4.03 AVERAGE


The original Hornblower is much grittier than the later prequels and delivers a more moving narrative.

The previous novels in chronological order seemed to be aimed at younger readers while this one seems more adult. There is quite a bit more violence which was a disappointment but it never becomes over the top or excessively detailed. I believe with this novel Forester attempted to show the reality and horrors of war at sea much more than he did in later books. He gives the reader a striking look into the exhaustive, tense, and brutal nature of life at sea.

Hornblower himself is more grim but it fits the tone and establishes one of literature’s great introspective heroes. His love interest Lady Barbara is also first introduced here and she is a great character in her own right. It’s easy to see why readers would’ve wanted more of them after reading this. Unfortunately the romance is adulterous but this is realistic for the period.

I found this book to have more touching character moments and memorable scenes than previous novels. I find this book to be both a satisfying adventure and a great glimpse into lives lived long ago. Plus without this book many other historical authors may never have put pen to paper and the Hornblower saga would not have inspired many great sci fi stories even including Star Trek.
adventurous inspiring mysterious tense fast-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

This is the book that started it all. It’s pretty good, but as usual, Hornblower doesn’t know how to deal with women. Also Forester leans into the racist and colonial language. I’m sure it was “part of the time” but I still don’t like it. I’ve read books from that era that don’t use racial stereotypes. It can be done folks.

I do however like the villain of this story “El Supremo.” He’s a cartoon and a terrible person and thoroughly deserves his character arc. And he also sounds like a really bad cigar.

Fun book- the last book by jumping in to the future helped to further the tension between Barbara and Hornblower but it also killed the suspense. The book was still fun to read though- and I can't wait to read the next one!

Runs along at pace, although the last quarter is more romance than naval adventure.

Great historical, nautical fiction. Read this one first because it we the first one written, though not first in chronology. Watched the tv series in DVD, and thus checked out this first book. It compares well t the Aubrey/Martin series that I read last year, and I look forward to reading this series.

Another bracing journey with Horatio Hornblower - this time to the pacific.

Crawling along the panama isthmus, he has to aid the rebels in the area against the Spanish, but the rebel leader 'El Supremo' is a nutter. He follows his orders to the letter, and then winds up in more trouble and bother as a result.

The introduction of Lady Wellesley also complicates matters.

Another great story.

I have a lot of mixed feelings about this book. If I didn't know Forester had later been a propaganda writer during WWII, if I hadn't already taken to Patrick O'Brian, and if I knew nothing about Forester's personal history, I would have enjoyed this much more. I do think an author ought to consider more in their audience than a blank slate though. And they should definitely sort out beforehand whether or not they want to a) write their feelings unashamedly on their sleeve and/or b) manipulate political feeling in their audience. This puts a huge drag on the story. Hornblower is as overburdened with authorial baggage as he is with his duty.

First, the good. The descriptions of sailing, of the details of this wooden world, are excellent. It doesn't reach the point where you think Forester might have actually lived during the Napoleonic Wars, but it is colorful and immersive. The battles, in particular the brutal slog with the
  • Natividad
  • , are thrilling. A bit melodramatic, but that's more Hornblower's gloss on them (we'll get to that). The story is also satisfying despite an abrupt ending. It has enough adventure that it could sit comfortably next to Treasure Island without batting an eye. Lastly, I felt there was a lot of enjoyable and interesting dialogue between genuinely crafted characters (whenever you start talking to them, you know the author has done a good job).

    Now for what I didn't enjoy.

    I'm not sure anyone could honestly be a fan of Hornblower as a person. He's not a pleasant fellow. And not in the gruff-but-actually-a-teddy-bear way. He's just downright repellent as a main antagonist. And I'm fairly certain that was Forester's intention. But the fact that I don't know for sure makes me uneasy about Forester's reasons for writing. There is much of autobiography in the first Hornblower outing. Forester originally wanted to write a fact-based Hollywood screenplay with high-seas adventure. But
  • Captain Blood
  • beat him and Hornblow/Busch & co. to the idea. Meanwhile a fading opera star was threatening a paternity suit, so he fled to Britain, meeting a lovely photographer in the voyage. Clearly Hornblower (at least in this book) is meant to be Forester as Forester wanted to be.

    But is cathartic autobiography all there is to Hornblower's unpleasantness? A subtle thread throughout the story is Forester's proto-propaganda mind at work. The book seems to be saying Hornblower is an unpleasant person, but only because duty drives him there. He's racked with personal detriment, but also very obviously a talented and brave individual. There's a subtext message there about the hard life of a commanding officer, and how underlings should always obey because poor Captain Hornblower just can't feel good about himself or anyone. That message is aimed particularly at male citizens, Barbara's renaissance-lady attitude notwithstanding. She's summarily put in her "proper" place after the bloody fight with the
  • Natividad
  • , and falls for Hornblower (alas, Hornblower is already in an unhappy marriage--woe for duty!). Furthermore, the uneasy allies at the beginning of the story become the enemies by the end, clearly a message that those at war can only rely upon themselves to conquer and win the day. The whole book is riddled with this kind of thought, and I can't chalk it up to historical point of view either. These are very obviously Forester's thoughts, and not his attempt to varnish with historical accuracy.

    I'll keep reading Hornblower, but it's so overburdened by Forester himself that it's not a terribly enjoyable experience. Perhaps as the character grows into their own more, he'll distance from Forester's personal drama. I don't foresee doom-and-gloom Hornblower drying up on the propaganda though. If anything, that will probably increase as the character's (and the author's) experience of war continues.

    I've really been enjoying listening to the audio book versions of this series which I haven't read since I was a child. Beat to Quarters features some fine descriptions of naval life and the political climate with respect to Spanish involvement in Central America and (for devotees of this series) marks the introduction of Lady Barbara.
    Very accurate use of historical racial slurs and even torture make me wonder how my parents ever let me read these books! Nevertheless, they're great fun to listen to again.

    It started as my least favorite of the series and may have ended as my favorite thus far. This mirrored my perception of Hornblower throughout.