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cherub__'s review against another edition
dark
funny
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.75
I first read Catch-22 in high school as a teenager, and after reading it 10 years later as an adult, I can definitively say I did not properly appreciate it the first time around. There's a certain attitude to this novel that doesn't lend itself to a reader who hasn't experienced "adulthood in America" yet.
Despite never having served in the military (much less in WWII), It's one of the funniest, darkest, most unnervingly familiar books I've ever read. Many of the same criticisms of American life could be translated into 2023 and still be just as accurate as they were 70 years ago. Many passages feel as if they were written from a "greatest hits" reel of comedy skits in the 1960s, and it surprises me to learn how few of them have ever been attempted to be filmed. Nevertheless, the comedic brilliance is surrounded by a horrific backdrop of insanity that keeps ratcheting up, chapter by chapter. The slow, methodical descent from absurd nonsense to hysterical, deranged insanity echos the methodology of The Turn of The Screw (though clearly the styles are significantly different). Catch-22 poses as a comedy but is closer to a horror novel, which seems to be the essence of its satire nature.
I'll be thinking about this long after I put it down, and maybe in another 10 years I'll give it another re-read and find I've missed something again.
My only criticism is that the earlier chapters can be slightly repetitive. However, this is offset by the later half of the novel, where the continued repetition and callbacks to such serve to emphasize the visceral horror of what was previously considered merely absurd.
Despite never having served in the military (much less in WWII), It's one of the funniest, darkest, most unnervingly familiar books I've ever read. Many of the same criticisms of American life could be translated into 2023 and still be just as accurate as they were 70 years ago. Many passages feel as if they were written from a "greatest hits" reel of comedy skits in the 1960s, and it surprises me to learn how few of them have ever been attempted to be filmed. Nevertheless, the comedic brilliance is surrounded by a horrific backdrop of insanity that keeps ratcheting up, chapter by chapter. The slow, methodical descent from absurd nonsense to hysterical, deranged insanity echos the methodology of The Turn of The Screw (though clearly the styles are significantly different). Catch-22 poses as a comedy but is closer to a horror novel, which seems to be the essence of its satire nature.
I'll be thinking about this long after I put it down, and maybe in another 10 years I'll give it another re-read and find I've missed something again.
My only criticism is that the earlier chapters can be slightly repetitive. However, this is offset by the later half of the novel, where the continued repetition and callbacks to such serve to emphasize the visceral horror of what was previously considered merely absurd.
Content Warnings
Graphic: Death, War, Suicidal thoughts, Rape, Murder, and Child abuse
erebus53's review against another edition
adventurous
challenging
dark
emotional
funny
lighthearted
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
I knew that this was a story about war, but I really had n idea what sort of flavour it was going to have. The whole idea of Catch-22 as I understood it, is that a crazy person is not fit for military duty, but to claim that you are crazy, so as to get out of service, just proves that you are sane.
This is a dark and twisted comedy. The dialogues feel like a twisted conglomeration of Monty Python, Alice in Wonderland, and M* A* S* H* with a peppering of Dr Seuss, Billy Wilder, and Abbot and Costello. From the outset you feel sure that the protagonist is a little mentally unwell, and slightly paranoid, but you soon see that there is a lot of it going around, and that they are all crazy like foxes. I kept being reminded of that quote from the movie Pump up the Volume, "you're not screwed up.. you're an un-screwed up reaction to a screwed up situation".
I think this book is about equal parts gut-bustingly hilarious and unsettlingly horrific. Through satire and parody it jabs ceaselessly at the heroism of industry and Capitalism, corruption, the glory of war murder, the need to rescue women who are in charge of their own lives, the confusion of love and lust, confusion, certainty, certain confusions, and confusing certainty.
Parts of the story are clearly hyperbole. The absurdism is rife. I'm astounded that I haven't heard more of the punchlines of these jokes in my everyday life, but maybe I have and I was just not keyed into it. It's all incredibly convoluted. The story is told in anecdotes from the points of view of various people around the protagonist. There are recurrent gags, and retellings of parts of the plot from different people, and this all feeds into the feeling of being unsettlingly adrift, and carrying on through a haze of unreality peppered with déjà vu (or déjà vécu, or presque vu..) where you see things twice, or miss them altogether.
The entire army situation is painted as blustering generals vying for status, while underfunded and overworked conscripts are roped into unwinnable situations, glory projects cost lives, bureaucratic shuffling means everything is officially lost in translation, or redacted, or just lost, and side-hustlers make out like bandits. Every sensible supposition is questioned and turned on its head, even the useful ones.. and it's all incredibly frustrating. You have to laugh or you cry and that combat, high-tension gallows humour is all you are left with... that and the haunting echos of trauma.
This is probably well worth a reread, or I may leave it on as background noise if I want a certain sort of dark chuckle.
This is a dark and twisted comedy. The dialogues feel like a twisted conglomeration of Monty Python, Alice in Wonderland, and M* A* S* H* with a peppering of Dr Seuss, Billy Wilder, and Abbot and Costello. From the outset you feel sure that the protagonist is a little mentally unwell, and slightly paranoid, but you soon see that there is a lot of it going around, and that they are all crazy like foxes. I kept being reminded of that quote from the movie Pump up the Volume, "you're not screwed up.. you're an un-screwed up reaction to a screwed up situation".
I think this book is about equal parts gut-bustingly hilarious and unsettlingly horrific. Through satire and parody it jabs ceaselessly at the heroism of industry and Capitalism, corruption, the glory of war murder, the need to rescue women who are in charge of their own lives, the confusion of love and lust, confusion, certainty, certain confusions, and confusing certainty.
Parts of the story are clearly hyperbole. The absurdism is rife. I'm astounded that I haven't heard more of the punchlines of these jokes in my everyday life, but maybe I have and I was just not keyed into it. It's all incredibly convoluted. The story is told in anecdotes from the points of view of various people around the protagonist. There are recurrent gags, and retellings of parts of the plot from different people, and this all feeds into the feeling of being unsettlingly adrift, and carrying on through a haze of unreality peppered with déjà vu (or déjà vécu, or presque vu..) where you see things twice, or miss them altogether.
The entire army situation is painted as blustering generals vying for status, while underfunded and overworked conscripts are roped into unwinnable situations, glory projects cost lives, bureaucratic shuffling means everything is officially lost in translation, or redacted, or just lost, and side-hustlers make out like bandits. Every sensible supposition is questioned and turned on its head, even the useful ones.. and it's all incredibly frustrating. You have to laugh or you cry and that combat, high-tension gallows humour is all you are left with... that and the haunting echos of trauma.
This is probably well worth a reread, or I may leave it on as background noise if I want a certain sort of dark chuckle.
Content Warnings
Graphic: Classism, Deportation, Emotional abuse, Police brutality, Racial slurs, Racism, Stalking, Death of parent, Forced institutionalization, Mental illness, Murder, Sexism, Sexual harassment, Sexual violence, Vomit, War, Bullying, Chronic illness, Body horror, Gaslighting, Gore, Misogyny, Suicidal thoughts, Torture, Colonisation, Cursing, Alcohol, Animal cruelty, Body shaming, Fire/Fire injury, Pedophilia, Schizophrenia/Psychosis , Violence, Blood, Confinement, Death, Grief, Gun violence, Infidelity, Injury/Injury detail, Kidnapping, Medical content, Medical trauma, Panic attacks/disorders, Physical abuse, Rape, Sexual assault, and Sexual content
lordhaku's review against another edition
challenging
dark
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Death, Suicidal thoughts, War, Blood, Sexual assault, Sexual content, Torture, Cursing, Mental illness, Adult/minor relationship, Murder, and Police brutality
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