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challenging
dark
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
adventurous
dark
mysterious
reflective
tense
medium-paced
I loved the first two sections but as silly as Lowry’s section was it felt like such a slog. The ending didn’t feel as strong as the beginning, although I loved Cass’s reappearance.
challenging
emotional
reflective
slow-paced
Plot or Character Driven:
Character
Flaws of characters a main focus:
Yes
challenging
tense
slow-paced
Plot or Character Driven:
N/A
Strong character development:
N/A
Loveable characters:
No
Diverse cast of characters:
N/A
Flaws of characters a main focus:
N/A
dark
mysterious
tense
This is not a good book to read before bed. House centipedes feature prominently early on, and I’m freaked out by these bugs. My nerves got so frayed reading the words “house centipede” over and over that I ended up jumping at every little noise and needing to turn the lights on. Also, there’s an image of a house centipede at the beginning and end of the edition I read, which I cannot approve less of. There are other reasons to avoid this novel before bedtime, but that one’s especially potent to me.
In the edition I read, there’s an abstract photograph at the beginning of each section, which I found to be a fresh way to set a creepy mood.
In every SR novel before this one, there’re hardly any characters that trust one another—so much so that people distrusting one another is basically a hallmark of the series. Therefore, it’s notable how much Old Jim really ends up trusting “Cass,” regardless of how much she trusts him (although I think she does trust him, based on how she seems to come back for him on Lowry’s expedition. [Not that the expedition is really Lowry’s—it’s just his section] ). I really liked Old Jim as an addition to the SR cast of characters, and he makes a great unreliable narrator, as so many SR narrators do .
I don’t think I understand what was going on with the Rogue.Was he Whitby? That’s the feeling I got after Lowry ate Not Whitby’s husk, but I don’t know.
Lowry’s “fuck” tic got old quick and made his whole section kinda drag. On the flip side of that, though, that he pathologically cannot say some swear words (I’m thinking about “blinches”) is very funny.
Usually the author’s acknowledgments aren’t very interesting to read (if you’re not being thanked), but I found them interesting here for their specificity. It’s interesting to see that various ideas and moments in the story had their origins in interactions with certain people, and to see which elements VanderMeer looked to others for help with. It’s also interesting to glean a bit of VanderMeer’s writing process through it, like seeing how he used a real bar to figure out what Jim would need to do in order to run the Village Bar. It’s not often I end up thinking about the acknowledgments this much, but these ones are just that good.
Overall, this feels like a good way to leave off the SR series. Absolution fits in well with the rest; it’s got that strange psychological/environmental/bureaucratic horror that I’ve come to crave. But how will I sate my appetite now? Woe is me, it’s all over.
In the edition I read, there’s an abstract photograph at the beginning of each section, which I found to be a fresh way to set a creepy mood.
In every SR novel before this one, there’re hardly any characters that trust one another—so much so that people distrusting one another is basically a hallmark of the series. Therefore, it’s notable how much Old Jim really ends up trusting “Cass,” regardless of how much she trusts him (
I don’t think I understand what was going on with the Rogue.
Lowry’s “fuck” tic got old quick and made his whole section kinda drag. On the flip side of that, though, that he pathologically cannot say some swear words (I’m thinking about “blinches”) is very funny.
Usually the author’s acknowledgments aren’t very interesting to read (if you’re not being thanked), but I found them interesting here for their specificity. It’s interesting to see that various ideas and moments in the story had their origins in interactions with certain people, and to see which elements VanderMeer looked to others for help with. It’s also interesting to glean a bit of VanderMeer’s writing process through it, like seeing how he used a real bar to figure out what Jim would need to do in order to run the Village Bar. It’s not often I end up thinking about the acknowledgments this much, but these ones are just that good.
Overall, this feels like a good way to leave off the SR series. Absolution fits in well with the rest; it’s got that strange psychological/environmental/bureaucratic horror that I’ve come to crave. But how will I sate my appetite now? Woe is me, it’s all over.
dark
emotional
mysterious
adventurous
dark
mysterious
sad
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Yes
adventurous
challenging
dark
emotional
mysterious
tense
fast-paced
Plot or Character Driven:
Plot
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
challenging
dark
mysterious
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
challenging
mysterious
reflective
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Complicated