Reviews with content warning for Police brutality - Outlawed

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Outlawed by Anna North

22 reviews

hmatt's review against another edition

adventurous fast-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes

3.0

I love the concept of this story so much, and it had so much potential. The world-building is super well done, and I love alternate histories. Unfortunately, I came away with the feeling that the author tried to fit so much world and plot in that these got in the way of both the actual storytelling and the character-building.

Storytelling
I feel like the author was trying to fit too many events into too short of a narrative. This might have been okay, but there were so many minor events that I think we should have spent less time on, and a number of climactic events that we spent barely any time on whatsoever. A lot of these major events "fade to black" as soon as the action starts, and then we are caught up on what happened in retrospect later on - I was REALLY not a fan of this technique, and I don't think it made sense for the "western" genre.

Character-building
We do get a lot of information on most of the characters but, again, it's almost too much for how short of a book it is. What we lose out on, in my opinion, is a more profound emotional connection with the main character. We don't really dwell on her losses or feel them with her, which is extra strange given the whole novel is told in first-person.

TL;DR
The idea behind the novel is fantastic, but it tries to fit too much in. The concepts it seeks to explore are really only half-fleshed-out and the characters are hard to relate to, simply because the plot moves on too fast to hold space for these introspections.

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kimveach's review against another edition

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adventurous dark emotional mysterious reflective sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

I've never been a fan of Westerns, but this dystopian version was interesting.

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seawarrior's review against another edition

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adventurous emotional hopeful sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

Outlawed is a journey through the Wild West I've never experienced before, one which is emotionally gripping, genuinely frightening, and told through the perspective of those ignored or kicked down in traditional Western narratives. Through this journey we follow Ada, the teenage daughter of a midwife whose future is destroyed after she fails to conceive a baby, and is then accused of witchcraft by those she had once healed and trusted.

Ada is an interesting protagonist in many ways. She straddles the line between adolescence and adulthood, expertise and inexperience, wisdom and ignorance. Her mother's teachings have left her with adequate skills to practice medicine, but not much else. Once joining the Hole In the Wall Gang she shows poor judgement as a thief and as a peer, by making ignorant and insensitive remarks that strike a nerve with those whose life experience she's has yet to understand. Ada's shortcomings are not excused by the narrative or unrealistically healed by it, instead we're allowed to see both her perspective and those of the Gang members who are upset with her to form our own judgement that may differ from Ada's.

Throughout the book we are introduced to a number of characters who like Ada, have been discarded by society. Most of these characters are also infertile women, who found themselves in similar predicaments to Ada and had little other choice but to become outlaws afterward. I appreciated how even despicable acts such as killing were routinely told with empathy towards both the victim and the perpetrator. Within the world of Outlawed, violence is neither random nor justified, but understood as initiatives inflicted by the desperate or the powerful when one either has too much influence or not enough. The Hole in the Wall Gang reasons away their crimes because they have to in order to live with themselves, and because they feel that their victims are one face among many who would laugh as their lives were taken. Yet their violence is often more horrifying than it is grandiose, and always understood as a last resort effort for survival.

Though I read this book slowly I felt that North's writing style was effortlessly engaging and almost magical. Through Ada's eyes we see the beauty of human life and the environments that sustain it, both natural and man-made. Yet we are also made to feel the weight of the many tragedies she has witnessed, survived and inflicted. When Ada first ventures to find the Hole in the Wall Gang the tales she hears of their exploits are larger than life, and when she leaves them they are even more so. Within that time she learns that each of their members are only human and therefore flawed, with this possibly applying to the Kid most of all. The most powerful theme in this novel is how life goes on even after immense tragedy, and how we may find purpose in its midst.

Ada's purpose as a healer and her resolve that her knowledge is needed by the world at large is a striking motivation that propels her story forward and opens a well of emotion whenever her life is threatened. In these times North packs a punch by describing her grief towards her past and her possible future, with both realities linked by the medical and social wisdom her mother passed onto her. We come to accept as Ada does that on her survival hinges the lives of countless other infertile women who need an answer to their plight that will make the proponent theories of witchcraft and "race mixing" a thing of the past. Yet before she can achieve this dream Ada must learn through her failures while never giving up on herself, knowing she will one day find vengeance through the healing of others.

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nothingforpomegranted's review against another edition

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2.25

Ostensibly set in a mostly-dystopian 1894 Texas town that places a premium on women's ability to bear children and suspects infertile women of witchcraft, this book is narrated by Ada, a seventeen-year-old wife and midwife's apprentice who has been exiled from her community after a year of marriage with no child. Passionate about science and serving women, Ada finds herself in the company of the Hole in the Wall gang, a group of outlawed outsiders with a flexible and fluid approach to gender, love, sex, and justice.

This feminist take on a Western novel, filled with crime, adventure, and challenging authority, was certainly creative, but I was quite the right audience for it. Indeed, I was so distracted by the references to race, doctors, baby Jesus, the Flu and Fever, and the seeming dissolution of the United States that I was almost more focused on trying to figure out whether this was a dystopian alternative history (a Confederate win in the Civil War?) or a dystopian future (post COVID-19?), and I'm honestly still confused.

I also was pretty confused by the role of religion and by all of the characters. There were many, each with a painful background, but none was particularly well-developed, and the sub-plots detracted rather than added to the story. The one exception to this, in my opinion, was Lark's story, which surprised and intrigued me, but he, too, was an underdeveloped character who stuck around too briefly.

I appreciate the reviewer who acknowledged that this book offers a different take on the Hole in the Wall gang. I had no idea that this gang was a real concept and really disappointed that there was no Author's Note explaining that research and that choice (which guess means this is an alt-history novel?).

I picked this up because I needed a quick read to help propel me out of a slump (too many classics in a row/at a time can do that to you), and it was definitely successful in that respect. The story was engaging enough and kept me turning the pages for the few hours that this took to finish, but ultimately, I think Anna North bit off more than she could chew--infertility, religion, feminism, justice, gender fluidity, insomnia, mental health, medicine, mothering, Western adventure--and it really didn't work for me.

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womanwill's review against another edition

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adventurous sad tense fast-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

3.5

Fun and adventurous to read--I will certainly be keeping an eye out for other feminist westerns. However, the story lacked depth in both character development and world-building. The backstories of the fellow outlaws were lacking. I understand the need to let pieces on information come in slowly, but for some reason the characters all felt like they were at an arm's distance. North also piqued my interest by mentioning a "Flu" that devastated the U.S. but never fully investigated this and its effects on the outlaws, the U.S. and the story. Lastly, for how this novel was pitched in marketing, the idea of queerness, gender-bending, and found family was not nearly investigated well enough. North does nothing but scratch the surface of these topics, potentially causing harm in the process.

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rigbees's review against another edition

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adventurous dark tense fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.0

A barren woman flees first to a convent, then to a life as an outlaw in this novel set in the 1890s midwest US. The story that follows is a gripping outlaw tale, filled with disguises, wagon chases, and living life as a wanted criminal sought by multiple towns. It also is a story about a close-knit group of women and trans masc people trying to find identities when they'd been kicked out by towns that raised them. It portrays a complex life that doesn't gloss over the struggles of survival, while also valuing what it means to survive outside the norm.

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