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steveatwaywords's review
challenging
dark
emotional
mysterious
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
This is my first Ogawa read, and it certainly will not be my last. Her work, Revenge is next, I think, especially after I recently read the short story "Welcome to the Museum of Torture."
First, do not enter this work thinking you know how books and stories work. Ogawa is going to teach us something new. The narrative success of it may be in question, but there is little doubt that the initial discomfiture and confusion readers experience (both in setting and in narrative pace) are a critical part of what she is up to. For these reasons, if we enter the work seeking a clean and simple "answer" to the mystery of social memory loss, like it's a thriller or detective novel, we will equally be disappointed. Let the novel work on its own terms.
When we do, we find a psychological and emotional dysphoria, an internal world broadcast outward into an external dystopia. Or is it the other way around? In any event, our narrator is herself a writer of novels about writing, memory, and language, themselves highly allegorical. So there is a meta-level to this novel, as well. Which is most significant as a tale to follow?
Along the way, we have plenty of near-nameless characters who test the premise: how should we respond to a world where, each-by-each, its objects are dismantled from both reality and memory? What is the purpose for knowing an objective truth which nevertheless is not shared by a community? How much forced deprivation can or should a people accept before responding? What degree of impoverishment can be normalized?
I've seen other reviews which place specific allegorical meanings to this novel (mental health metaphors, totalitarian economic policies, marriage, etc.), and I won't say they are wrong. But Ogawa's surreal narratives (or magically realistic ones) don't just echo Orwell or Murakami or even Dazai. But she here has tendrils of memory in all these writers while still taking us, inevitably, somewhere else altogether.
First, do not enter this work thinking you know how books and stories work. Ogawa is going to teach us something new. The narrative success of it may be in question, but there is little doubt that the initial discomfiture and confusion readers experience (both in setting and in narrative pace) are a critical part of what she is up to. For these reasons, if we enter the work seeking a clean and simple "answer" to the mystery of social memory loss, like it's a thriller or detective novel, we will equally be disappointed. Let the novel work on its own terms.
When we do, we find a psychological and emotional dysphoria, an internal world broadcast outward into an external dystopia. Or is it the other way around? In any event, our narrator is herself a writer of novels about writing, memory, and language, themselves highly allegorical. So there is a meta-level to this novel, as well. Which is most significant as a tale to follow?
Along the way, we have plenty of near-nameless characters who test the premise: how should we respond to a world where, each-by-each, its objects are dismantled from both reality and memory? What is the purpose for knowing an objective truth which nevertheless is not shared by a community? How much forced deprivation can or should a people accept before responding? What degree of impoverishment can be normalized?
I've seen other reviews which place specific allegorical meanings to this novel (mental health metaphors, totalitarian economic policies, marriage, etc.), and I won't say they are wrong. But Ogawa's surreal narratives (or magically realistic ones) don't just echo Orwell or Murakami or even Dazai. But she here has tendrils of memory in all these writers while still taking us, inevitably, somewhere else altogether.
Content Warnings
Moderate: Mental illness, Dysphoria, Dementia, Injury/Injury detail, and Grief
Depending upon how you read the novel, it is easy to see it as a parallel to mental illness, emotional abuse or destitution, etc.
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