Reviews tagging 'Sexual violence'

Catch-22 by Joseph Heller

22 reviews

ronanmcd's review against another edition

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dark funny fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75

Ok, first off, this book is hugely problematic in its depictions of women. They are there for relief and using. They aren't allowed feelings of expression.
Aarfy's coerced rape back home, then rape/murder in Rome, and Yossarian's sexual assaults on Nurse Duckett maybe date the book, or were maybe always shocking. These are not comic actions by sympathetic heroes, as they seem to be presented, with the exception of the violence in Rome which is intended to shock.
Apart from that, and it took some doing to read the book with those concerns aside, the book is spot on with its lampooning of war and business. Ostensibly about the military complex in WW2, it hits much harder when read in the post WW2 era of globalised commerce, undeclared wars and covert operations, and the relentless and unquestioning pursuit of prosperity. Anything is ok, as long as you are in the clique and making profit.
Milo Minderbender is the perfect character. Anything is allowed, even treasonous acts, as he pursues personal gain, painting his profit as beneficial for all. It doesn't take a genius to see this in our world of billionaires, voters fooled in voting against their best interests, and politicians aided to the top by foreign enemies. The creation of his character may seem prescient, but it's more likely these things were always there, but just not as exaggerated as now.
Likewise the military police disappearing people, questioning them on unknown charges, finding the evidence tells the opposite of the truth, and ruling they are right anyway because they say they are. In a world that has seen Guantanamo, this no longer feels like satire.

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littlefish's review against another edition

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adventurous dark emotional funny reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.5

It took me about 100 pages of being confused before I got properly into this but very much worth it in the end. Great study on pointless bureaucracy and power-seeking rich guys, it really made me angry at points!

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jujubeans's review against another edition

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dark emotional funny hopeful sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.75

Ok imagine the speed and subject of the plot like this: completely straight and consistent line for about the first 85%, then a quick drop in tone and weirdly enough, style, then a crazy steep climb at the very end.  It is incredibly crass, vulgar, violent, gory, confusing, and humorous in the way “Who’s on first“ would be humorous if the characters were depressed, lonely, terrified, and traumatized to a great extent. 

I don’t know how I feel about it to be honest. 

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c_mcd's review against another edition

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adventurous emotional funny sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

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erebus53's review against another edition

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adventurous challenging dark emotional funny lighthearted reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25

I knew that this was a story about war, but I really had n idea what sort of flavour it was going to have. The whole idea of Catch-22 as I understood it, is that a crazy person is not fit for military duty, but to claim that you are crazy, so as to get out of service, just proves that you are sane.

This is a dark and twisted comedy. The dialogues feel like a twisted conglomeration of Monty Python, Alice in Wonderland, and M* A* S* H* with a peppering of Dr Seuss, Billy Wilder, and Abbot and Costello. From the outset you feel sure that the protagonist is a little mentally unwell, and slightly paranoid, but you soon see that there is a lot of it going around, and that they are all crazy like foxes.  I kept being reminded of that quote from the movie Pump up the Volume, "you're not screwed up.. you're an un-screwed up reaction to a screwed up situation".

I think this book is about equal parts gut-bustingly hilarious and unsettlingly horrific. Through satire and parody it jabs ceaselessly at the heroism of industry and Capitalism, corruption, the glory of war murder, the need to rescue women who are in charge of their own lives, the confusion of love and lust, confusion, certainty, certain confusions, and confusing certainty.

Parts of the story are clearly hyperbole. The absurdism is rife. I'm astounded that I haven't heard more of the punchlines of these jokes in my everyday life, but maybe I have and I was just not keyed into it. It's all incredibly convoluted. The story is told in anecdotes from the points of view of various people around the protagonist. There are recurrent gags, and retellings of parts of the plot from different people, and this all feeds into the feeling of being unsettlingly adrift, and carrying on through a haze of unreality peppered with déjà vu  (or déjà vécu, or presque vu..) where you see things twice, or miss them altogether.

The entire army situation is painted as blustering generals vying for status, while underfunded and overworked conscripts are roped into unwinnable situations, glory projects cost lives, bureaucratic shuffling means everything is officially lost in translation, or redacted, or just lost, and side-hustlers make out like bandits. Every sensible supposition is questioned and turned on its head, even the useful ones.. and it's all incredibly frustrating. You have to laugh or you cry and that combat, high-tension gallows humour is all you are left with... that and the haunting echos of trauma.

This is probably well worth a reread, or I may leave it on as background noise if I want a certain sort of dark chuckle.

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seapotatohowisitalrtaken's review against another edition

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adventurous dark emotional funny hopeful inspiring mysterious reflective relaxing sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.25


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bibliorama's review against another edition

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challenging dark sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

This might change. The beast is done though.
Enjoyment - 2.5
This book really takes awhile before it starts trusting you with its emotional baggage. Most of the humor was used to mask the trauma that Joseph Heller was definitely processing through the writing. The 12 year old virgin jokes got old, milo running around got old, etc. In fact, the Milo the Mayor chapter should have been cut entirely (imo), it has some of the most dated jokes and the important info learned from the chapter is reiterated in the Milo chapter. There were heavy, poignant moments but they were covered up by the writing style and dated humor.
Characters - 3
Atmosphere - 2.5
Plot - 3
Ending - 4
Style - 3.5 

Overall - 3

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mahamsiddiqui's review against another edition

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dark emotional reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

When the book first came out in 1961, the notion that war is bad might have been something new to the reader and awakening too. But, in this day and age, when there are so many opinions and lived examples available, we all know and can say with assurance that war is bad, except for fascists and dictators. So, as for the concept of 'Catch-22', it's not novel anymore. 

I felt like the novel dragged in places, it also felt like I'm reading someone's diary instead of a novel, sometimes felt like a college student looked up the synonyms in a thesaurus and put every word that they could find in the book. 

The book certainly is witty and funny. The characters are well written. Their humanness and fallibility and their complexities make you think or forces you to think, human beings are not black and white. War is evil. Human beings are mere pawns in it, and at the mercy of the fascists, who invoke wars to stroke their tiny egos. Through Yosarrian you see how a person in trying to do the right thing is always caught in exasperating circumstances. The skepticism of Yosarrian is something that I guess all of us go through after a certain point in life. It's relatable and quite understanding. 

Moving on, I absolutely did not like and was quite frankly disgusted by the rape and sexual assault scenes. They were described jn graphic details, and I believe for which there was no need. The treatment of women as mere sex toys was very disturbing. And we know that, that's how men treat women especially those who go to war. Women and children and elderly suffer the most. Women and children are raped, brutally assaulted and all because the men who go to war think that it is their right for defending their country to gain sexual pleasures by hook or crook. I just wish that the sexual scenes were described to a minimum. 

All in all, book is good, okay. 3.5 stars, .5 extra for Yosarrian. I loved him till the end. You cannot predict that the characters will have this human aspect to them when you first start the book but as you go by and the book explore similar scenes from different POVs you understand them and mildly condemn yourself for judging them too hastily. 

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bellaklimperauge's review against another edition

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challenging dark emotional reflective sad slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5


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c3liaiswhoiam's review against another edition

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slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.5

This was shit. It doesn't hit my good spot at all. I'm a very character-driven person, you know? If the plot is bad, I can sometimes get by if the characters are still good, but these characters are so many, and they're all unlikeable, they're all the same, they do the same shit, and they know the same people. I can't read books like this! That's not interesting to me! It's so clearly satire, but it's not funny to me. It's just depressing and frustrating to read. I need hope! This doesn't give it. I need enjoyable characters (not necessarily likeable ones) but this doesn't give it. And finally, it's just such a fucking drag. There was absolutely no reason for this book to be longer than 300 pages. None. Silch. Nu-uh. It's too long, and it's hard to keep tabs on which character you're with, and it's entirely character-driven but without character development (because it's satire...), and I really wish I hadn't needed to waste my precious time reading a book that wasn't suited to my tastes whatsoever, when I'm busy enough as it is right now. Because all this book did was frustrate me. It was just. so. frustrating. Never again do I want to think about this book. 

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