Reviews tagging 'Cursing'

The Writing Retreat by Julia Bartz

31 reviews

vj_thompson's review

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adventurous challenging dark mysterious tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.0

Very interesting book. I preferred the story within the story. Would recommend the audiobook. The narrator truly embodied the characters.

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tamara_joy's review

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challenging dark mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5


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amris's review

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dark tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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fadeddpages's review

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dark mysterious tense
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25


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araowl's review against another edition

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dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.0


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bootsmom3's review

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adventurous challenging dark funny hopeful mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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laurafrances's review

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dark mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0


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displacedcactus's review

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dark mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes
A slightly trashy sapphic thriller, but the characters were well-developed enough to ground the over-the-top story. Pretty well-paced. You just have to suspend your disbelief that an author who came from poverty and only published 4-5 books over 40 years would somehow be incredibly famous and fabulously wealthy.

I only read maybe 1-2 thrillers a year, and this one kept me guessing. The fact that it's set in an isolated manor house, with a dark past, in February, gives it a definite Gothic feeling, so I was always wondering if there might be a supernatural or at least occult/cultish thing going on, or if it would prove to just be good ol' fashioned human depravity. You'll have to read to find out!

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readingwithcoffee's review against another edition

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dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

1.0

The book is incredibly superficial and predictable with a central argument that’s pretty ludicrous
towards the end it has An argument that authors only have one great work in them that’s just complete nonsense for actual well read authors to entertain given how many others such as James baldwin, Maya Angelou, Toni Morrison, Isabela Allende and more have written so many great books. This and how it doesn’t actually challenge the idea that great art comes from tragedy and instead seems to agree with it is silly. The cast is diverse ethnic wise with a Jewish protagonist, British, Russian and Hungarian characters and entirely female cast except for very minor male characters but the Russian and southern woman are complete stereotypes. And as another reviews noted the only queer women comfortable with their sexuality are murderous psychopath that are obsessive that feels like a bad stereotype alongside the indecisive and anxious bi-curious rivals that are uncomfortable with their sexuality there entire book despite wrestling with that also being a clear theme
 

The main protagonist despite being thirty has a maturity of teenage girl and never seems to take almost maiming even if accidentally another author so she can’t write seriously but we’re expected to treat being ghosted by a friend as remotely a similar grievance especially as she imagines the woman as horrible friend any way but feels entitled to the woman never ending the friendship on terms different from the protagonist. It’s incredibly immature that we’re expected to both sides. Also the only black woman is constantly stereotyped and feels like she’s there to be the clan and collected characters and constantly associated with Africa, and slavery from lion necklace to someone who’s family is from Senegal saying her family came over the trans Atlantic slave trade when that’s African Americans. I genuinely think the majority of her on screen dialogue had the book discussing her in association with Africa or slavery more then anything else or having her awkwardly accuse the other white women reducing her to angry black woman that instead of critiquing racism in white liberal spaces felt the non black author feeling incredibly self conscious about her own black character and almost entirely white cast. 

Also I’ve enjoyed books within books before but while the one here is related to the events in the book it reads like bad historical fiction. 

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penandpaper's review against another edition

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dark emotional mysterious reflective tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

This book cleverly tricks you into thinking it’s going one direction and then subverts expectations in a way that it truly shocking yet feels so obvious in retrospect. It’s also a critique in a hyper specific community (white liberal creatives) in a way that is well done but might be a bit too niche.

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