Reviews with content warning for Murder - Woman, Eating

Reviews tagging 'Murder'

Woman, Eating by Claire Kohda

45 reviews

askirmishofwit's review against another edition

challenging dark funny tense slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.0

I appreciated what this one did and the fact that, for something so weird, it was also very funny. It's just not for the faint of heart re: body horror and is a pretty depressing read given you're in the head of a starving (physically and emotionally) young woman/vampire as she fights against hunger that she's been told is her human and demon sides fighting to take over from each other. Ultimately, all of it reads like a pretty well-crafted extended metaphor of a character dealing with self-loathing, emotional abuse/manipulation by a parent, sexual harassment, ennui and dissatisfaction, body dysphoria and disordered eating, but wrap it all up in a book seemingly about vampirism that doesn't shy away from some body horror and, frankly, too explicit of a description of a dead duck. But it's just very ~literary fiction~ about the whole thing, IYKWIM.

Content Warnings

gvstyris's review against another edition

Go to review page

dark emotional tense slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

2.5

There always seems to be something that suffers or dies as a result of any form of food consumption.

Man, I'm really bummed. There are so many reasons I wanted to love this book. On a superficial level, the title and original cover design are epic, and subtly characterise our protagonist as empowered and mildly menacing. I also absolutely lived for the audiobook narration (full credit to Katie Leung, who voices Caitlyn in Arcane <3) and the premise itself. As well as juxtaposing vampirism with Lydia's mixed-Anglo-Japanese-Malaysian identity, Kohda uses Lydia's vampirical inability to eat as an analogy for an eating disorder. A really cool idea, and I'm so so sad that it didn't work for me.

For one thing, the characters were relatively flat...which, given that this novel is lacking in plot/world-building, was a fatal flaw. Lydia herself gave me unbearable second-hand embarrassment at times, particularly because of her poor social skills and uncomfortable interactions with Ben. I understand this was a deliberate choice to demonstrate Lydia's forced social isolation, but I ultimately struggled to root for her in a way that hindered my enjoyment of the novel. I feel similarly, if not worse, about Ben, who lacks development and consequentially comes across as a white man with a fetish for East Asian women...

I would've loved to see many parts of this novel explored in more depth, especially the relationship between Lydia's parents. I also made the critical mistake of reading this alongside The Bell Jar -- the two novels have similar atmospheres, and it was impossible to not compare them.

Ultimately, Kohda's visceral food imagery was the highlight for me. As someone who's very much not a foodie, I related to aspects of Lydia's relationship with food and loved seeing how her mother's beliefs and self-hatred influenced her own. It's clear that Kohda has a lot of care for her subject matter, which will definitely stick with me, so I'm glad I gave it a read regardless.

Content Warnings

popcornn's review against another edition

Go to review page

challenging dark reflective tense slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

2.0

Content Warnings

danaaliyalevinson's review against another edition

Go to review page

challenging dark emotional mysterious reflective sad tense fast-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.75

This book was short and sweet. A misanthropic ‘Buffy’ and ‘what I eat in a day’ video obsessed vampire artist grapples with art and connection in present day London. If you’re a fan of Otessa Moshfegh and Ocean Vuong… imagine a vampire novel written by the two of them.

At the end of the day, this book was about breaking generational trauma, and female desire and its challenge to the gender hierarchy. And I don’t exclusively mean sexual desire, I mean ambition as well.

The prose was absolutely beautiful. The characters were rich and fascinating. Sometimes I felt the grand themes got away from the book a little. But overall, I really really enjoyed this one.

Content Warnings

vee_the_tree's review against another edition

Go to review page

adventurous dark emotional reflective tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.75

Content Warnings

peggy_racham's review against another edition

Go to review page

4.75

"I'm not really sure what I am anymore, whether I'm a monster or whether I'm just a woman, or both."

Ah good vampire books. The parallel the Mc draws between being non white and being a vampire are chiefs kiss.

Content Warnings