Reviews with content warning for Sexual assault - Catch-22

The first time I read Catch-22 was when I was 16 (nearly half my life ago!) I loved it then and thought it was due a revisit.

For a book with so many characters, where the time and events jump around so much and every other sentence is a joke, it should be hard going but it's very easy to read. Catch-22 manages to be hilarious and heartbreaking at the same time. The final scene in Rome is one of the best climaxes to a book I've ever read.

Unfortunately I definitely found the way the book treats and talks about women very uncomfortable.

With that caveat, I'm really looking forward to the next time I pick this up and get to experience Catch-22 again!

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madzie's review against another edition

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dark funny sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.75

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jujubeans's review against another edition

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dark emotional funny hopeful sad slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

3.75

Ok imagine the speed and subject of the plot like this: completely straight and consistent line for about the first 85%, then a quick drop in tone and weirdly enough, style, then a crazy steep climb at the very end. It is incredibly crass, vulgar, violent, gory, confusing, and humorous in the way “Who’s on first“ would be humorous if the characters were depressed, lonely, terrified, and traumatized to a great extent.

I don’t know how I feel about it to be honest.

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dannecingqueen's review against another edition

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challenging dark reflective sad slow-paced

Plot- or character-driven? Character
Loveable characters? No
Diverse cast of characters? No

4.0

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kwichris's review against another edition

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adventurous challenging dark tense slow-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

1.25

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erebus53's review against another edition

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adventurous challenging dark emotional funny lighthearted reflective sad tense slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.25

I knew that this was a story about war, but I really had n idea what sort of flavour it was going to have. The whole idea of Catch-22 as I understood it, is that a crazy person is not fit for military duty, but to claim that you are crazy, so as to get out of service, just proves that you are sane.

This is a dark and twisted comedy. The dialogues feel like a twisted conglomeration of Monty Python, Alice in Wonderland, and M* A* S* H* with a peppering of Dr Seuss, Billy Wilder, and Abbot and Costello. From the outset you feel sure that the protagonist is a little mentally unwell, and slightly paranoid, but you soon see that there is a lot of it going around, and that they are all crazy like foxes. I kept being reminded of that quote from the movie Pump up the Volume, "you're not screwed up.. you're an un-screwed up reaction to a screwed up situation".

I think this book is about equal parts gut-bustingly hilarious and unsettlingly horrific. Through satire and parody it jabs ceaselessly at the heroism of industry and Capitalism, corruption, the glory of war murder, the need to rescue women who are in charge of their own lives, the confusion of love and lust, confusion, certainty, certain confusions, and confusing certainty.

Parts of the story are clearly hyperbole. The absurdism is rife. I'm astounded that I haven't heard more of the punchlines of these jokes in my everyday life, but maybe I have and I was just not keyed into it. It's all incredibly convoluted. The story is told in anecdotes from the points of view of various people around the protagonist. There are recurrent gags, and retellings of parts of the plot from different people, and this all feeds into the feeling of being unsettlingly adrift, and carrying on through a haze of unreality peppered with déjà vu (or déjà vécu, or presque vu..) where you see things twice, or miss them altogether.

The entire army situation is painted as blustering generals vying for status, while underfunded and overworked conscripts are roped into unwinnable situations, glory projects cost lives, bureaucratic shuffling means everything is officially lost in translation, or redacted, or just lost, and side-hustlers make out like bandits. Every sensible supposition is questioned and turned on its head, even the useful ones.. and it's all incredibly frustrating. You have to laugh or you cry and that combat, high-tension gallows humour is all you are left with... that and the haunting echos of trauma.

This is probably well worth a reread, or I may leave it on as background noise if I want a certain sort of dark chuckle.

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