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Jonathan Strange & Mr Norrell by Susanna Clarke

4 reviews

thecriticalreader's review against another edition

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mysterious slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

0.5

 
Context:
I borrowed Jonathan Strange & Mr. Norrell by Susanna Clark from my library through the Libby App. It is the second book by Clark that I have read; I read Piranesi in 2023 and gave it 4 stars.
 
Review:
On paper, I should have loved Jonathan Strange & Mr. Norrell. I love historical fantasy, I love slow-paced nineteenth-century literature, and I love books that immerse you in a historical setting. I am the sort of person who would love nothing more to attend a History of Magic class taught by Professor Binns. Unfortunately, Jonathan Strange & Mr. Norrell is a huge miss for me.
 
Before I talk about what I don’t like, I want to talk about the positives. I am immensely impressed by Clark’s ability to mimic the nineteenth-century prose style, something that many authors attempt but few do successfully. The writing is atmospheric, witty, and occasionally beautiful. Additionally, it is clear that Clark knows an enormous amount about early-nineteenth-century history and English folklore, and her knowledge pervades every aspect of this book. In this sense, Jonathan Strange & Mr. Norrell is an admirable and unique triumph of literature.
 
Unfortunately for me, I despised the book’s characters and plot. And when you’re reading a novel of this size, it helps very much to like at least one of these things. Every character, except for two or three side characters, is selfish, petty, and arrogant. (Oh, and Mr. Norrell is canonically against the emancipation of Jews and Catholics, so that’s great /s). It can be entertaining to read about terrible people about if they are written with intention and care, but they are not. Are they supposed to be insufferable? Why do they act the way they do? Why should we care about them and what they do? I have no answers. Furthermore, there is little to no character development throughout this enormous book. The two or three characters that aren’t insufferable receive little-to-no screentime, so to speak, and have little agency. It appears that Clark tries to make a point about racism, slavery, and sexism, but her flat treatment of the female characters and the one black character rubbed me the wrong way.
 
My problem with the plot is partly a matter of taste because this book largely revolves around English fairies and the Otherworld. I’m someone who dislikes fairytales and fairies because they strike me as meanspirited and nonsensical (which funnily enough describes the characters in this book), so this element of the book did not work for me as a result. In general, however, this book DID NOT NEED TO BE 800-1,000 pages (depending on the edition) long! It could have easily been 200-300 pages. The plot of this book is discursive, muddled, and nonsensical. I actually DNF’d the book at the 50% mark but decided to push through in case it got better. As miserable as it was, I am glad that I read the ending, which I think wraps things up as well as could be expected and gave me a little bit more perspective about how the author wants us to view the main characters. 
 
The Run-Down: 
You might like Jonathan Strange and Mr. Norrell if . . . 
·      You love fairy tales, historical fantasy, and nineteenth-century history/literature
·      You want to read about deeply flawed main characters
·      You don’t mind reading pages upon pages of material that doesn’t really pertain to the main plot
·      You like books that explore the darker side of magic
 
You might not like Jonathan Strange and Mr. Norrell if . . .
·      You like well-written characters that you can root for
·      You don’t want a read an 800-1000-page book that could have easily been 250 pages 
 
A Similar Book: 
A Declaration of the Rights of Magicians by H.G. Parry (I rated it 4 stars). 
Similarities:
·      Historical fantasy epic that reimagines major European historical events with magic
·      Very slow-paced, well-researched, and historically dense
·      Some real-world historical characters
Differences:
·      A Declaration of the Rights of Magicians focuses on late-eighteenth-century history; Jonathan Strange and Mr. Norrell focuses on early nineteenth-century history
·      A Declaration of the Rights of Magicians plot more strictly follows historically accurate events and explores concepts of oppression and colonialism; Jonathan Strange and Mr. Norrell diverges from historical events and is more interested in the relationship between its titular characters
·      A Declaration of the Rights of Magicians has morally upright main characters but a darker tone; Jonathan Strange and Mr. Norrell has selfish main characters but a slightly lighter tone overall

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blacksphinx's review against another edition

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adventurous mysterious slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

If you are someone who is any level of dedicated to the occult arts, particularly those you learn extensively out of books like ancient astrology, grimoire magic, traditional witchcraft, or a reconstructionist polytheism, this book is for us. The society of magicians in York is so true to many groups and individuals I have met that I felt compelled to read the first page and a half out loud to the occultists and close friends of occultists I met up with while reading this book, who could not stop smiling and shaking their head at it. If you feel the same way about those opening paragraphs, it is worth your time to continue on with the entire tome. 

What ultimately robbed it from being 5 Stars in my eyes is that it was too long! This book is fantastic but it didn't need to be over 800 pages. It is maddening how many times characters not sharing information with each other prevents the right action from occurring until hundreds of pages later. There was a point where I thought I was never going to finish this damn thing and I felt about it akin to a textbook I was reading for class. And then we finally get a large jolt of plot progression in the last ~150 so pages that was so satisfying it kept me from from going down to a flat 4 Stars. 

Sidenote: this book contains period-typical racism, in both remarks made about Jewish people and one of our main PoV characters being a Black man in London in the early 1800's.

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pvbobrien's review

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challenging mysterious slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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andromeda_1998's review

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adventurous challenging dark mysterious slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25

Jonathan Strange and Mr Norrell is the thickest book I’ve read for quite some time and in some ways it was an overwhelming read for me since English isn’t my first language. It was a a good challenge for me and I’m glad that I have achieved it. Now on to the review, what are my thoughts about this book: 

The plot 
Jonathan Strange and Mr Norrell is about England in the 19th century. The book is an alternative version of our own reality. 

Once upon a time magic used to be strong and overflowing in England but  over the centuries magic has slowly been disappearing all over the country. But while practicing magicians have disappeared, theoretical magicians have lived on. Mr Norrell is determined to change the magical foundations at which his reality is based. He becomes the first practicing magicians in centuries and tries to make the job respectable again. He travels to London to show England what real magic looks like but everything changes when he meets Jonathan Strange. He takes Jonathan on as his pupil and together they try to bring magic back to England, even thought they both have different views on what this means precisely. 

The book has a slow start since a lot of different stories are being told throughout the book and it takes some time for them all to fit together. After 200+ story’s the pacing becomes better and around 700+ pages the story takes flight and every storyline gets connected.  I enjoyed the book, a lot, but I feel like the book could have been told in less pages with the same effect. And that’s just a shame, in my opinion. 

Writingstyle 
The author chose to write the book in a more classical writingstyle reminiscent of the time the story takes place in. This makes the book a bit heavier to read but it does set the mood. The writer uses a lot of footnotes to further explain plot points and to deepen the worldbuilding. I did sometimes enjoy them but sometimes it did give the book sla stiffness that I associate with schoolbooks and research papers. Again it sets the tone but it does make the pacing of the book slower and the story heavier. 

Characters 
This book has some wonderfully complicated characters that I really enjoyed. I did find it a bit disappointing that the focus between pages 600-800 of the book was more on Jonathan, it felt like Norrell disappeared for a bit. It was especially disappointing since Norrell did do important things in that part of the book that happens largely of screen. I would have like a more 50/50 view of the characters since it felt to me like I was reading a different book in the same universe. I cannot explain it better. 

Worldbuilding 
The worldbuilding in this book is incredibly detailed and I’m my opinion it’s the best aspect of the book. Yes, there is a lot of it to go through but it makes for a very believable world. 

Recommendations 
I would recommend this book to more seasoned readers. It can be a bit of a challenge but it’s worth reading it. 

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