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bookboxbabe's review
dark
reflective
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
*thank you netgalley and the publisher for sending me an arc in exchange for an honest review*
oh boy…ummm, where do i start? *sweats nervously*
this was such a letdown. i was so excited to start reading this because even though i hadn’t read a dowry of blood, i had heard amazing things.
unfortunately, this book was, shall we say, not good.
the prose is overly flowery, the plot was virtually nonexistent, the characters were bland and i didn’t care about what happened to any of them, and the conflicts just never really felt fleshed out enough for me to care
also, the vampire aspect could’ve been taken out and nothing would’ve changed. like the vampirism was so non-important that i’m struggling to see how this was a “carmilla” retelling, aside from the name
oh boy…ummm, where do i start? *sweats nervously*
this was such a letdown. i was so excited to start reading this because even though i hadn’t read a dowry of blood, i had heard amazing things.
unfortunately, this book was, shall we say, not good.
the prose is overly flowery, the plot was virtually nonexistent, the characters were bland and i didn’t care about what happened to any of them, and the conflicts just never really felt fleshed out enough for me to care
also, the vampire aspect could’ve been taken out and nothing would’ve changed. like the vampirism was so non-important that i’m struggling to see how this was a “carmilla” retelling, aside from the name
Content Warnings
Graphic: Murder, Death, Blood, Injury/Injury detail, and Sexual content
Minor: Drug use
heathersinkwell's review against another edition
challenging
dark
emotional
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.5
AN EDUCATION IN MALICE by S. T. Gibson is a Carmilla reimagining that takes place in the 1960s at an all-girls private college in Massachusetts. It’s a dual-POV novel filled with sapphic vampires. This book is atmospheric and filled with dark academia themes (check the content warnings before reading!).
I very much enjoyed this book. I loved Gibson’s prose and character development. Where I didn’t naturally identify with and fall in love with the characters, I was still able to thoroughly enjoy this book. The academic rivals-to-lovers trope was done well in the beginning but lost a bit of steam once the two girls got together. There were several parts of the book that felt rushed, this being one of them, but it never brought me out of the story.
The narrator, overall, did a great job. Her accents and voices were great for each character. My one complaint is that she lost the accents a few times, which made some pieces of dialogue a bit confusing.
Again, overall, I very much enjoyed this book and am excited for Gibson’s next work.
Thank you to Hachette Audio and NetGalley for the audiobook ARC!
Content Warnings
Graphic: Murder, Sexual content, Death, Blood, and Toxic relationship
Minor: Confinement
forgottenangstycharacter's review against another edition
dark
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
4.5
I would like to thank Netgalley for my ALC of An Education in Malice
An Education in Malice has been one of my most anticipated releases of the year. A dark academia version of Carmilla in the 60s? Sign me up. This is interestingly the second canonical vampire retelling/re-imagining I’ve read over the past two months, the first being Reluctant Immortals
An Education in Malice is told in dual PoV between Laura Sheridan and Carmilla Karnstein. Laura is a 20 year old freshman at Saint Perpetua’s school, enrolled in a senior poetry class run by the demanding and vampiric Professor De Lefontaine (Laura’s governess in Le Fanu’s Carmilla ). She yearns for the admiration of her professor over the clear class favourite, Carmilla, who has an inappropriate and all-consuming relationship with her professor. The two girls are pitted against the other, both vying for the attention of their professor, in blend of toxicity and artistic genius.
I wouldn’t call this a retelling, it’s a transplant or even an AU (and I meant that in the most affectionate way). The elements of girlhood and obsessive relationships between women shines here. One of my favourite parts of this book is the delicate balance of what could be contradictory desires within her characters. Carmilla is simultaneously hyperindependent, worldly, sharp, cutting and incredibly needy.
“In her righteous indignation, she seemed like a wrathful goddess but now she sounded very much her age, a child chasing after the approval of her mentor.”
Laura is sheltered, sweet, eager and also incredibly needy. Transforming her from her sheltered, upper-middle class existence schloss in Styria to the epitome of Southern politeness and grace was a smart move on Gibson’s part. Ultimately, Gibson taps into the essence of Le Fanu’s Carmilla, it’s a story about yearning, obsessive love and neediness. Both young women yearn for love, friendship and each other. Laura and Carmilla do not become the fast friends of the original novella, but that doesn’t stop the obsessive infatuation they have for each other. Yet, finally, we get the explicit sapphism that was denied in Carmilla.
It was toxic, messy and Gothic. I loved it!
This is the dark academia I have been looking for ever since reading The Secret History. Gibson’s strength in writing is the atmosphere and her prose. I wish I had recorded more of the beautiful prose but as I was often listening to it while driving I couldn’t. Her writing makes sure you feel New England's biting cold and the mist as the characters walk across the quad. You feel the same rage as Laura and Carmilla.
I have to shout out the audiobook narrator, Stephanie Cannon, who brought the book to life, effortlessly shifting between Laura's Southern Mississippi accent and Carmilla's refined Austrian accent, never confusing me with who was speaking or which PoV we were in.
This is a character-focused book that centres Laura and Carmilla’s relationship with vampirism being a metaphor for artistic brilliance that brings immortality, while giving everything a bloody tint. The first half was addictive. The second half ramped up the plot back it was relegated to the background as a murderer ripped through the school. I felt like the horror could have been amped up here as the reader knew who was behind the murder, but the focus was centred on Laura and Carmilla’s desire for each other. This of course led to a fair bit of spice, which didn’t always work for me (but that’s personal preference and not a fault of the writer). Also this is a S. T. Gibson book it’s to be expected. I wish there was a bit more of a sense of things closing in on our characters, and further challenging their dynamics. This occurred right towards the end but I wanted more of it. I also wanted the dynamic between Laura, Carmilla and De Lafontaine to be resolved a little more neatly.
I wanted either Carmilla or Laura to finally say no and extract themselves from their relationship. I suppose relationships like those depicted aren’t always neatly resolved, I just wished that it culminated in a breaking point.
Overall, this is an amazing take on Le Fanu’s Carmilla and even with the things I wasn’t sure of, this is a book I highly recommend to most people. It is beautifully written, I adore Laura and Carmilla and the atmosphere is top-notch!
An Education in Malice has been one of my most anticipated releases of the year. A dark academia version of Carmilla in the 60s? Sign me up. This is interestingly the second canonical vampire retelling/re-imagining I’ve read over the past two months, the first being Reluctant Immortals
An Education in Malice is told in dual PoV between Laura Sheridan and Carmilla Karnstein. Laura is a 20 year old freshman at Saint Perpetua’s school, enrolled in a senior poetry class run by the demanding and vampiric Professor De Lefontaine (Laura’s governess in Le Fanu’s Carmilla ). She yearns for the admiration of her professor over the clear class favourite, Carmilla, who has an inappropriate and all-consuming relationship with her professor. The two girls are pitted against the other, both vying for the attention of their professor, in blend of toxicity and artistic genius.
I wouldn’t call this a retelling, it’s a transplant or even an AU (and I meant that in the most affectionate way). The elements of girlhood and obsessive relationships between women shines here. One of my favourite parts of this book is the delicate balance of what could be contradictory desires within her characters. Carmilla is simultaneously hyperindependent, worldly, sharp, cutting and incredibly needy.
“In her righteous indignation, she seemed like a wrathful goddess but now she sounded very much her age, a child chasing after the approval of her mentor.”
Laura is sheltered, sweet, eager and also incredibly needy. Transforming her from her sheltered, upper-middle class existence schloss in Styria to the epitome of Southern politeness and grace was a smart move on Gibson’s part. Ultimately, Gibson taps into the essence of Le Fanu’s Carmilla, it’s a story about yearning, obsessive love and neediness. Both young women yearn for love, friendship and each other. Laura and Carmilla do not become the fast friends of the original novella, but that doesn’t stop the obsessive infatuation they have for each other. Yet, finally, we get the explicit sapphism that was denied in Carmilla.
It was toxic, messy and Gothic. I loved it!
This is the dark academia I have been looking for ever since reading The Secret History. Gibson’s strength in writing is the atmosphere and her prose. I wish I had recorded more of the beautiful prose but as I was often listening to it while driving I couldn’t. Her writing makes sure you feel New England's biting cold and the mist as the characters walk across the quad. You feel the same rage as Laura and Carmilla.
I have to shout out the audiobook narrator, Stephanie Cannon, who brought the book to life, effortlessly shifting between Laura's Southern Mississippi accent and Carmilla's refined Austrian accent, never confusing me with who was speaking or which PoV we were in.
This is a character-focused book that centres Laura and Carmilla’s relationship with vampirism being a metaphor for artistic brilliance that brings immortality, while giving everything a bloody tint. The first half was addictive. The second half ramped up the plot back it was relegated to the background as a murderer ripped through the school. I felt like the horror could have been amped up here as the reader knew who was behind the murder, but the focus was centred on Laura and Carmilla’s desire for each other. This of course led to a fair bit of spice, which didn’t always work for me (but that’s personal preference and not a fault of the writer). Also this is a S. T. Gibson book it’s to be expected. I wish there was a bit more of a sense of things closing in on our characters, and further challenging their dynamics. This occurred right towards the end but I wanted more of it. I also wanted the dynamic between Laura, Carmilla and De Lafontaine to be resolved a little more neatly.
I wanted either Carmilla or Laura to finally say no and extract themselves from their relationship. I suppose relationships like those depicted aren’t always neatly resolved, I just wished that it culminated in a breaking point.
Overall, this is an amazing take on Le Fanu’s Carmilla and even with the things I wasn’t sure of, this is a book I highly recommend to most people. It is beautifully written, I adore Laura and Carmilla and the atmosphere is top-notch!
Content Warnings
Graphic: Sexual content, Toxic relationship, Blood, and Violence
just_one_more_paige's review
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
I read, and loved, A Dowry of Blood when it came out a year or so ago. So when I saw this sapphic dark academia vampire situation from Gibson on NetGalley, I requested it immediately. And I was hype (thanks Orbit) when I was approved for an eARC. Then I saw it was a sorta retelling/inspired by Carmilla, which I'd had on my TBR shelf for a little while, so I decided to read that first, for full context. And then, finally, I was able to jump into this. And let me tell you....it delivered.
I'm behind on reviews, so I'm borrowing/adapting from Goodreads for this synopsis: Deep in the forgotten hills of Massachusetts stands Saint Perpetua's College. On her first day of class, Laura Sheridan is thrust into an intense academic rivalry with the beautiful and enigmatic Carmilla. Together, they are drawn into the confidence of their demanding poetry professor, De Lafontaine, who holds her own dark obsession with Carmilla. As their rivalry blossoms into something far more delicious, Laura must confront her own hungers. And now that they're deeply tangled in a sinister game of politics, bloodthirsty professors and dark magic, Laura and Carmilla (individually and together) must decide how much they are willing to sacrifice in their ruthless pursuit of knowledge and art.
Alright, I said this novel delivered. Now, let me tell you how. The vibes hit fast and hard and early and they are spot on, as far as the Carmilla source material and the general sapphic, gothic, dark academia that the blurb promises. It's definitely there in the setting: rural New England all girls school with enigmatic professors and women budding into adulthood expressing themselves in poetry and cult-ish style ceremonies and parties. And of course it's in the plot: academic rivalry and sexual exploration/coming of age and the mystery of De Lafontaine's presence at the school and, of course, all the vampire situation. I'm trying not to spoil anything here, but the dramatic and "ending the cycle" storyline related to these vampiric relationships was so well done.
On that note, the real and true highlight of the vibes was the characters and their relationships with each other. The toxic emotional manipulation, the combative attraction and inexorable pull of antagonism that turns to desire, the casual cruelty, the jealousy and loneliness and suppressed feelings, the mercuriality of all three MCs (Camilla and De Lafontaine and even Laura) was developed so well. It's all unhealthy AF and yet utterly mesmerizing and somehow I found myself still cheering(?) for all three of them. These relationships were exhausting to read and yet I could not, didn't want to, look away. Phew. There is a fascinating questioning of whether love almost cannot help but turn capricious, when one lives forever (can boredom be avoided when one has that many years) OR whether it is just that those who are naturally capricious are the ones yearning for, and thus finding/choosing, that forever life. I got some very real Spike and Drusilla feels from that and, since I cannot help but love Spike and Drusilla, made this reading experience that much better for me.
A few other things really stood out to me that I want to mention as well. I loved the flipping of control, of who does the "debauching" here, as compared to the original Carmilla. While Carmilla herself still has the outer appearance of rebel and "bad" influence (and of course still introduces Laura to the vampiric side of the story), and Laura’s facade is still quiet and demure, we see a real power balance flip in their actual relationship, with Laura taking charge and Carmilla submitting. And I was absolutely here for that. I got a non-traditional sort of polyamorous complex-and-not-always-healthy relying on each other (and yet in the end that connection prevails for a safe ending) among our three MCs that was reminiscent of A Dowry of Blood, in some ways. I didn't hate that call back, since I really enjoyed that story. I was also really satisfied with the ending: a breaking of a cycle, but recognizing and keeping the “good” parts of the “darkness” lifestyle. Plus, in a smaller way, I was particularly pleased with the way the story ends for Laura: with a choice, but no clear decision, with a coming into her own and the freedom in owning who she is, no matter which path she takes. It's the exact right "open-ended, darkly hopeful" vibe that fits with the rest of the story and the fact that, with immortality in the mix, there can never be a real ending anyways.
Overall, this was everything I wanted it to be. There were some new twists and different directions, but it remained, at its core, a spectacular version of exactly what it promised. And I am so, so sated by it.
"Love and pain grew in a thorny grove inside me, impossible to disentangle from one another."
"I learned how to survive in the cutthroat world of girlhood, where all strangeness was unrooted as ruthlessly as weeds from a garden."
"She was the kind of woman I would have liked to grow into; confident and poised and aesthetically cohesive."
"Right and wrong don't exist, Laura. They're fairy tales made up by priests and parents. There is only art and ugliness, and I'm willing to suffer any indignity for the sake of art."
"We were happy, for a time. But love rots and spoils, it disintegrates with time like a rose in a vase, and soon there was nothing between us but animosity and arguments and the resentfulness of having to rely on each other."
"A sensible girl would leave. A good girl most certainly would. But I was tired of being sensible, and I was tired of being good. I couldn't walk away from what I was being offered: the chance to live an exceptional life."
"Pure desire, distilled down into a heady elixir. It was to be, I realized with a creeping sense of dread, the rest of my life."
"I felt like the burning sun at the heart of the universe, the white-hot center of gravity, and Carmilla was every orbiting star. She was the velvety expanse of space wrapping around me, the kiss of asteroid dust against my exposed skin."
"Relief at being loved and the anticipation of being handled as though I was anything but pooled warmly in my stomach."
"She was in love, and that was dangerous. After all, what horror wouldn't I tolerate, if it was meted out by the hand of my beloved?"
"The world was more enchanted that I had ever dreamed, but it was also more terrible and strange."
Content Warnings
Graphic: Blood, Sexual content, Toxic relationship, Murder, and Death
herelieshenry's review against another edition
emotional
mysterious
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
In the interest of full disclosure, this review is specifically regarding an ALC copy of the audiobook from Net Galley, so while I imagine this audiobook was pretty close to finalized, some details may have been changed between my copy and the official release.
If you’re interested in sapphic adult romance, dark academia aesthetics, intense relationships, and vampires, I think this book is worth the time. My usual strongest vs weakest aspect evaluation is a little different this time: they both deal primary with character dynamics. The strongest aspect of this is the core relationship between Carmilla and Laura, from rivalry to infatuation; the weakest, to me, is the failure to really bring the subplot about Carmilla and De Lafontaine’s relationship to a meaningful conclusion. I would have really liked for the book to get more into dark academic themes and historical (1960s) elements; they work fine as set dressing for the novel, but I feel it would go from a good book to a very compelling one if those elements were more developed. I’m very interested in checking out the author’s other work.
The narrative at hand is coherent overall, but it did leave me wanting. It feels a little undercooked. I enjoyed the overarching development of Laura and Carmilla throughout the narrative as individuals and as a pair, growing from rivals to friends to lovers. The dynamic shift after Carmilla’s transformation in particular is very interesting. Character voice was compelling, particularly in conjunction with the stellar narration of the audiobook. The extended cast wasn’t really memorable, though for the purposes of this book, I think that’s just fine.
The secondary plotlines, I think, could have been bolstered some to really make this book feel complete. It sometimes feels like the Isis subplot was only put in to justify Carmilla’s transformation , and was otherwise rushed over. I feel like the dynamic between De Lafontaine and Carmilla is realistic to one where someone is being preyed on by a person in a position of power , and as a result, I find the conclusion to that relationship very unsatisfactory. It does feel like the author is trying to portray it that way, but I feel like the amicable ending to it just doesn’t track, especially with how emotionally abusive De Lafontaine was towards Carmilla for a majority of the book . I think the dark academia aspect would be heightened beyond its aesthetics if the story actually delved into the weeds of how much power professors have over their students .
The writing style is very well-developed and characteristic, being one of the better parts of this book. The use of visual and sensory description is, for the most part, poetic and pleasant, but I’d have enjoyed more being present. Some of the themes were strong and well-incorporated, particularly that of power and control; others were a bit murky and vague. The pacing is adequate, and paired with the straightforward flow of the book, makes a pretty quick read. Exposition was relatively effective, not bogging the story down much or detracting from the linear quality of the story. I think the narrator did a stellar performance here, and enhanced the reading experience.
Content Warnings
Graphic: Blood
Moderate: Injury/Injury detail, Sexual content, and Murder
Minor: Abandonment, Violence, Bullying, and Death
Body image issues; Secondary relationship with power imbalancebookswithbethx's review against another edition
dark
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
Content Warnings
Graphic: Toxic relationship, Gore, and Blood
Moderate: Sexual content, Death of parent, and Death
katyakat's review against another edition
dark
emotional
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
"An Education in Malice" by S.T. Gibson, ARC audiobook. Provided by @HachetteAudio through NetGalley
The immersive and atmospheric writing style effortlessly complements the intricate layers of the dark academia setting, drawing readers into a world of mystery and intrigue. As the story unfolds, the complex relationship between Carmilla and Laura is masterfully portrayed, showcasing a delicate balance of rivalry, affection, and conflicting emotions. Through their interactions with poetry professor, De Lafontaine, the narrative delves deeper into the dynamics of power and control within relationships, highlighting the profound impact of such imbalances on individuals.
Around a little over a third into the story, the plot started to slacken and felt somewhat forced. The main villain of the story was disappointing and felt like a background story without much at stake. However, despite these minor setbacks, the overall narrative remained engaging, and I was compelled to see how events would unfold.
Additionally, the narrator's skillful delivery enhances the overall listening experience, with her pleasant voice and subtle accents adding depth to the characters and their surroundings. While I found myself engrossed in the story, I opted to listen at a slightly increased speed to maintain momentum, as the pacing felt a tad slow at standard speed.
Without giving too much away, I found the ending poetic and intriguing, leaving me with much to ponder after the final chapter. Overall, "An Education in Malice" captivates with its richly woven narrative and compelling characters, making it a must-read for fans of dark academia and atmospheric storytelling.
The immersive and atmospheric writing style effortlessly complements the intricate layers of the dark academia setting, drawing readers into a world of mystery and intrigue. As the story unfolds, the complex relationship between Carmilla and Laura is masterfully portrayed, showcasing a delicate balance of rivalry, affection, and conflicting emotions. Through their interactions with poetry professor, De Lafontaine, the narrative delves deeper into the dynamics of power and control within relationships, highlighting the profound impact of such imbalances on individuals.
Around a little over a third into the story, the plot started to slacken and felt somewhat forced. The main villain of the story was disappointing and felt like a background story without much at stake. However, despite these minor setbacks, the overall narrative remained engaging, and I was compelled to see how events would unfold.
Additionally, the narrator's skillful delivery enhances the overall listening experience, with her pleasant voice and subtle accents adding depth to the characters and their surroundings. While I found myself engrossed in the story, I opted to listen at a slightly increased speed to maintain momentum, as the pacing felt a tad slow at standard speed.
Without giving too much away, I found the ending poetic and intriguing, leaving me with much to ponder after the final chapter. Overall, "An Education in Malice" captivates with its richly woven narrative and compelling characters, making it a must-read for fans of dark academia and atmospheric storytelling.
Content Warnings
Graphic: Murder, Alcohol, Blood, Violence, Emotional abuse, Toxic relationship, Outing, Gaslighting, Adult/minor relationship, Death, Sexual content, and Death of parent
bibliofrog's review
dark
emotional
mysterious
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Sexual content, Adult/minor relationship, Toxic relationship, Blood, and Death
Moderate: Emotional abuse, Murder, and Violence
Minor: Homophobia and Vomit
blakeandbooks's review against another edition
dark
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.5
Thank you to Rehook Books and NetGalley for a copy of this book in exchange for an honest review.
The overall premise of this book definitely had me excited. Dark academia? Vampires? Sapphic? Sounds amazing.
The aesthetic was great, but I think it was overall lacking in substance. I really enjoyed Laura and Carmilla’s academic rival to lovers process. You could feel the tension between them and how much they wanted to outdo the other in De Lafontaine’s class. I enjoyed Laura having a friendship with Elenore, and I was definitely disappointed that it almost immediately dissolved and became unimportant the moment she decided to be with Carmilla, but I understand the reasoning behind it given the ending of the book.
For the rest of the book though, I felt like there was just something missing. I felt like the vampire aspect needed to be delved into more, because it all felt like too low stakes for me to be fully invested. De Lafontaine’s relationship with Carmilla was a main focal point of the book, and it just felt off to me. All of this to say: it felt very anticlimactic.
Now, I will say: I really enjoyed the ending of the book between Laura and Magdalena. Leaving the ending of the book with that ending was a great choice. I think it was the only choice given that Laura and Carmilla were committed to each other.
Overall I think this was a good book, just not enough substance for me.
The overall premise of this book definitely had me excited. Dark academia? Vampires? Sapphic? Sounds amazing.
The aesthetic was great, but I think it was overall lacking in substance. I really enjoyed Laura and Carmilla’s academic rival to lovers process. You could feel the tension between them and how much they wanted to outdo the other in De Lafontaine’s class. I enjoyed Laura having a friendship with Elenore, and I was definitely disappointed that it almost immediately dissolved and became unimportant the moment she decided to be with Carmilla, but I understand the reasoning behind it given the ending of the book.
For the rest of the book though, I felt like there was just something missing. I felt like the vampire aspect needed to be delved into more, because it all felt like too low stakes for me to be fully invested. De Lafontaine’s relationship with Carmilla was a main focal point of the book, and it just felt off to me. All of this to say: it felt very anticlimactic.
Now, I will say: I really enjoyed the ending of the book between Laura and Magdalena. Leaving the ending of the book with that ending was a great choice. I think it was the only choice given that Laura and Carmilla were committed to each other.
Overall I think this was a good book, just not enough substance for me.
Content Warnings
Graphic: Blood and Sexual content
Moderate: Toxic relationship, Injury/Injury detail, Murder, and Death
veecaswell's review against another edition
dark
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
As soon as I saw S.T Gibson had a new book coming, well, I knew I had to read it.
What I loved about A Dowry Of Blood is here too. Her writing is just something I adore. The way she crafts a scene and builds tension and drama in her writing is incredible in this book until the very last page. Gibson is able to put you in a scene and make you feel you are the watching with such talent and that is something I did love about this book.
Character wise, things were okay. Maybe I've just read alot of books in this sort of 'dark academia' genre with reminisces of other books for me thrown in with vampires even though this a retelling of Carmilla. I feel like the author has revitalised the story for sure and the romance in this book is written well, if not I feel done a little too quickly.
A book packed with tension, obsession and drama, I feel this book would be a great book to be a gateway to classic books, but also a book that if you love the dark academia genre, you're going to want this in your collection. Beautifully written and crafted well I will definitely keep on reading this author's work.
What I loved about A Dowry Of Blood is here too. Her writing is just something I adore. The way she crafts a scene and builds tension and drama in her writing is incredible in this book until the very last page. Gibson is able to put you in a scene and make you feel you are the watching with such talent and that is something I did love about this book.
Character wise, things were okay. Maybe I've just read alot of books in this sort of 'dark academia' genre with reminisces of other books for me thrown in with vampires even though this a retelling of Carmilla. I feel like the author has revitalised the story for sure and the romance in this book is written well, if not I feel done a little too quickly.
A book packed with tension, obsession and drama, I feel this book would be a great book to be a gateway to classic books, but also a book that if you love the dark academia genre, you're going to want this in your collection. Beautifully written and crafted well I will definitely keep on reading this author's work.
Content Warnings
Graphic: Sexual content, Murder, and Blood