: Infidelity, Rape, and Fire/Fire injury
booksthatburn's review against another edition
adventurous
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
THE CITY OF BRASS is a fantasy balanced on a knife's edge, with a prince and a con artist working at occasionally-aligning purposes in a city filled with djinn and Daeva, with the partially human underclass just trying to survive.
This generally avoids infodumps by making sure that, when exposition is necessary, it comes in the form of telling someone information that’s truly new to them. Sometimes that’s a briefing for an unfamiliar situation, other times it’s a story around the fire. A lot of these explanations happen early on, and it seemed like a bit much at first (there are a lot of tribes, for one), but the main narrative only demands consistent recognition of three or four tribal names so it wasn't overwhelming once the story got going. The two main characters have very different lives and knowledge bases, and that works together to give the reader a fuller picture of the world and the secondary characters.
I love the political wrangling and intrigue. Ali is pretty blunt, surrounded by much more subtle players with complicated aims, and there are a few places where people use insider terms to tell him what’s going on but he doesn’t realize that a double meaning is involved. Later when Mahri becomes immersed in it she's a much savvier player with the information she does have, and I'm looking forward to how she handles things as the the trilogy progresses. I love heists and thieves, so having Mahri the con artist as a protagonist is a treat. She's self confident but wary of the situation, and that blend of prowess and uncertainty is truly delightful. There's something great about taking a person highly skilled in one arena and dropping them into a wholly different one that brings out their known and unknown strengths in intriguing ways. Dara isn't a point of view character, and I think that's because he knows too much to be a good narrator. The story is so much richer for his presence, but he's stingy with information, doling it out only when he thinks Mara needs to know something, which is often well after he's acted on the knowledge. This leaves her to pick up the pieces each time, in turns fond of and exasperated by him as he drifts in and out of the scene.
The ending is rather shocking, managing grief and triumph as Mahri and Ali have to deal with sudden changes in the last chapters. It's not a twist of plot as much of the inevitability of consequence, as things that had been a little bit wrong for a while suddenly get out of control. I'm excited for the next one, I need to know what happens now.
This generally avoids infodumps by making sure that, when exposition is necessary, it comes in the form of telling someone information that’s truly new to them. Sometimes that’s a briefing for an unfamiliar situation, other times it’s a story around the fire. A lot of these explanations happen early on, and it seemed like a bit much at first (there are a lot of tribes, for one), but the main narrative only demands consistent recognition of three or four tribal names so it wasn't overwhelming once the story got going. The two main characters have very different lives and knowledge bases, and that works together to give the reader a fuller picture of the world and the secondary characters.
I love the political wrangling and intrigue. Ali is pretty blunt, surrounded by much more subtle players with complicated aims, and there are a few places where people use insider terms to tell him what’s going on but he doesn’t realize that a double meaning is involved. Later when Mahri becomes immersed in it she's a much savvier player with the information she does have, and I'm looking forward to how she handles things as the the trilogy progresses. I love heists and thieves, so having Mahri the con artist as a protagonist is a treat. She's self confident but wary of the situation, and that blend of prowess and uncertainty is truly delightful. There's something great about taking a person highly skilled in one arena and dropping them into a wholly different one that brings out their known and unknown strengths in intriguing ways. Dara isn't a point of view character, and I think that's because he knows too much to be a good narrator. The story is so much richer for his presence, but he's stingy with information, doling it out only when he thinks Mara needs to know something, which is often well after he's acted on the knowledge. This leaves her to pick up the pieces each time, in turns fond of and exasperated by him as he drifts in and out of the scene.
The ending is rather shocking, managing grief and triumph as Mahri and Ali have to deal with sudden changes in the last chapters. It's not a twist of plot as much of the inevitability of consequence, as things that had been a little bit wrong for a while suddenly get out of control. I'm excited for the next one, I need to know what happens now.
Content Warnings
Graphic: Death, Torture, Violence, Blood, and Murder
Moderate: Child abuse, Child death, Drug abuse, Genocide, Mental illness, Racism, Self harm, Slavery, Xenophobia, Vomit, Grief, Death of parent, Fire/Fire injury, and Colonisation
Minor: Rape, Excrement, and Antisemitism
CW for major character death (graphic).jackiepreston's review against another edition
adventurous
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
Content Warnings
Graphic: Death, Blood, Murder, and Fire/Fire injury
Moderate: Rape and Violence
wordrevel's review against another edition
dark
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Death, Violence, Blood, and Trafficking
Moderate: Racial slurs, Slavery, and Murder
Minor: Rape and War
mads_reads_books's review against another edition
adventurous
mysterious
sad
slow-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Racial slurs, Racism, Rape, and Murder
Moderate: Abandonment
dariaklind's review against another edition
adventurous
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Death, Violence, and Blood
Moderate: Slavery
Minor: Rape
_savannahreads_'s review against another edition
adventurous
challenging
dark
emotional
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Content Warnings
Graphic: Violence
Moderate: Child abuse, Child death, Death, Misogyny, Racism, Sexism, Slavery, Suicidal thoughts, Toxic relationship, Kidnapping, Grief, and Gaslighting
Minor: Rape and Terminal illness
annagoodreads's review against another edition
adventurous
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Minor: Rape
bluejayreads's review against another edition
adventurous
tense
slow-paced
- Plot- or character-driven? A mix
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I'm struggling with what to say about this book. It was good. It wasn't as gripping and engrossing as I'd hoped, but it was still perfectly readable. I just had a few issues, which I want to get out of the way first. (Also, fair warning: This is a really long book and this review may get long too.)
One: Dara (the djinn that Nahri accidentally summons) refuses to tell Nahri anything for no discernable reason. At one point Nahri actually has to threaten to let herself get eaten by monsters to convince him to tell her anything. I have no idea what his purpose is in keeping her in the dark about the family she's supposedly part of and the society he wants her to join, and knowing a lot of these non-secrets would have actually been helpful. The book tries to make a romance between the two of them but it was mostly based on "he's hot" and it felt forced to me. He seemed irritatingly tropey at the beginning and I only tolerated him because Nahri liked him a lot, but I outright hated him at the end.
Two: There's a lot of politicking in this book, but the essential conflict is Nahri, a con woman used to deciding her own fate and scheming for her coin, being stripped of any agency over her own life by people who have decided that her family heritage and what they think that means for her take precedence over anything she might want, say, think, or feel. It wasn't bad from a story point of view, but it was a case where I got so frustrated with Nahri being unable to wrest any agency away from these people that I almost put it down from sheer rage.
Despite how annoyed I got with politicking in Dune, I didn't mind it that much in this book. Well, I did a bit in the beginning, but as I grew to like the characters more I minded it less. Which is a good thing, because despite some magic, some fights, and one assassin, the majority of the book is politics. The plot consists of a blend of Daevabad politics and Nahri fighting for some agency, so if you can't tolerate the politics at least a little you won't like this book. But on the bright side, they're magic politics about djinn, so slightly less boring than regular politics.
Ali, a djinn prince in Daevabad, is a point-of-view character, and at first he bored me to death. Compared with Nahri and her magic and adventures, the palace niceties and politics in his sections were pretty bland. He also started out as a wide-eyed innocent kid taking his first steps into adult responsibilities, and that was a little grating, but he got wise pretty quick and I liked him and Nahri about equally by about halfway through. I enjoyed their friendship a lot, actually, and I hope it continues in the rest of the series.
I love how steeped this story is in Arabic culture. Unlike the author, I'm not a convert to Islam, but between my research into Islam and my studies of the Arabic language I understood all of the terms mentioned and could even spell most of them, which made me feel pretty proud of myself. Plus (as you might have guessed by the fact that I've studied Islam despite not being Muslim and am teaching myself Arabic) Middle Eastern and especially Islamic culture is fascinating to me, and I love worlds set there - even though this story mostly took place in the fictional djinn city of Daevabad as opposed to a real-world setting, it was still unquestionably an Arabic world.
Up until the very end, I was on the fence about whether I'd continue reading the series. It wasn't a bad read, it just didn't grip me as much as I would have liked. But I really like the world, I can't wait until Nahri finally snaps and unleashes hell on these people, and the ending picked up steam and left me with enough unanswered questions to be interested in continuing. If nothing else, my library has the rest of the series on audiobook too, so they'll at least be reasonably interesting work reading.
Content Warnings
Graphic: Body horror, Child death, Death, and Blood
Minor: Rape