Reviews tagging 'Xenophobia'

Mornings in Jenin by Susan Abulhawa

10 reviews

teabeansss's review

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challenging dark emotional sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.75


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sasbyrne's review

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challenging emotional informative sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

Heartbreaking story of the history of Palestine 

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madelinekramer2021's review

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adventurous challenging dark emotional informative sad medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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kimschouwenaar's review

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challenging dark emotional informative reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.5

Expect to finish this book sobbing.

Woah. And I mean that in every sense of the expression. This multi-generational story about a Palestinian family grabs you by the throat, nails digging in, and does not relent. I expect it to retain its hold on me for months to come. Abulhawa takes you by the hand and leads you through history and grief, leads you through the relentless suffering of Palestinians, and does not hold back.

Each chapter I was left questioning Can this really happen? Can a people be this ruthless and arrogant to believe they have the rights to invade a country and act like they are the only victims?

Yes. In fact, it is happening and has been happening for decades. We need to stop trying to justify genocide. The safety of one people should not come at the cost of another country and culture.

"The roots of out grief coil so deeply into loss that death has come to live with us like a family member who makes you happy by avoiding you, but who is still one of the family. Our anger is a rage that Westerners cannot understand. Our sadness can make the stones weep. And the way we love is no exception, Amal."

It's a tough read, but I strongly believe it's one that we should all know. 

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read_alittle_whim's review

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dark emotional sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

5.0


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fkshg8465's review against another edition

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adventurous challenging dark emotional informative sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.0

So much sadness in this book. I am admittedly anti Zionist. I cannot fathom the entitlement they feel they have based on the writings of men long gone. Neither can i fathom the pain that brought them back. But it seems they too cannot fathom the pain they are rendering on people undeserving of it. This book seems to reinforce all of that for me - people behaving badly, people trying to survive.

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purely_romantic's review

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challenging dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? N/A
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

CWs at the end.

I finished this book minutes before writing this review so forgive me if this is not as polished, nor as coherent. A stream of consciousness is perhaps more appropriate because I cannot review *Mornings in Jenin* as if style and plot and narrative structure were at the forefront of my mind. I do not care about technicalities because I can only speak about how this made me feel. About how I am crying even as I write this, and my grief for an entire people is too large for words, too large for my body. 

Language fails me at this moment as I try to describe what reading this book at this particular moment in time feels like. At some points, the images described on the page of people wailing at the sight of their dead families, mothers crying over their children’s corpses, children being shot as they played were blurring with the real footage I see every day. There is no separation of fact from fiction, only a grim, bleak reality of endless grief and rage. 

I cannot care about literary analysis while reading this because to do so is to create a cognitive distance entrenched in me by Western academic disciplines that requires I observe from afar. I reject that practice at this moment. While I have in no way experienced these levels of pain and fear, there is a generational sense memory I carry in my bones that knows colonial violence, that knows how a heart can break when my land is ravaged, that feels like shattering when my people are hurting. Through these four generations of characters, each who experiences the same violence over and over again, Abulhawa creates the sense of an endless cycle of occupation, of stolen land and dreams, a never-ending nightmare of lost loved ones and homes, with only smatterings of reprieves that could be pierced by a bullet, by a bomb at any moment. Yehya’s pain was Hasan’s pain was Dalia’s pain was Yousef’s pain was Amal’s pain was my pain. It should be all our pain to watch other human beings suffer like this. 

And yet, through all this horror, my god did I feel the characters’ unceasing pride and love for their country. The fondness for their homes, the laughter and joy at being around family, the intricacies of large, community-based cultures that I recognize in my own society, shone through like a beacon. The cheeky pranks of children, the matchmaking relatives, the sounds of older family members’ never-ending advice and instructions knitted the fabric of ancient traditions and customs, livelihoods and sacred love for their home. I am so grateful I was allowed to look into these moments of joy and endurance, that I see still in the faces of the adults and children of Ga*a. 

Saying I’m glad this book exists feels strange because these horrors should have never happened. But I am. I am privileged to know the people of Pa*est*ne through the journeys of these characters, to find moments of connection and to bear witness to their past and present. I pray for a day when writers and artists need only write of their love for their olive trees and orange trees, of the sea and their bustling cities, of their families and the nuances of Arab culture, and don’t have to beg for the world to see them.

CWs: war; gen*ci*e; eth*ic clean*ing; injury and death in graphic detail; forced exile and displacements; grief; mentions of tor*ure, assault and beatings; kidnapping and child abduction; oppression, racism and xenophobia and Islamaphobia

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liannaengland's review against another edition

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4.75


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rina_reads's review

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dark emotional informative reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? It's complicated

5.0

I was left crying, numb and empty after reading this book. Where do I begin? I knew it was going to be hear-wrenching and I knew that I will feel certain kind of sadness so it was hard for me to start this book and it was hard for me to finish. It has taken me over a month to complete. At one point, I broke down crying at a part when the main character couldn't cry. The story wasn't blaming one side. It was confusing and deeply painful. The question I was asking myself was How did people let this happen? How is it still happening? And that hurts the most when reading the book, knowing that Palestine is still under siege.
When reading the blurb of the book, I assumed the book would be a dual story line of the Palestinian family and the Israeli family but instead we are following Amal and her connection to everything - her heritage, her womanhood, her relationships, her hopes/dreams - are all shaped by ever-changing landscape of Palestine. I admired the descriptive language in this book when it came to describing the inherent love between the Palestinians and their land. There's a strong sense of history, heritage and ownership that is just torn apart but it's still home to Amal when she returns.

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alisha94's review against another edition

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challenging dark hopeful informative inspiring reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0


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