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wogslandwriter's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Overall, I enjoyed the story and it's nuanced and less nuanced analyses of how a story is affected by the author and vice versa. Some parts were feather-light and I felt accomplished for seeing them and noticing the themes. Other parts were extremely heavy-handed and felt a little silly to read.
I think having the "real world" elements be restricted entirely to correspondence was a really smart move and really pulled the book together.
Graphic: Death, Child abuse, Blood, Violence, Grief, Toxic friendship, and Domestic abuse
Moderate: Gore, Classism, Medical content, Gun violence, Emotional abuse, Infidelity, and Sexual content
Minor: Addiction, Pandemic/Epidemic, Injury/Injury detail, Racism, Deportation, Alcohol, Child death, Sexual violence, Mental illness, and Pedophilia
One of the main characters describes and incident from their past where a younger sibling dies in an accident. Another describes a childhood incident where a beating from a parent has pedophilic overtones, but there is an intervention before anything beyond physical violence occurs.tlaynejones's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Flaws of characters a main focus? No
4.0
Moderate: Domestic abuse, Forced institutionalization, Injury/Injury detail, Mental illness, Racism, Vomit, Murder, Physical abuse, and Classism
Minor: Sexual violence, Torture, and Pandemic/Epidemic
palejandro's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Child abuse, Death, Mental illness, Domestic abuse, and Sexual assault
Moderate: Racism
bluecardinal's review against another edition
- Plot- or character-driven? A mix
- Strong character development? N/A
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Graphic: Alcohol, Child death, Homophobia, Kidnapping, Misogyny, Death, Child abuse, Death of parent, Infidelity, Rape, Domestic abuse, Murder, Pedophilia, Classism, Gun violence, and Racism
originally_olivia's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Domestic abuse, Death, Gun violence, Pandemic/Epidemic, Child abuse, Sexual assault, Gore, Violence, and Murder
sophiesometimesreads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
The first was the dual storyline. I felt as soon as I was getting sucked into the murder mystery story, the letters would come in and bring me out of it, reminding me that the murder mystery story wasn't real in the context of the story. Don't get me wrong, I enjoyed both storylines but they felt like two different stories to me. I also would've liked to see the two stories connect a bit more at the end.
The ending also confused me a bit.
The murder mystery storyline was interesting, though there were only four main characters with one being the narrator so that left only a few options for who did it. The big reveal didn't absolutely shock me but I hadn't quite pieced it all together, so it was not a horrible conclusion to that storyline. But, like I said before, I wasn't as invested in this part as I could've been knowing that it wasn't a real timeline of events in the context of the story.
I enjoyed the characters, despite them being not the most developed, and I liked getting to know Cain's backstory and how it wove into Hannah's story.
I felt like this book had good moments that sucked you in, but ultimately the two different parts of the story didn't quite work together as well as they could've for me. In saying this, I still enjoyed my time reading this and there was some good exploration into the extent to which real world issues can and should be woven into stories.
Graphic: Blood and Murder
Moderate: Domestic abuse, Drug abuse, Pandemic/Epidemic, Sexual assault, and Stalking
racl's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
Freddie, the main character, feels like a blank slate to me in a lot of ways - what we know about her is circumstantial, and her actions are fairly often contrary to her own perception of self.
The fiction within fiction gimmick was enjoyable - for me it helped separate the main mystery into more manageable chunks while adding another layer on top.
I won't read it again, but I had a good enough time with it.
Minor: Stalking, Blood, Infertility, Emotional abuse, Sexual assault, Child abuse, and Domestic abuse
heather_harrison's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.5
The Woman in the Library is a murder mystery, which begins in the Boston library with a group of young(ish) adults with the transfixing scream of a mystery woman. Our protagonist, Freddie (Winifred), toys with the idea of using the other three at her table as inspiration for her writing, and a friendship is quickly struck up within the group.
Each chapter is ended with email correspondence to Hannah, the writer of the above tale, from her 'beta reader' Leo. As the story progresses, his input becomes more forceful and dark, and alludes to something very chilling.
White this did first through me a bit and was a little confusing, once I acclimatized I enjoyed the meta aspect of the story, and felt like it really lifted it from the usual murder mystery template.
I also enjoyed the corrections of her Australian writing colloquialism from Leo, and the 'discussion' around whether or not to acknowledge the COVID-19 pandemic. Otherwise his correspondence was unsettling which certainly reflects well on Gentill's writing skills.
Graphic: Murder
Minor: Sexual assault, Child abuse, Stalking, Racism, and Domestic abuse
copiani's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
2.5
Moderate: Death, Murder, and Domestic abuse
Minor: Racism
schausjk's review
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.5
Moderate: Gun violence, Violence, Domestic abuse, Addiction, Drug abuse, Murder, Death, Sexual violence, Alcohol, Child abuse, Medical content, and Injury/Injury detail
Minor: Stalking and Death of parent