Reviews tagging 'Confinement'

Catch-22 by Joseph Heller

3 reviews

erebus53's review against another edition

adventurous challenging dark emotional funny lighthearted reflective sad tense slow-paced

• Plot- or character-driven? Character
• Strong character development? It's complicated
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

4.25

I knew that this was a story about war, but I really had n idea what sort of flavour it was going to have. The whole idea of Catch-22 as I understood it, is that a crazy person is not fit for military duty, but to claim that you are crazy, so as to get out of service, just proves that you are sane.

This is a dark and twisted comedy. The dialogues feel like a twisted conglomeration of Monty Python, Alice in Wonderland, and M* A* S* H* with a peppering of Dr Seuss, Billy Wilder, and Abbot and Costello. From the outset you feel sure that the protagonist is a little mentally unwell, and slightly paranoid, but you soon see that there is a lot of it going around, and that they are all crazy like foxes.  I kept being reminded of that quote from the movie Pump up the Volume, "you're not screwed up.. you're an un-screwed up reaction to a screwed up situation".

I think this book is about equal parts gut-bustingly hilarious and unsettlingly horrific. Through satire and parody it jabs ceaselessly at the heroism of industry and Capitalism, corruption, the glory of war murder, the need to rescue women who are in charge of their own lives, the confusion of love and lust, confusion, certainty, certain confusions, and confusing certainty.

Parts of the story are clearly hyperbole. The absurdism is rife. I'm astounded that I haven't heard more of the punchlines of these jokes in my everyday life, but maybe I have and I was just not keyed into it. It's all incredibly convoluted. The story is told in anecdotes from the points of view of various people around the protagonist. There are recurrent gags, and retellings of parts of the plot from different people, and this all feeds into the feeling of being unsettlingly adrift, and carrying on through a haze of unreality peppered with déjà vu  (or déjà vécu, or presque vu..) where you see things twice, or miss them altogether.

The entire army situation is painted as blustering generals vying for status, while underfunded and overworked conscripts are roped into unwinnable situations, glory projects cost lives, bureaucratic shuffling means everything is officially lost in translation, or redacted, or just lost, and side-hustlers make out like bandits. Every sensible supposition is questioned and turned on its head, even the useful ones.. and it's all incredibly frustrating. You have to laugh or you cry and that combat, high-tension gallows humour is all you are left with... that and the haunting echos of trauma.

This is probably well worth a reread, or I may leave it on as background noise if I want a certain sort of dark chuckle.

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Content Warnings

Graphic: Classism, Deportation, Emotional abuse, Police brutality, Racial slurs, Racism, Stalking, Death of parent, Forced institutionalization, Mental illness, Murder, Sexism, Sexual harassment, Sexual violence, Vomit, War, Bullying, Chronic illness, Body horror, Gaslighting, Gore, Misogyny, Suicidal thoughts, Torture, Colonisation, Cursing, Alcohol, Animal cruelty, Body shaming, Fire/Fire injury, Pedophilia, Schizophrenia/Psychosis , Violence, Blood, Confinement, Death, Grief, Gun violence, Infidelity, Injury/Injury detail, Kidnapping, Medical content, Medical trauma, Panic attacks/disorders, Physical abuse, Rape, Sexual assault, and Sexual content

seanml's review against another edition

challenging dark funny slow-paced

• Plot- or character-driven? Character
• Strong character development? No
• Loveable characters? No
• Diverse cast of characters? No
• Flaws of characters a main focus? Yes

3.25

Reading anything called a ‘classic’ is a gamble; you don’t have to go too far back for them to be super problematic. In this instance, Joseph Heller’s Catch-22 ended up being a mixed bag. It’s a comedy novel that takes place during World War II, and was written in the 1960s. It is very much a product of its time. The book is “clever,” but clever in the way that a high school freshman would ask you “Is water wet?” and then once you answer they’re prepared to argue the complete opposite point in order to confuse you. In Catch-22 the military is basically run by the Marx Brothers: misunderstandings are frequent, and nothing is safe from being a gag to the point of death. Each chapter is in a way a skit focusing on a soldier or a commander, one of the handful that the book revolves around. They range from entertaining to infuriating. Luckily our protagonist is a soldier named Yossarian who happens to be the only sensical character throughout the entire thing. So as I went crazy from the never-ending chapters, Yossarian was right there with me. Unfortunately, I couldn’t relate to him in the chapter when he sexually assaults a nurse out of the blue. Yeah, this is the 1960s and every female character has at least one line about the shape of their breasts. This does not in any way pass the Bechdel test. In any case, the book does a good job at portraying the mania-fueled spiral of someone told to die for the good of their country again and again and again. Did I misunderstand most of it? Maybe. Should I read it again? Maybe, it depends on if it was good. Was it good? I’d have to read it again. Catch-22. 6.5/10. 

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Content Warnings

Graphic: Panic attacks/disorders, Sexism, Injury/Injury detail, Death, and Gore

Moderate: Gaslighting, Grief, Alcohol, Alcoholism, Body horror, Confinement, Cursing, Medical content, Animal cruelty, Sexual assault, Murder, Racism, Vomit, War, Adult/minor relationship, Gun violence, Infertility, Mental illness, Misogyny, Physical abuse, Rape, and Torture

Minor: Cannibalism

haleyd's review against another edition

adventurous challenging dark emotional funny sad medium-paced

• Plot- or character-driven? Character
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? No
• Flaws of characters a main focus? It's complicated

2.25

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Content Warnings

Graphic: Violence, War, Gore, Injury/Injury detail, Medical content, Medical trauma, Mental illness, Misogyny, Panic attacks/disorders, Sexual content, Sexual harassment, and Forced institutionalization

Moderate: Alcohol, Confinement, Excrement, Physical abuse, Racial slurs, Sexual assault, and Trafficking

Minor: Adult/minor relationship, Alcoholism, Animal cruelty, Child abuse, Classism, Cursing, Domestic abuse, Homophobia, Infidelity, Kidnapping, Police brutality, Rape, Religious bigotry, Sexual violence, Stalking, Terminal illness, and Vomit

A sometimes humorous, sometimes depressing classic full of paradoxes and contradictions that only prove themselves true, this take on WWII was a bit difficult for me to get through. Once I knew the writing style was to intentionally include these opposites, I became bored and would fall asleep after a few pages. It went more quickly toward the end, but then it was just so sad in some of the final pages, it was that what became the challenge for me. I'm reading this as part of a goal to get through several lists of "banned books" I've found. While I don't think any books should be truly banned, this one made me think several times, "Eek. This is part of the reason this was banned." Most of that is because it is so repulsive and very graphic. But also, things were quite different when this book was written which is evidenced by some of the behaviors wherein described. It could possibly be argued that children's minds are too vulnerable, but I would personally argue that I'd be confident letting my own teenage child read this, knowing that I've raised her well. However, I would definitely warn her that she likely wouldn't want to.