Reviews tagging 'Panic attacks/disorders'

Alone With You in the Ether by Olivie Blake

16 reviews

cnannery19's review against another edition

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challenging dark emotional hopeful inspiring reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5


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_charliesbooks_'s review against another edition

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challenging dark emotional hopeful sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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mirandaleighhhh's review against another edition

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challenging dark emotional tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

4.0

I'm still too overwhelmed to write an adequate review...

This was hard to get into, and all around pretty intense...but it fully sucked me in. Almost every character was unlikable and fairly un-relatable (mostly where wealth is concerned), and yet each was fascinating. I read this so fast I made myself sick. Olivie's writing is interesting, and there are some things I'm still not sure I understand...I'm going to need to let this marinate and come back with an official rating and review.


'When you learn a new word, you suddenly see it everywhere. The mind comforts itself by believing this to be coincidence but it isn't -- it's ignorance falling away. You future self will always see what your present self is blind to. This is the problem with mortality, which is in fact a problem of time.'

"So, somewhere out there, there's a hive of lady bees killing people for vengeance instead of doing what they're supposed to do?" 
" yes, probably"
"That's--" Encouraging. Invigorating, even. Temporarily mesmerizing. "Interesting."

'Settle over me like the tide, cover me like a blanket, wrap around me like the sun.'

'See, I had a genius between my legs and held him inside me and swallowed him up, and then I made his brilliance mine.'

'I want you to say everything, anything. I want to have your thoughts, I want to bottle them, I want to put them in my drawer for safe keeping'

'It's you and me alone in the ether and you don't even know it, you don't even care, but still you are tied to this, and to me, and so be it, really. 
So be it. This is what it means to live.'

'Because you and I, we are so different, aren't we, and yet we are more like each other than the rest of the world is like us, and for that I bless you, I condemn you, I sanctify you, I sustain you.'



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kittkat's review against another edition

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emotional hopeful inspiring slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Fuck Marc🀬!

Regan arbeitet in einem Museum, sie wollte mal Künstlerin werden, aber stattdessen ist sie fast im GefÀngnis gelandet. Regan hat einige Probleme, die sie aber nicht ganz offen mit allen teilt, nach außen wirkt sie für alle wie ein kompliziertes Problem, das man sowieso nicht lâsen kann, also warum sollte man sich nÀher mir ihr beschÀftigen?

Aldo ist wohl der furchtbarste Mathe Prof aller UniversitΓ€ten der ganzen Welt. Meistens denkt er ΓΌber theoretische Mathematikprobleme, Quantenphysik oder Bienen nach (die Reihenfolge hier ist arbitrΓ€r). Sein grâßtes Problem als Dozent ist jedoch nur, dass er nichts wirklich verstΓ€ndlich erklΓ€ren kann und er will das auch gar nicht kΓΆnnen. Ignorant king πŸ’β€β™€οΈ! Aber dahinter stecken auch ganz viele eigene Probleme und vielleicht braucht er einfach diese Distanz zu anderen.

6 GesprÀche kânnten alles Àndern. Oder auch nicht, aber sie werden nicht mehr zu ihrem vorherigen Leben zurückkehren kânnen. 🀭

Schreibstil: 12/10 - genau so wie ich mir perfektes Storytelling vorstellen. Wenn ichs beschreiben mΓΌsste, wΓΌrde ich sagen, es ist sehr β€žstream of consciousnessβ€œ (= so wie wir denken-mÀßig)

Charaktere: sind echt/10 - ich kann nicht mehr ohne sie leben

Marc: -∞/10

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arturo_luzen's review against another edition

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challenging dark emotional funny hopeful informative inspiring reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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cobaltmade's review against another edition

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dark emotional funny reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

im totally inlove with AldoRegan no one can stop me

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horizonous's review against another edition

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anusha30's review against another edition

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dark emotional hopeful reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0


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tabbed_reads2much's review against another edition

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dark emotional tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.75

To any person working through their abuse trauma: this book is not for you right now.

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_simplyrochellereads's review against another edition

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hopeful inspiring reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

πšπšŽπšŸπš’πšŽπš : π™°πš•πš˜πš—πšŽ πš†πš’πšπš‘ 𝚈𝚘𝚞 π™Έπš— πšƒπš‘πšŽ π™΄πšπš‘πšŽπš›β£
πšπšŠπšπš’πš—πš : β˜†β˜†β˜†β£β˜†
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β€œπ™·πšŽ πšπš›πšžπšœπšπšŽπš πš‘πšŽπš›, πš‹πšŽπšŒπšŠπšžπšœπšŽ πš‘πšŽ 𝚠𝚊𝚜 πšŠπšπš›πšŠπš’πš 𝚘𝚏 πš‘πšŽπš›, πš‹πšŽπšŒπšŠπšžπšœπšŽ πš‘πšŽ πš•πš˜πšŸπšŽπš πš‘πšŽπš›.β£β€œ
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π™Όπš’ πšπš’πš›πšœπš πš‹πš˜πš˜πš” πš‹πš’ π™Ύπš•πš’πšŸπšŽ π™±πš•πšŠπš”πšŽ. 𝙸 πšπš’πšπš—β€™πš πš‘πšŠπšπšŽ πš’πš, πš‹πšžπš 𝙸 πšŠπš•πšœπš˜ 𝚠𝚊𝚜 πšŽπš‘πš™πšŽπšŒπšπš’πš—πš 𝚝𝚘 πš‹πšŽ πš˜πšŸπšŽπš›πš•πš’ πš˜πš‹πšŒπšŽπšœπšœπšŽπš πš•πš’πš”πšŽ 𝚊 πš•πš˜πš 𝚘𝚏 πš™πšŽπš˜πš™πš•πšŽ.  π™Έπš πšœπš™πš˜πš”πšŽ 𝚝𝚘 πš–πšŽ πš–πš˜πš›πšŽ πšπš‘πšŠπš— 𝙸 πšπš‘πš˜πšžπšπš‘πš, πš’πš— πšπš‘πšŽ πš‹πšŽπšπš’πš—πš—πš’πš—πš 𝙸 πšπš˜πšžπš—πš πš’πš πš‘πšŠπš›πš 𝚝𝚘 πšŒπš˜πš—πš—πšŽπšŒπš πš‹πšžπš πš˜πš—πšŒπšŽ 𝙸 πšŒπš˜πš—πš—πšŽπšŒπšπšŽπš 𝙸 𝚠𝚊𝚜 πšŠπš•πš• πš’πš— πšŒπš˜πš–πš–πš’πšπšπšŽπš. πšƒπš‘πš’πšœ πš‹πš˜πš˜πš” πš’πšœ πš—πšŽπšžπš›πš˜πšπš’πšŒ πšŠπš—πš πš’πš—πšπšŽπš•πš•πšŽπšŒπšπšžπš• πš πš‘πš’πšŒπš‘ 𝚠𝚊𝚜 𝚜𝚘 πšŠπš™πš™πšŽπšŠπš•πš’πš—πš 𝚝𝚘 πš–πšŽ. 𝙸 πšŽπš–πš™πšŠπšπš‘πš’πš£πšŽπš 𝚜𝚘 πš–πšžπšŒπš‘ πš πš’πšπš‘ πšπšŽπšπšŠπš— πšŠπš—πš πšπš‘πšŽ πšŒπš˜πš–πš–πšžπš—πš’πšŒπšŠπšπš’πš˜πš— 𝚝𝚘 πš‘πšŽπš›πšœπšŽπš•πš πš’πš— πš‘πšŽπš› πš‘πšŽπšŠπš, 𝚊𝚜 𝙸 πš˜πšπšπšŽπš— 𝚍𝚘 𝚜𝚘 πš’πš— πš–πš’ πš‘πšŽπšŠπš. 𝙸 πšŠπš‹πšœπš˜πš•πšžπšπšŽπš•πš’ πš•πš˜πšŸπšŽπš π™°πš•πšπš˜ πšŠπš—πš πš‘πš˜πš  πš‘πš’πšœ πš–πš’πš—πš πšŠπš—πš πšπš‘πš˜πšžπšπš‘πš πš™πš›πš˜πšŒπšŽπšœπšœ πš πš˜πš›πš”πšŽπš. ⁣
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𝙸 πš‹πšŽπš•πš’πšŽπšŸπšŽ πš’πš˜πšžβ€™πš›πšŽ πšŽπš’πšπš‘πšŽπš› πš‘πšŽπšŠπš πš˜πšŸπšŽπš› πš‘πšŽπšŠπš•πšœ πš˜πš‹πšŒπšŽπšœπšœπšŽπš πš πš’πšπš‘ πšπš‘πš’πšœ πš‹πš˜πš˜πš” πš˜πš› πš’πš˜πšžβ€™πš›πšŽ πšŒπš˜πš–πš™πš•πšŽπšπšŽπš•πš’ πš—πš˜πš. π™°πšœ πšπš˜πš› πš–πšŽ π™Έβ€™πš– πš—πš˜πš πš˜πšŸπšŽπš›πš•πš’ πš˜πš‹πšŒπšŽπšœπšœπšŽπš, πš‹πšžπš 𝙸 𝚍𝚘 πš•πš˜πšŸπšŽ πšπš‘πšŽ πšœπšπš˜πš›πš’, πšπš‘πšŽ πš πš›πš’πšπš’πš—πš, πšπšŽπšπšŠπš— πšŠπš—πš π™°πš•πšπš˜.


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